tag:blogger.com,1999:blog-19050450612665456582024-03-13T02:15:53.791+00:00DESENHO E PERFORMATIVIDADEUnknownnoreply@blogger.comBlogger584125tag:blogger.com,1999:blog-1905045061266545658.post-6700155902705703482023-02-03T23:49:00.001+00:002023-02-03T23:49:37.342+00:00 Quatro Dúzias e Meia mais Um | Trabalho Final | Margarida Bezerra Bastos<p></p><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgKgldr-bxbzvdGUsqNPMjCstZpD8c4eJMMr4wBoPPoTslpm21Tl8X6jJwuQ5AmuSPQBrenTtGNt_cXncR-NaH-eZg6WrNM4_INbW6-giLBOBKnWZnH4AT27_A-vyhCsyTKxXK7NUvvgM1hB0m74onQEcaW0r4jfWnppZNyx2p5TumzUZTLgNtVVeW/s2800/caixa.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1768" data-original-width="2800" height="221" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgKgldr-bxbzvdGUsqNPMjCstZpD8c4eJMMr4wBoPPoTslpm21Tl8X6jJwuQ5AmuSPQBrenTtGNt_cXncR-NaH-eZg6WrNM4_INbW6-giLBOBKnWZnH4AT27_A-vyhCsyTKxXK7NUvvgM1hB0m74onQEcaW0r4jfWnppZNyx2p5TumzUZTLgNtVVeW/w350-h221/caixa.png" width="350" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCPcX5sU0ZtDDxLzWfsrPHbjWcKdeRIu9smfrjy-7HSPk_WDiScMs5J0qo5bILHpAE3KYn0z-lT_YhOMWDfWoUVwwXY9Ysfsm-zxtbEix9lxnS6Cg__WfpXeMGO-BdPr7sTsDEf9FnrMDBUGbn2t45-vRxFhr3_uYaqQXeVdDMUaeNaR5wuHFCUC-M/s2777/LivroCaixa.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1598" data-original-width="2777" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCPcX5sU0ZtDDxLzWfsrPHbjWcKdeRIu9smfrjy-7HSPk_WDiScMs5J0qo5bILHpAE3KYn0z-lT_YhOMWDfWoUVwwXY9Ysfsm-zxtbEix9lxnS6Cg__WfpXeMGO-BdPr7sTsDEf9FnrMDBUGbn2t45-vRxFhr3_uYaqQXeVdDMUaeNaR5wuHFCUC-M/w348-h200/LivroCaixa.png" width="348" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkNUWMaXX6Uo5aA0dTvZT8IysBLq02wvd6PS1I0id9M4S7VYXDM_AtV9PjinVlAU6wLObOjDFltfeKZ0lLpQHSf9IKkA_n6CcTZjPrdmbJdMQ03Z3kfGJpSZgAEdfRzDISnXUvdt5_R2HNPLoHXMW3Oanm8nzx9XSG5qSDatSfoErbG8CtmxTWtXJF/s3120/Livro.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1800" data-original-width="3120" height="204" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkNUWMaXX6Uo5aA0dTvZT8IysBLq02wvd6PS1I0id9M4S7VYXDM_AtV9PjinVlAU6wLObOjDFltfeKZ0lLpQHSf9IKkA_n6CcTZjPrdmbJdMQ03Z3kfGJpSZgAEdfRzDISnXUvdt5_R2HNPLoHXMW3Oanm8nzx9XSG5qSDatSfoErbG8CtmxTWtXJF/w353-h204/Livro.png" width="353" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEOqcEkopyw5iuRxQxFYB2iDH3KNtyIvCYZ6hybhLkSSFs9rVmOqgzS17_Zhow9vRqszZGq5zutHG10NKGbc6PZWawbb-bDkMxQJDp-cm3IOEWXJWEHxoykb13n3zWv7AQyRaIMUy8M321mBlTZJmAt79h6xDqMkf7vGdiZC9iXXKe3e_3zOmzLFIt/s1720/1.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1232" data-original-width="1720" height="253" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEOqcEkopyw5iuRxQxFYB2iDH3KNtyIvCYZ6hybhLkSSFs9rVmOqgzS17_Zhow9vRqszZGq5zutHG10NKGbc6PZWawbb-bDkMxQJDp-cm3IOEWXJWEHxoykb13n3zWv7AQyRaIMUy8M321mBlTZJmAt79h6xDqMkf7vGdiZC9iXXKe3e_3zOmzLFIt/w354-h253/1.png" width="354" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHQxXN4CJTqDvgjBKxkDIfcjsIeY0UBew6KhPqXb5fPs3wScfENmU30ERt8llCWufkMDrY_zAOC2olWXTbdqAL8TgJIdl6YOKqvhVV2bn3Rte3LvkMpRuw-9Y5mVaY2AXfUP7Smwm9gygUMA3rTeAu2u7uN_RVB2lM-ZX8kpeTh5bDcljlfaeppiic/s2074/15.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1326" data-original-width="2074" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHQxXN4CJTqDvgjBKxkDIfcjsIeY0UBew6KhPqXb5fPs3wScfENmU30ERt8llCWufkMDrY_zAOC2olWXTbdqAL8TgJIdl6YOKqvhVV2bn3Rte3LvkMpRuw-9Y5mVaY2AXfUP7Smwm9gygUMA3rTeAu2u7uN_RVB2lM-ZX8kpeTh5bDcljlfaeppiic/w349-h224/15.png" width="349" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpjWBmBamGCVghiecOIjmVrSTHJ9D4_1h3KWvIHoUatZTxTY7nozwm-5VM_Bjcw8HtSja4wwDiTIsa_M1FVYv2RBgJdbK1DF25uWUdhnMLwG4kdYuLHFPUvEceT8ta7Yp2GlAGNObeGPXV-eGVNXRbY7Kdt8rAUWSRy_7kKIIso8J7fYj_lJfolxXd/s2056/26.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1446" data-original-width="2056" height="241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpjWBmBamGCVghiecOIjmVrSTHJ9D4_1h3KWvIHoUatZTxTY7nozwm-5VM_Bjcw8HtSja4wwDiTIsa_M1FVYv2RBgJdbK1DF25uWUdhnMLwG4kdYuLHFPUvEceT8ta7Yp2GlAGNObeGPXV-eGVNXRbY7Kdt8rAUWSRy_7kKIIso8J7fYj_lJfolxXd/w343-h241/26.png" width="343" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgt7BdHEu_DX-MMNAn-ATOEb27qzNDHwQtUx_Yp2DAHeB3C6SeOm20o4vID5Yf9-pfM--5xKE6ejm0w4g38X5IMcRavsFSQ8zciuTHm6lb5IZrHMHpt9JbbfAL5EN-h2l9LxdzdjBqhDD5o_gKYPS-hil-a4s5S8gdOi9sGy204AiF5fbWxGUFSUkCH/s1913/38.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1320" data-original-width="1913" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgt7BdHEu_DX-MMNAn-ATOEb27qzNDHwQtUx_Yp2DAHeB3C6SeOm20o4vID5Yf9-pfM--5xKE6ejm0w4g38X5IMcRavsFSQ8zciuTHm6lb5IZrHMHpt9JbbfAL5EN-h2l9LxdzdjBqhDD5o_gKYPS-hil-a4s5S8gdOi9sGy204AiF5fbWxGUFSUkCH/w344-h238/38.png" width="344" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBadLbYh4lKgZyYZmtVanAtN8jPuonUH2yxnZ9tvoInrl0tL0o1R2-v4kKYZbeA2VphwzSD1KEn4FzzZseGNi5t-8jm-IplBiZ3VVLZY16LBNhZtssY9ZQagqGjzObW5CI7BcU_d0CLHPXm_bHA1ssl53uFAeJps0lVVTiIbNILmx_-PvHduJ-ssvl/s1955/55.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1488" data-original-width="1955" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBadLbYh4lKgZyYZmtVanAtN8jPuonUH2yxnZ9tvoInrl0tL0o1R2-v4kKYZbeA2VphwzSD1KEn4FzzZseGNi5t-8jm-IplBiZ3VVLZY16LBNhZtssY9ZQagqGjzObW5CI7BcU_d0CLHPXm_bHA1ssl53uFAeJps0lVVTiIbNILmx_-PvHduJ-ssvl/w341-h260/55.png" width="341" /></a></div><div><br /></div><div><br /></div><div style="text-align: center;">Tenho <i>Quatro Dúzias e Meia mais Um </i>de instruções dentro de mim</div><div style="text-align: center;">Sou um livro de desenho de instrução e imaginação </div><div style="text-align: center;">Abre as minhas páginas e liberta a confusão </div><div style="text-align: center;"><br /></div><div><span style="font-family: inherit;"><br /></span></div><div><span style="font-family: inherit;">Este Livro veio da necessidade de criar uma proposta experimental de desenho instrucional depois de ter, em parte, a experiência de descoberta do desenho instrucional de Yoko Ono e das várias
experiências multissensoriais dos exemplos do movimento Fluxos enquanto escrevia o artigo. </span></div><div><span style="font-family: inherit;"><br /></span></div><div><span style="font-family: inherit;">Ao encontrar a partitura “Tactile List” de Ay-O (1966) no livro
Notations de John Cage (1969), decidi pegar nela e transforma-la nos meus título criando instruções a partir deles.</span></div><div><span style="font-family: Garamond; font-size: 13pt;"><br /></span></div><br /><br /><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /> <p></p>Margarida Bezerra Bastoshttp://www.blogger.com/profile/08650497036944604926noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-75740108190488576062023-02-03T22:17:00.000+00:002023-02-03T22:17:22.036+00:00PERFORMANCE, DOCUMENTO E DESENHO | Margarida Bezerra Bastos<p> </p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU8_D1KK_xy6XzTIrMba_ZoyiYWOz99xHYp6GnPjd-qPOKia0d7HG5iF43aszMPGN2eBz6HF9bmlq5Gpx6OHNRRTpTdxkOw3VGE7TzCgiGH5HbPJ4LFHQdiPHoC4oeIvFC1-Ij2uxwI8DnWaMlK8AMA57ALZatRBYRonyLkUZK-XDSO8aZiT4We81U/s4000/2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1722" data-original-width="4000" height="299" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU8_D1KK_xy6XzTIrMba_ZoyiYWOz99xHYp6GnPjd-qPOKia0d7HG5iF43aszMPGN2eBz6HF9bmlq5Gpx6OHNRRTpTdxkOw3VGE7TzCgiGH5HbPJ4LFHQdiPHoC4oeIvFC1-Ij2uxwI8DnWaMlK8AMA57ALZatRBYRonyLkUZK-XDSO8aZiT4We81U/w692-h299/2.png" width="692" /></a></div><br /><p>"Clearly, we already share a great number of memories that are recorded, interpreted and archived by machines alone. Memory banks are already easily accessible. Memory withdrawal from those banks is something we already often do to structure our understanding not only of world history, but more ominously, of our own personal history."</p><p>- Ollivier Dyens (2001), "<i>The Sadness of the Machine". </i>In Ian Farr (2012) "<i>Memory" </i>Documents of Comtemporary Art </p><p>Eu sempre me identifiquei com este artigo, e sinto afinidade também por textos dados pelo professor (<i>e.g. </i> <i>The Performativity of Performance Documentation). </i></p><div style="text-align: left;">Pensando que a maneira como nós apresentamos ao outro e documentamos uma obra pode ser tão importante e relevante como a obra em si! É a partir dela (apresentação/documentação) que criamos uma memória.</div><p>Assim, após a minha pequena performance de disrupção na sala de aula e transformação da mesma num parque infantil, a documentação tinha que representar o mesmo sentido. </p>Margarida Bezerra Bastoshttp://www.blogger.com/profile/08650497036944604926noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-46330064250849704682023-02-03T21:21:00.004+00:002023-02-03T22:26:02.017+00:00DESENHO, INSTRUÇÃO E PERFORMANCE | Margarida Bezerra Bastos<p><br /></p><p>Duas instruções, uma ação e um desenho, escritas por mim: </p><p>Já pensaste que sempre que dás um passo deixas algo para trás? Será uma partícula, uma memória, um grão, um desejo, um lenço, uma tristeza? Um trilho é formado e um caminho forjado, deixa a tua memória no espaço físico. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0Lfw27uTetFN8S03pt5UZbUjxDjIYKMzRuWUCGlAWAWLvSUFCWKvoHGzY6xoAIUvkaFcLbGMhqWZXhFz00FCEGStl_k4LgELI3AMChCLGVgZ-wsQpXUTzGC8F3A6PD-dcAeONAH_yfhm9RFlIIX7ESikOah372Fs2SI8ECSibL-g_kGZfygGpzTkw/s1000/LevaOCarva%CC%83oAPassear.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0Lfw27uTetFN8S03pt5UZbUjxDjIYKMzRuWUCGlAWAWLvSUFCWKvoHGzY6xoAIUvkaFcLbGMhqWZXhFz00FCEGStl_k4LgELI3AMChCLGVgZ-wsQpXUTzGC8F3A6PD-dcAeONAH_yfhm9RFlIIX7ESikOah372Fs2SI8ECSibL-g_kGZfygGpzTkw/s320/LevaOCarva%CC%83oAPassear.png" width="320" /></a></div><p><br /></p><p>Eletrifica os teus sensores corporais, segue a seguinte partitura: </p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSg-ZHpotkd0kstScXRJwyWssl9LMBBOHz8bBPYlQs7o1no1IBrnal-a-90cgM3LMfTgm6lKodHddojHOQhNPo82I8CTm8vVI5z_9VeWo8h2czAwRsrdKhHcH8Egyyx-kmpT8-z2qPgFWQ3Kyk1nWrxUH3bTuIymvYt9f_yTTjfNLQZSJV5ksQnuRW/s2565/Composic%CC%A7a%CC%83on%C2%BA5.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1693" data-original-width="2565" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSg-ZHpotkd0kstScXRJwyWssl9LMBBOHz8bBPYlQs7o1no1IBrnal-a-90cgM3LMfTgm6lKodHddojHOQhNPo82I8CTm8vVI5z_9VeWo8h2czAwRsrdKhHcH8Egyyx-kmpT8-z2qPgFWQ3Kyk1nWrxUH3bTuIymvYt9f_yTTjfNLQZSJV5ksQnuRW/w421-h278/Composic%CC%A7a%CC%83on%C2%BA5.png" width="421" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><p>Interpretadas por mim: </p><p>1- Série de desenhos a realizar de olhos vendados criando uma narrativa: da entrada da fbaup até à sala de aula de desenho e performatividade. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHWkE6ktqIGURkXJxJgzbuhDRCbA9E_7_T4po7aObDGgDonal48khBhiNNaOoEeOKT-q5Vpy2vkjc5Ag0aaUF4LUyd88qBozJGiHp0HDu0iWgtbdiTQE5DYponRf7meE_u4vR7Pij4ABTmfmdzTs0RRsIiQ3N7vQghdhSANuf0HC4c5NBuj0UMaekT/s2031/1.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2031" data-original-width="691" height="933" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHWkE6ktqIGURkXJxJgzbuhDRCbA9E_7_T4po7aObDGgDonal48khBhiNNaOoEeOKT-q5Vpy2vkjc5Ag0aaUF4LUyd88qBozJGiHp0HDu0iWgtbdiTQE5DYponRf7meE_u4vR7Pij4ABTmfmdzTs0RRsIiQ3N7vQghdhSANuf0HC4c5NBuj0UMaekT/w318-h933/1.png" width="318" /></a></div><p></p><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;">Um desenho de memória espacial com os olhos fechados! Quatro desenho, quatro versões do mesmo caminho? Ou serão diferentes? </span></div><p></p><p><br /></p><p><br /></p><p>2 - Instrução para uma ação em casa: no espaço familiar agir durante 30 minutos como personagem principal de um espetáculo de circo. </p><div class="separator" style="clear: both; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifZ-UFxp90I3hNCQ_9EpdkYkjTlcNCT0mY0a_UNc86VVxRkdPUJYFWh1IlSNOLZBXJKJE9GH_ABDTGemCNEwdWTyYWd8SmRLFpPMLiveMvUJLcw0L3haJjSeN2ABobQftUKMZHa_GbB9wh0SaMl2QOyB5t0-yZ_tO5v0gyaRt-7iOodklP3ZuTJ9LU/s1920/2.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="799" data-original-width="1920" height="289" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifZ-UFxp90I3hNCQ_9EpdkYkjTlcNCT0mY0a_UNc86VVxRkdPUJYFWh1IlSNOLZBXJKJE9GH_ABDTGemCNEwdWTyYWd8SmRLFpPMLiveMvUJLcw0L3haJjSeN2ABobQftUKMZHa_GbB9wh0SaMl2QOyB5t0-yZ_tO5v0gyaRt-7iOodklP3ZuTJ9LU/w698-h289/2.png" width="698" /></a></div><p>Palhaço</p><p>- Que dia chato! Estou farta desta vida.... só quero dormir.... <span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> As pessoas sempre me disseram para não ser palhaço, mas eu ouvi? NÃO! CLARO! </span></p><p><span><br /></span></p><p> </p>Margarida Bezerra Bastoshttp://www.blogger.com/profile/08650497036944604926noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-88066936018893070362023-02-03T21:06:00.003+00:002023-02-03T21:06:35.990+00:00RETÓRICA DO ATO PERFORMATIVO | Margarida Bezerra Bastos<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6eIxL1ta84djOsxX8FEmCdxg_h8VdZMs1bvvz2D0xOpo8EEM_3DW_hdaVdpGSCsMzqV-8vq57Rjp9l-ZTYnFDV12utRRnsfN25AjHYaTmzVC6KaP7LSLElyoOyevWes8CSa1LfQTGd1kvwsG7K8uRxb8VXRJpoNVqyhX5VsD1omDqrvlNFJDXH2lD/s640/fadinha.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6eIxL1ta84djOsxX8FEmCdxg_h8VdZMs1bvvz2D0xOpo8EEM_3DW_hdaVdpGSCsMzqV-8vq57Rjp9l-ZTYnFDV12utRRnsfN25AjHYaTmzVC6KaP7LSLElyoOyevWes8CSa1LfQTGd1kvwsG7K8uRxb8VXRJpoNVqyhX5VsD1omDqrvlNFJDXH2lD/s320/fadinha.png" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: justify;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;">" Uma fada bem pequenina está olhar por mim! </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> </span><span style="text-align: justify;"> Eu só só estou a dançar para te ver voar, <span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span></span><span style="text-align: justify;"> </span><span style="text-align: justify;">Mas não vejo a dançares para mim. <span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> Só vejo estas f(e)lores, então só vale apenas cheirar....<span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> E de lá de dentro saí! Uma feda muito bonitinha!"</span></span></span></div><p><br /></p><p style="text-align: left;">Aí que bela caixinha, com a música mais encantadora a ressoar.....<span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span>A bailarina a rodopiar e o espelho a refletir um outro mundo. </span></p><p><br /></p><p>- A bailarina sou eu agora, a voz sou eu criança e a caixa o meu mundo. - </p><p>Foi tudo um sonho! Uma fantasia da minha cabeça... Fui eu, sou eu e serei eu! </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1jbrJ3YP5jtybkUBKoFB2-S6osZfFTArzbGKl15IYfnVZz0-WjGrYcUUHfx2rsDKdpP8iO4JbwUogfEPtkStzhNELMXjM8pRjJvq_DQvEapHdD6QofVvxthGuOn_lzXWoz1zY3e0-LxQecAGXZRn6d3h9bwu8jDhnSkF9jH0Z1WtsRxHLzpwDjUsW/s1920/CaixaMusica.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="825" data-original-width="1920" height="290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1jbrJ3YP5jtybkUBKoFB2-S6osZfFTArzbGKl15IYfnVZz0-WjGrYcUUHfx2rsDKdpP8iO4JbwUogfEPtkStzhNELMXjM8pRjJvq_DQvEapHdD6QofVvxthGuOn_lzXWoz1zY3e0-LxQecAGXZRn6d3h9bwu8jDhnSkF9jH0Z1WtsRxHLzpwDjUsW/w671-h290/CaixaMusica.png" width="671" /></a></div><br /><p><br /></p><p></p><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><br /><p></p>Margarida Bezerra Bastoshttp://www.blogger.com/profile/08650497036944604926noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-79615177935148265672023-02-03T20:54:00.006+00:002023-02-03T20:57:38.853+00:00TRANSFERÊNCIA DE USO | Margarida Bezerra Bastos<p> </p><p><br /></p><p><br /></p><p></p><div class="separator" style="clear: both; text-align: center;"><br /></div>1- Uma Lista de sequências e consequências de ações que um dia provoca sobre cada corpo. <div><br /><p></p><div class="separator" style="clear: both; text-align: justify;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6TZPM2g1sxMxZWzxOfgzotOaI6-yqL0l9RfuSVgoX2Ku3d-Zr8fJpjzBjnApZNdzwB8_Pj2bmapIN7EAv3Jnr8rpOQVjKXBvAhmoogRHL75yZsT8Ikh4b1MBjaFO6kiEqznzeuOSP8oXZyOzA9lDe-AjI-0JT6jVa-LgxbAUvcY1OrcN0nSFpejWM/s1938/Picar.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="376" data-original-width="1938" height="123" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6TZPM2g1sxMxZWzxOfgzotOaI6-yqL0l9RfuSVgoX2Ku3d-Zr8fJpjzBjnApZNdzwB8_Pj2bmapIN7EAv3Jnr8rpOQVjKXBvAhmoogRHL75yZsT8Ikh4b1MBjaFO6kiEqznzeuOSP8oXZyOzA9lDe-AjI-0JT6jVa-LgxbAUvcY1OrcN0nSFpejWM/w637-h123/Picar.png" width="637" /></a></div><p><br /></p><p>Picar.... Repicar.....Picar.....Repicar.....Picar....Repicar.....Picar....Repicar.....</p><p></p><div class="separator" style="clear: both; text-align: center;"><br /></div>Uma execução mecânica do gesto <i style="font-weight: bold;">PICAR, </i>picar o papel com alfinetes que caem sobre si mesmos não aguentando o ato infletido sobre estes. Um desenho que se autodestrói, jogando com a fragilidade dos materiais e a força/violência da ação/palavra. <br /><p></p><p>O foco enquanto construção era procurar um gesto sequencial com repetição contínua sobre os mesmos padrões de ritmo e frequência da ação que gerou o movimento original. </p><p>30 minutos contínuos deste padrão, 30 minutos na procura da abstração, 30 minutos de reflexão. </p><p>Um transe. </p><p>Ação destrutiva <span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span>Desenho construído <span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> <span> </span></span>Pica e repica Repete e respira Pica....Repica.....Pica.......Repica......</p><p><br /></p><p><br /></p><p>2- Há ações que repetimos consecutivamente, mas não nos debruçamos sobre elas, não tomamos consciência do acontecimento ou da sia intensidade. </p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhu4tyJwqXnvmcbxzpXmat_rY9fdHwZnrcNJXsbrUcSGo1xKRHM1xqtl1BM3dYV2_3drVg5Uxi1B5j_nCmfV0N472dMi2b28MTf4tk7vsAkA8liZS6W2WnJWIHKq_H_IeUIOIZtvUvqcY2Sa1Wka4z797AX1tlPxL90toPan_CHUEFPn6ghFQgKVFaY/s1797/Re-morer:pelear.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1797" data-original-width="1080" height="532" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhu4tyJwqXnvmcbxzpXmat_rY9fdHwZnrcNJXsbrUcSGo1xKRHM1xqtl1BM3dYV2_3drVg5Uxi1B5j_nCmfV0N472dMi2b28MTf4tk7vsAkA8liZS6W2WnJWIHKq_H_IeUIOIZtvUvqcY2Sa1Wka4z797AX1tlPxL90toPan_CHUEFPn6ghFQgKVFaY/w319-h532/Re-morer:pelear.png" width="319" /></a></div><br /></div><br /><p><br /></p><p><b><i>Engatar e Remoer</i></b></p><p>Uma mudança de escala acontece para realçar e transferir estas ações passageiras/corriqueiras para algo performativo e deslocado da sua habitualidade, e consequencialmente intensificando o movimento. </p><p>Aqui prendo as mesas atrás de mim e sobre mim, tentando depois deslocar-me por entre elas para alcançar a próxima, esmagando-me e contorcendo, ao mesmo tempo gerando e criando tenção no corpo infletindo a prisão do maxilar e remoer dos dentes. </p><p>É engraçado como o simples ato de apertar um soutien e um tique podem estar conectados e serem trabalhados e ampliados. </p><p><br /></p><p>3- </p><p></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6rZu6Y5Tm4E9CXT4s0_RcGVqoCRXHwaoDxshzT4rt2yohcGQOcQj1HUXc_WBruHe2nlHGxzEW2kFdtK0bUQuK5ZPhKFeDFDJX4zBMoVc7iMB-L3mki_lIxoIO0Xss37xjOaWgIPy0LDip77zaO-XYkXwFEacdHfhup8gE7g0glpZwUJ5S0ia4-FVY/s1797/Salp.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1797" data-original-width="1080" height="529" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6rZu6Y5Tm4E9CXT4s0_RcGVqoCRXHwaoDxshzT4rt2yohcGQOcQj1HUXc_WBruHe2nlHGxzEW2kFdtK0bUQuK5ZPhKFeDFDJX4zBMoVc7iMB-L3mki_lIxoIO0Xss37xjOaWgIPy0LDip77zaO-XYkXwFEacdHfhup8gE7g0glpZwUJ5S0ia4-FVY/w318-h529/Salp.png" width="318" /></a></div><br /><p></p><p><br /></p><p>Gota a gota a tinta sai e salpica a superfície. <span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> Arrasta-se pelo ar e cai aleatoriamente sobre ela. </span> <span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> Uma memória de um movimento fica marcado. <span> <span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> Um movimento descolado e deslocado. <span> </span><span> </span><span> </span><span> </span><span> </span><span> </span> </span><span> <span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> O desenho espacial é capturado. </span></span></span></span></p><p><br /></p><p><span><span>A brincadeira de vir <i style="font-weight: bold;">Salpicar </i>algo que é o desperdício foi intencional, uma maneira de chamar a atenção e "decorar" o contentor no meio do jardim com uma atividade que podemos considerar suja no meio do desenho. </span></span></p><p><span>A ação terminou quando todo o depósito do contentor ficou 'contaminado' pela tinta. <i style="font-weight: bold;"> </i> </span><span> </span></p></div><br />Margarida Bezerra Bastoshttp://www.blogger.com/profile/08650497036944604926noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-88393322006555361832023-02-03T15:41:00.001+00:002023-02-03T15:41:09.777+00:00Ações sobre a linguagem: desenhos atuados (trabalho final)<p style="text-align: justify;"><span style="font-family: verdana;">Para este projeto, decidi incidir sobre processos de atuação da linguagem, neste caso da linguagem escrita (que se vai escrevendo).</span></p><p style="text-align: justify;"><span style="font-family: verdana;">A ideia seria a de que a linguagem fosse transferida da sua função meramente semântica para uma formação enquanto imagem atuada. Há aquilo que Anthony Howell designa por transferência do signo para a ação, em "The Analisys of Performance Art".</span></p><p style="text-align: justify;"><span style="font-family: verdana;">O trabalho é composto pelos objetos usados na performance: megafone, cordel, borracha, caneta de feltro, água e letras recortadas em papel, e pelo próprio filme, sem som, projetado.</span></p><p style="text-align: justify;"><span style="font-family: verdana;">Sendo o vídeo demasiado grande seguem, ao longo desta publicação, alguns frames.</span></p><p style="text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5UIVBWown24iSh4ohKN3O_db74R_QBArfZgV2WVuKymkBRcMIfP0uqRRCR7Hn5prfrhSBQDbs1Nfc3EyOdt88MM6nmiancnrysJpAkaQSd6BbmymjwJB_v1jyQgdy8g9f5X5OKHzjn86zCinZwi_y_IJxfYzeqEdwooavdlUIeFsr7JDcm4d87KBniQ/s3912/expo.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2211" data-original-width="3912" height="181" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5UIVBWown24iSh4ohKN3O_db74R_QBArfZgV2WVuKymkBRcMIfP0uqRRCR7Hn5prfrhSBQDbs1Nfc3EyOdt88MM6nmiancnrysJpAkaQSd6BbmymjwJB_v1jyQgdy8g9f5X5OKHzjn86zCinZwi_y_IJxfYzeqEdwooavdlUIeFsr7JDcm4d87KBniQ/s320/expo.png" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAng_ONAYyS5PWhPqIJQN93-hPUM4gn7V1JdzK3UhpwWAqJncYcZgPuAML2BfCVWxtH3SInIBNCq9MozZsCvraubqPWCMwMSrcQVGih9lMlHfS8IYBFvi5uP_i5DeswmaWJ_r3J4dnXF1Q6ehDvgTdMxzFj2mdFWkleEzKtVnTZaKyVe9bh_0dpAbtFg/s3572/expo%20(2).png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2197" data-original-width="3572" height="197" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAng_ONAYyS5PWhPqIJQN93-hPUM4gn7V1JdzK3UhpwWAqJncYcZgPuAML2BfCVWxtH3SInIBNCq9MozZsCvraubqPWCMwMSrcQVGih9lMlHfS8IYBFvi5uP_i5DeswmaWJ_r3J4dnXF1Q6ehDvgTdMxzFj2mdFWkleEzKtVnTZaKyVe9bh_0dpAbtFg/s320/expo%20(2).png" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtLCFs1JlCu2iE8IJiBpaCadTLd6aKbVxj7BzJ2bqjelRtnR7qvd7qsjGohOME3ippDO67LD1vjsQfCGL-7ts7Yd2_qDS-2rNpeRVHo941U8cb46woWqclol2M4FZJxrGl8Sddwf2NBYA_TOXX9_EX9DwvtbCWtP1Ilz0eT0XZHcNk79J8ryeEnQBwLg/s3529/expo%20(3).png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2211" data-original-width="3529" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtLCFs1JlCu2iE8IJiBpaCadTLd6aKbVxj7BzJ2bqjelRtnR7qvd7qsjGohOME3ippDO67LD1vjsQfCGL-7ts7Yd2_qDS-2rNpeRVHo941U8cb46woWqclol2M4FZJxrGl8Sddwf2NBYA_TOXX9_EX9DwvtbCWtP1Ilz0eT0XZHcNk79J8ryeEnQBwLg/s320/expo%20(3).png" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwaCm9AJEjfqRRi2SlXb4Y_iVj3i8QJpIbnkhjgvpWFbTk_l1ldSC-h9ZpM58mCVkcyVNs6Cw94OP-xAW1jvcl5-TM99qNeEIQ14fDwWO2ABHHVEusZ1MPhOvE9xE-iEjsj7JEwW9sHqBgUd_Xd0MnC1bNQBdP3VyGOonI7ZfMUUA8hTH8L86lnBn41A/s3473/expo%20(1).png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2183" data-original-width="3473" height="201" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwaCm9AJEjfqRRi2SlXb4Y_iVj3i8QJpIbnkhjgvpWFbTk_l1ldSC-h9ZpM58mCVkcyVNs6Cw94OP-xAW1jvcl5-TM99qNeEIQ14fDwWO2ABHHVEusZ1MPhOvE9xE-iEjsj7JEwW9sHqBgUd_Xd0MnC1bNQBdP3VyGOonI7ZfMUUA8hTH8L86lnBn41A/s320/expo%20(1).png" width="320" /></a></div><p></p><p style="text-align: justify;"><span style="font-family: verdana;">Quando a linguagem é escrita, ganha uma materialidade, um caráter expositivo a ser despoletado no interior das performances.</span></p><p style="text-align: justify;"><span style="font-family: verdana;">Na primeira cena, vemos o performer a pôr um megafone à frente da boca, apto a falar. Como, ao longo do trabalho, se mantém inativo, não falando, a palavra repousa no lugar da imagem, adquirindo uma proposta de atuação - prestamos atenção ao que se forma da alotopia.</span></p><p style="text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh18krOkrWDAceZkrgCe2Em49N_I2tbefl5-pzopLaPKTTHPPZm00i8lT9uqDz6C4DwOQY17_YlfZqRKaLpKyqpWzXlCTTn6CcXHJoz8rs1vUh1Ue3__xv6Fwl0QqEpniOZZ4cBGX-_gq8tYWkMdmHDSqX6H1tQFnFjFtECMhIU9X-ASeNXNfOJ2dZpdQ/s526/Imagem1.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="296" data-original-width="526" height="287" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh18krOkrWDAceZkrgCe2Em49N_I2tbefl5-pzopLaPKTTHPPZm00i8lT9uqDz6C4DwOQY17_YlfZqRKaLpKyqpWzXlCTTn6CcXHJoz8rs1vUh1Ue3__xv6Fwl0QqEpniOZZ4cBGX-_gq8tYWkMdmHDSqX6H1tQFnFjFtECMhIU9X-ASeNXNfOJ2dZpdQ/w510-h287/Imagem1.png" width="510" /></a></div><p></p><p style="text-align: justify;"><span style="font-family: verdana;">Na seg</span><span style="font-family: verdana;">unda cena, </span><span style="font-family: verdana; text-align: justify;">continua-se
uma ação em que uma mão retira um cordel vermelho da boca da mesma pessoa e
escreve com ele a expressão “linguagem pelo corpo”. </span><span style="font-family: verdana;">Enlevados pela primeira performance, pela tensão que se
cria em não gritar, o cordel materializa, de forma figurativa, uma imagem para a
trajetória da voz falada, da boca à propagação no espaço. Essa linha, tendo uma caneta na ponta
camuflada, é usada para escrever o texto, transferindo-se a imagem que se dá ao
som da voz, para que consigo se possa escrever (atribuindo-se uma configuração
expositiva à linguagem): o corpo é ativado; é usado para se pensar no fenómeno
de atuação da linguagem.</span></p><p style="text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTg5VUOsHA7rXdrSKZa0yG-IP2kubEmhii2D5WOXU0vwsAMwNwth7nGZQ3t-AU5qo5ZuMXu5k6SYm5NZO_HVZn2-Htps0hVtHx4GXdWyKmNFVnH6mHVPyG0HwnNEYMDkZMAye_KiCyjeM6tW5r7P10n7ys9tRDu0fBgYcPSQUoBQ4dtOpk144kVeKHfA/s567/Imagem2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="319" data-original-width="567" height="290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTg5VUOsHA7rXdrSKZa0yG-IP2kubEmhii2D5WOXU0vwsAMwNwth7nGZQ3t-AU5qo5ZuMXu5k6SYm5NZO_HVZn2-Htps0hVtHx4GXdWyKmNFVnH6mHVPyG0HwnNEYMDkZMAye_KiCyjeM6tW5r7P10n7ys9tRDu0fBgYcPSQUoBQ4dtOpk144kVeKHfA/w516-h290/Imagem2.png" width="516" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><span style="font-family: verdana;">No terceiro exemplo, apaga-se um
texto que é posto de trás para a frente, como se a borracha o estivesse a
escrever. O texto, que é executado pela vontade de se realizar algo </span><span style="font-family: verdana;"> </span><span style="font-family: verdana;">a ter como que devendo ser destruído, diz “e
se um autocarro de dois andares se esbarrar contra nós, morrer a teu lado é uma
morte celestial.” (excerto traduzido de uma música dos </span><i style="font-family: verdana;">The Smiths</i><span style="font-family: verdana;">),
havendo uma afetação entre forma e conteúdo.</span><span style="font-family: verdana; text-align: left;"> </span><p></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOAuT5fIDJDhwF5y_z14wQRia8fTiMeTR_45gWfKCoH6FtCz2glPIT7wK9nGTZbmLLNwNRHs2AzkT_lYfms2fVUIKlXhgwOcRlnwnHiUFlTeQzjKuyHh0swPFE9o2W5U3HF1PnxcelaK-S3Exyvu3fBmf-bShyXEPZzyw6GZr-gRD-8fM_a6w1pwGrCw/s534/Imagem3.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="534" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOAuT5fIDJDhwF5y_z14wQRia8fTiMeTR_45gWfKCoH6FtCz2glPIT7wK9nGTZbmLLNwNRHs2AzkT_lYfms2fVUIKlXhgwOcRlnwnHiUFlTeQzjKuyHh0swPFE9o2W5U3HF1PnxcelaK-S3Exyvu3fBmf-bShyXEPZzyw6GZr-gRD-8fM_a6w1pwGrCw/w518-h293/Imagem3.png" width="518" /></a></div><p></p><p class="MsoNormal" style="text-align: justify;"><span style="font-family: verdana;">Passando para o próximo trabalho,
escreve-se “esquecer; impasse imaginado”, sobre a “linha da vida”.</span></p><p class="MsoNormal" style="text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6zq-nPO8dDmCPMUFnZa8nCrURroeB2aHjeNHnhhUh6wZPFBrhNa0DQNXcDYpLAdFQRBk5WEOFiXVpTK49T0EOJa2jaltmPY1YhE5jghEfBjsPt-MG2D9uA9h0rDv_fqJN8Vm001uXMwY8LuG1vtJ_wFDFiKAyHre4b7MP_zV08Idu3AJUVHq9qqyIqg/s567/Imagem4.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="319" data-original-width="567" height="294" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6zq-nPO8dDmCPMUFnZa8nCrURroeB2aHjeNHnhhUh6wZPFBrhNa0DQNXcDYpLAdFQRBk5WEOFiXVpTK49T0EOJa2jaltmPY1YhE5jghEfBjsPt-MG2D9uA9h0rDv_fqJN8Vm001uXMwY8LuG1vtJ_wFDFiKAyHre4b7MP_zV08Idu3AJUVHq9qqyIqg/w522-h294/Imagem4.png" width="522" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><span style="font-family: verdana;">Sobre o último vídeo, e fazendo
um percurso narrativo entre os mesmos, o corpo já não está presente. Fica a
linguagem que se articula e se forma pela própria performance. O jogo é simples
e parte de um processo bastante experimental de ver até onde se poderá estender
e formar a linguagem, mais propriamente pelo jogo de associações entre letras e sílabas. Para isso introduziram-se letras
dentro de uma </span><i style="font-family: verdana;">couvete</i><span style="font-family: verdana;"> de água levada ao congelador. As letras ficaram
dentro do cubo de gelo. A ação forma-se pelas associações entre as letras, que
se criam pelo movimento de derretimento do cubo, exposto ao calor.</span><p></p><p class="MsoNormal" style="text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiY9fpKJLwjd17JXPCmghPOaI_15HEac47uckaqY2xVV2N-CTTj0Npu9a8lZzmcZIddTAjpckvZ6O1UY79G0THVo7MCyeYG464zz1n2X_bA45SDxwprvI1rQXMMekNJ0_iL0rYsPzrZBzTHcFAuy4m_rwwCqgWvBF4Fv4pzSRfhxs1H_op-sBQYhvHLmg/s567/Imagem5.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="319" data-original-width="567" height="299" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiY9fpKJLwjd17JXPCmghPOaI_15HEac47uckaqY2xVV2N-CTTj0Npu9a8lZzmcZIddTAjpckvZ6O1UY79G0THVo7MCyeYG464zz1n2X_bA45SDxwprvI1rQXMMekNJ0_iL0rYsPzrZBzTHcFAuy4m_rwwCqgWvBF4Fv4pzSRfhxs1H_op-sBQYhvHLmg/w531-h299/Imagem5.png" width="531" /></a></div><p></p><p class="MsoNormal" style="text-align: justify;"><span style="font-family: verdana;"><o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><span style="font-family: verdana;">As sílabas formam-se, compõe-se e
desarticulam-se. Chega-se a conseguir formar palavras e sentidos (que dialogam, com efeito, com a imagem em sucessão). As imprecisões justificam-se pela forma experimental, na qual o projeto
se densifica.<o:p></o:p></span></p><p class="MsoNormal" style="text-align: justify;"><br /></p><p class="MsoNormal" style="text-align: justify;"><span style="font-family: verdana;"><br /></span></p><p class="MsoNormal" style="text-align: justify;"><br /></p><p class="MsoNormal"><span style="font-family: verdana;"> </span></p><p><span style="font-family: verdana;"><br /></span></p>André Marqueshttp://www.blogger.com/profile/07324137119581048671noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-69689111326195852982023-02-03T12:07:00.005+00:002023-02-03T12:13:04.019+00:00Performance, documento e desenho<p style="text-align: justify;"> </p><p style="text-align: justify;"><span style="font-family: verdana;">Neste workshop tentamos abordar o desenho como um gesto que documenta e presentifica uma performance realizada por nós, através de um processo descritivo de comunicação.</span></p><p style="text-align: justify;"><span style="font-family: verdana;">No meu caso, a performance que eu realizei consistia em pegar no carregador do meu computador pela terminação que o liga a ele, esticar o braço na vertical, de maneira a que o fio ficasse esticado e tentar encaixar a outra terminação na tomada, que estava no chão da sala. O fio era maior do que eu, pelo que teria de fazer um esforço em bicos de pés e em movimentos em torno da extensão com as tomadas, de maneira a que o tentasse executar.</span></p><p style="text-align: justify;"><span style="font-family: verdana; font-size: x-small;"><br /></span></p><p style="text-align: justify;"><span style="font-family: verdana; font-size: x-small;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: verdana; font-size: x-small;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='488' height='406' src='https://www.blogger.com/video.g?token=AD6v5dwi02dKvIgQ-UOmWJWYayNtO6TX6nSpQ0meQVme6XTtilbPUtaZwQU7JU5nzer-ARC5p655Z2La4V02mQzozw' class='b-hbp-video b-uploaded' frameborder='0'></iframe></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: verdana; font-size: x-small;"><br /></span></div><span style="font-family: verdana;"><div style="text-align: justify;"><br /></div><div style="text-align: justify;"> Como esta ação acaba por inscrever um desenho no próprio espaço, um desenho de linha que flutua ou cria tensões junto com o corpo do performer, tentei que o desenho fosse também ele bastante gráfico. É muito interessante ver as várias intensidades do desenho, os vários ritmos e a organização do espaço da folha, de maneira a poder comunicar pelo esboço a natureza do gesto e da sequência.</div></span><p></p><p style="text-align: justify;"><br /></p><p style="text-align: justify;"><br /></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLu3aBt93trnDBWbFPkaQYoH_IUbMxLVzm9y8pWLNA5KcsTOTTMASDcYqocEQSVXtPmEbnWgU2Yn6-wvm1tg21Dvzd2SEsC-egwPlPpvXIOaAGip4mwQ7KCmyaiqn3Xh0vux0o3v3MGU5wh_QAMNU3n2T-UIDrF_tDp-VKffjxx4kQxFr27CeK5cNtKg/s3200/Untitled-1.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2338" data-original-width="3200" height="379" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLu3aBt93trnDBWbFPkaQYoH_IUbMxLVzm9y8pWLNA5KcsTOTTMASDcYqocEQSVXtPmEbnWgU2Yn6-wvm1tg21Dvzd2SEsC-egwPlPpvXIOaAGip4mwQ7KCmyaiqn3Xh0vux0o3v3MGU5wh_QAMNU3n2T-UIDrF_tDp-VKffjxx4kQxFr27CeK5cNtKg/w518-h379/Untitled-1.png" width="518" /></a></div><p><span style="font-family: verdana; font-size: x-small;"><br /></span></p><p style="text-align: justify;"><span style="font-family: verdana;">Num primeiro momento, tentei representar o espaço da sala a utilizar, através de uma planta em esquiço. Esse desenho encontra-se no canto superior esquerdo - a performance iria decorrer nesse espaço descrito, na sala p42 (começa aqui a especificidade da documentação, para que possamos aceder ao que viria a passar, pelos mecanismos gráficos).</span></p><p style="text-align: justify;"><span style="font-family: verdana;">De seguida representei o meu corpo e o fio esticado, para se entender as alturas de ambos lado a lado, de maneira a serem percebidos os mecanismos e a postura do corpo para o tentar alcançar, a fim de que o fio pudesse estar esticado, para o efeito de se encaixar na tomada. De seguida fiz desenhos que tentassem sugerir movimento e temporalidade, através da descrição dessa tentativa, alcançada por um registo também ele dinâmico, usando as próprias intensidades e gestualidades da linha, abusando de perspetivas e de um descomprometimento </span><span style="font-family: verdana;">que o esboço consegue permitir.</span></p><p style="text-align: justify;"><span style="font-family: verdana; font-size: x-small;"><br /></span></p><p><span style="font-family: verdana; font-size: x-small;"> </span></p>André Marqueshttp://www.blogger.com/profile/07324137119581048671noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-27406978292446490712023-02-02T23:46:00.008+00:002023-02-03T00:55:54.474+00:00MEU AMOR MATA-TE, PORQUE NÃO TE MATAS? - Trabalho Final | Maria Inês Gomes<p style="text-align: left;"><br /></p><p class="MsoNormal" style="text-align: justify; text-indent: 35.4pt;"><span style="line-height: 107%;"><span style="font-family: trebuchet;">O
ponto de partida da proposta experimental realizada tem origem na vontade de
utilizar o desenho como fonte principal de documentação do ato performativo. </span></span></p><p class="MsoNormal" style="text-align: justify; text-indent: 35.4pt;"><span style="line-height: 107%;"><span style="font-family: trebuchet;">
<span style="line-height: 107%;">Tendo no meu trabalho
autoral um enorme interesse em conjugar o desenho e as artes performativas,
quis perceber de que modo estes se contaminam e que estratégias podem ser
adotadas do ponto de vista plástico para a sua concretização. </span></span></span></p><p class="MsoNormal" style="text-align: justify; text-indent: 35.4pt;"><span style="text-indent: 35.4pt;"><span style="font-family: trebuchet;">Lembrei-me então de um pequeno rascunho de uma ideia que
havia feito há bastante tempo nas primeiras aulas do semestre.</span></span></p><p style="text-align: left;"></p><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF28W8DroKuRg8Wrp8udkvcpwLYz04qD2BHdMnHXlTxwtE7dJJFqbOR-4IsbsSWYV06qs_diewiDMee0mZ1FB3jjaQ_m5IfeO2Sh7a-2UPprVzGqLAgBuvNaLcDcwF4SMIYvX6hDOX2u8nmjrbZ-RUX_G6GlBjvY6sy3aTNm_viJZ8KnK68lnSaRO5/s738/Imagem1.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="689" data-original-width="738" height="242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF28W8DroKuRg8Wrp8udkvcpwLYz04qD2BHdMnHXlTxwtE7dJJFqbOR-4IsbsSWYV06qs_diewiDMee0mZ1FB3jjaQ_m5IfeO2Sh7a-2UPprVzGqLAgBuvNaLcDcwF4SMIYvX6hDOX2u8nmjrbZ-RUX_G6GlBjvY6sy3aTNm_viJZ8KnK68lnSaRO5/w259-h242/Imagem1.png" width="259" /></a></div><o:p><div style="text-align: center;"><span style="font-size: x-small;"><o:p> 1- </o:p><span style="font-family: "Times New Roman", serif; text-align: center;">Esquiço de uma ideia para uma performance</span></span></div></o:p><p></p><p class="MsoNormal" style="text-align: justify; text-indent: 35.4pt;"><span style="font-family: "Times New Roman", serif; line-height: 17.12px;"><span style="line-height: 17.12px;"></span></span></p><p class="MsoNormal" style="line-height: normal; text-align: justify; text-indent: 35.4pt;"><br style="text-indent: 47.2px;" /></p><p style="text-align: left;"></p><div style="text-align: left;"><span style="text-align: justify;"> <span style="font-family: trebuchet;">Foi a partir de</span></span><span style="font-family: trebuchet;"><span style="text-align: justify;">ste esquiço que pude projetar uma futura performance. O mesmo idealizava uma peça têxtil, quase que uma prótese corporal, que se assimilava
ao corpo feminino grávido e poderia ser usado como uma “mochila”. Deste modo, esta performance, que quis pensar o
desenho como documento, partiu também ela de um esquiço que documentava uma
ideia. </span><span style="text-align: justify; text-indent: 35.4pt;"> </span></span></div><div style="text-align: left;"><span style="text-align: justify; text-indent: 35.4pt;"><br /></span></div><div style="text-align: left;"><span style="text-align: justify; text-indent: 35.4pt;"><span> </span><span> </span><span> </span><span> </span><span> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS-BRz6nDbfQVZoOgiisMWvg4HALPGIUnJKd_sf4eix9URh8NVVj5eAaHa5fHMCwijEdxTmSMerZjFJxy7s-fdxdWSm8tpYftZr4j5vWI_M0Dk92_rV9vbV8N5VOoDxX70Jz3nZPMmtgzsFv41r9XNqWTAt9id3lsgOINMcyseBGHrtRsziRiT5UAa/s4377/20230201_173818.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3132" data-original-width="4377" height="229" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS-BRz6nDbfQVZoOgiisMWvg4HALPGIUnJKd_sf4eix9URh8NVVj5eAaHa5fHMCwijEdxTmSMerZjFJxy7s-fdxdWSm8tpYftZr4j5vWI_M0Dk92_rV9vbV8N5VOoDxX70Jz3nZPMmtgzsFv41r9XNqWTAt9id3lsgOINMcyseBGHrtRsziRiT5UAa/s320/20230201_173818.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxuPxNUGk_UwbxRwprPGABKq-hUhYw7BwLSM3PCnOL_Xx8R9KK4J8-b40M8oXwk2NF7DTLZ73vBvKSSrf1TT-14LQ3O_9S8fT8dG6kYo9lPGtczvOLkPcQ4wfYgCCUVWkaIK9yPHc7wLBUF5pwqEFytlQe-rNd0fliq5DMfmZnXQVKogXP-Gxm2mfo/s4438/20230201_173827.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3031" data-original-width="4438" height="219" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxuPxNUGk_UwbxRwprPGABKq-hUhYw7BwLSM3PCnOL_Xx8R9KK4J8-b40M8oXwk2NF7DTLZ73vBvKSSrf1TT-14LQ3O_9S8fT8dG6kYo9lPGtczvOLkPcQ4wfYgCCUVWkaIK9yPHc7wLBUF5pwqEFytlQe-rNd0fliq5DMfmZnXQVKogXP-Gxm2mfo/s320/20230201_173827.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc5yJI0vu7DnVfmGAP9bcOu2uhs5Jc5vENOvUWVFhjAySLFBQ1ZqVX3nV-PScBU4iuzRrk4BOrq-Yu0xNUozW_beSRZd185y41_XNbmhE-6TeJ61HpSNyclX8q3g1zpXiHXRlQv17WIgEq3E7zvH4wIfnhcwJe7n25s-g4LyOEnpUCBNeEt9fOirii/s4529/20230201_173854.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3150" data-original-width="4529" height="223" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc5yJI0vu7DnVfmGAP9bcOu2uhs5Jc5vENOvUWVFhjAySLFBQ1ZqVX3nV-PScBU4iuzRrk4BOrq-Yu0xNUozW_beSRZd185y41_XNbmhE-6TeJ61HpSNyclX8q3g1zpXiHXRlQv17WIgEq3E7zvH4wIfnhcwJe7n25s-g4LyOEnpUCBNeEt9fOirii/s320/20230201_173854.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><p class="MsoNormal" style="line-height: normal; text-align: justify; text-indent: 35.4pt;"><span style="font-size: x-small;">2- Algumas páginas do diário de bordo, onde se pode
acompanhar o processo de pensamento, investigação,
algumas anotações de referências e o planeamento das ações<span style="font-family: "Times New Roman", serif;"><o:p></o:p></span></span></p></div></span></span></div><div style="text-align: left;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIu4MykPgB16Rm6zAjHtH7qEvL1GMWMk_FxAU4rWM5POLpAfCmzihHLWKScyE8W-eouPyUM8EU2ymNLcJOXMalKKJCu9oqP8xnGvEKuP7J37nKP1ukiVx9cGIcMtL1qrm9v5Yhrs1lGLH4vOUvYYc8m_hoDPTlY4nkPCI_bEcG5Bcs5x_nQMPRB_xp/s4255/20230201_173930.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4255" data-original-width="3114" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIu4MykPgB16Rm6zAjHtH7qEvL1GMWMk_FxAU4rWM5POLpAfCmzihHLWKScyE8W-eouPyUM8EU2ymNLcJOXMalKKJCu9oqP8xnGvEKuP7J37nKP1ukiVx9cGIcMtL1qrm9v5Yhrs1lGLH4vOUvYYc8m_hoDPTlY4nkPCI_bEcG5Bcs5x_nQMPRB_xp/w293-h400/20230201_173930.jpg" width="293" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-small;">3 - <span style="font-family: "Times New Roman", serif; text-align: left;">Esquiço dos momentos da performance </span><span class="fontstyle01" style="font-family: "Times New Roman", serif; text-align: left;"><span style="line-height: 107%;">“Meu amor mata-te/porque não te matas?”</span></span></span></div></div><div style="text-align: left;"><span style="text-align: justify; text-indent: 35.4pt;"><br /></span></div><div style="text-align: left;"><span style="text-align: justify; text-indent: 35.4pt;"><br /></span></div><div style="text-align: left;"><span style="text-align: justify; text-indent: 35.4pt;"><br /></span></div><div style="text-align: left;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUhy86-W36gZUtT0iexxwYHyzbjoK8h222s_K6q2OU_49LGLpfU5QyGZEEjMInsrtxlrnK9zt020_8rgh7MqnDSBDVco3lWRwVwLhEGmFrTwVa7QV9ml9Mure4-Yjm45A7109V2r2tMHka9QHo7aO-ROGYqRHFsmhmnbAOFojM8dxviU-wkjW3h9oq/s3875/20230201_173903.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3875" data-original-width="2782" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUhy86-W36gZUtT0iexxwYHyzbjoK8h222s_K6q2OU_49LGLpfU5QyGZEEjMInsrtxlrnK9zt020_8rgh7MqnDSBDVco3lWRwVwLhEGmFrTwVa7QV9ml9Mure4-Yjm45A7109V2r2tMHka9QHo7aO-ROGYqRHFsmhmnbAOFojM8dxviU-wkjW3h9oq/w144-h200/20230201_173903.jpg" width="144" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMVNPc8GC3oDnvK3NUkc6oO_r2PA56Euog2pKeGcoYQOuTGe_BEEcgYEzmv1DYdd5YPNEWd_-d8A-jSz9pBbjbdcMVQ8g9frhGy_-1XHdNmjg9V6AygMjzfY-IU_DN4JPFueaD9jv2707WyW4-DEKHCAubGXtl9dWbM10usun47G21wW512PaIik3B/s3887/20230201_173909.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3887" data-original-width="3023" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMVNPc8GC3oDnvK3NUkc6oO_r2PA56Euog2pKeGcoYQOuTGe_BEEcgYEzmv1DYdd5YPNEWd_-d8A-jSz9pBbjbdcMVQ8g9frhGy_-1XHdNmjg9V6AygMjzfY-IU_DN4JPFueaD9jv2707WyW4-DEKHCAubGXtl9dWbM10usun47G21wW512PaIik3B/w156-h200/20230201_173909.jpg" width="156" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMlt8MDEn6iwgh2WAKPTcECa1LeKSXb6QIBZ98KLZFAe6oy3Yj6HjV_NduPV3kYhvq3BoI674HIkjZeVs2NNMbV9BHNYE48rYiI4ZBla06sI3_V5fG_LykwGITOrcpXtrstbNsbsdbCCucV3bzqGTawn_48DnsXsUYAbQK4SwIEjy2tkyNYqWJ6CiL/s4561/20230201_173934.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3235" data-original-width="4561" height="142" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMlt8MDEn6iwgh2WAKPTcECa1LeKSXb6QIBZ98KLZFAe6oy3Yj6HjV_NduPV3kYhvq3BoI674HIkjZeVs2NNMbV9BHNYE48rYiI4ZBla06sI3_V5fG_LykwGITOrcpXtrstbNsbsdbCCucV3bzqGTawn_48DnsXsUYAbQK4SwIEjy2tkyNYqWJ6CiL/w200-h142/20230201_173934.jpg" width="200" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDclk3iIO0kakXTKzqGMGHMTBOgpBr0zeFomcAmj7gYWMZJ1x3_w1WOrhxHSE0Go4rfsHDT3SRbNVX1__NTVpTe8xFSkoVLANbDyg2l__A7JTEyTnSI1AsvN3RHt8K2RF9RtGJ6UwEiWS5SAdzXG1hYm320IxwQl6risJmu0fkiEsnes0W5078nk7Q/s4561/20230201_173934.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></a></div></div><div style="text-align: center;"><span style="font-size: x-small;">4 - Alguns desenhos especulatórios de planeamento da performance</span></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><span style="text-align: justify; text-indent: 35.4pt;"><br /></span></div><div style="text-align: justify;"><span class="fontstyle01"> <span style="font-family: trebuchet;"> O objetivo principal foi tentar sustentar a
existência da performance através do seu registo gráfico, não importando se se
tem presente que esta ocorreu ou não. Naquilo que Philip Auslander, descreve
como a categoria teatral da documentação performativa, o mesmo diz-nos que a
ação apenas acontece no espaço visual onde é traduzida. Não querendo isto ter uma
conotação negativa, temos presente que o desenho da performance nunca será o
mesmo que realizá-la. Contudo, não é isso que aqui está em causa, pois para o
espetador, que visualiza a documentação, o objetivo final é viver a ação
através dela e recriar na sua cabeça a trajetória do artista e dos seus gestos,
quer esta tenha sido ensaiada ou não. O desenho ganha assim a sua
performatividade ao representar uma outra que lhe é exterior, por isso, um não
se revela inferior à outra, sendo que um não existe sem o outro. O que é
crucial aqui é a ligação que o desenho estabelece com o espetador,
permitindo-lhe conectar-se com a performance, assumindo não uma ligação
temporal com a mesma, mas encarando o desenho como a performance em si, pois
este poderá nunca vir a ter acesso à mesma.</span></span><a href="file:///C:/Users/marin/Desktop/Reflex%C3%A3oDesePerf_MariaIn%C3%AAsGomes.docx#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><span style="color: black; line-height: 107%;"><span class="MsoFootnoteReference"><span style="line-height: 107%;"><span style="font-family: trebuchet;">[1]</span></span></span></span></span></a></div>
<p style="text-align: left;"></p><div><!--[if !supportFootnotes]--><p class="MsoNormal" style="line-height: normal; text-align: justify; text-indent: 35.4pt;"><span style="font-family: trebuchet;">Deste modo, o exercício contribuiu não só para poder ter a
oportunidade de pensar e criar uma performance, mesmo que esta não tenha sido
realizada, mas sobretudo como ponto de partida para pensar o desenho como um meio
autónomo de documentação do ato performativo, que, mesmo não saindo do
papel, consegue concentrar em si uma carga simbólica que leva o espetador a
vivenciar a ação, como se pudesse ter estado presente a absorvê-la. Foi-me
assim possível desenvolver estratégias de diferentes maneiras de registar as
ações e descrevê-las, permitindo-me ampliar o modo como penso o desenho como
ferramenta de representação e como elemento performativo.<o:p></o:p></span></p><p class="MsoNormal" style="line-height: normal; text-align: justify; text-indent: 35.4pt;"><span style="font-family: "Times New Roman", serif;"><br /></span></p><p style="line-height: normal; text-align: justify; text-indent: 35.4pt;"><span style="font-size: x-small;"><span style="font-family: "Times New Roman", serif;">*Nota: o título desta performance é apropriado do <i>Poema </i></span><span style="font-family: "Times New Roman", serif; text-align: left;"><i>do amor que resolve todas as diferenças, </i>presente no livro <i>Novas Cartas Portuguesas</i>.</span></span></p><p style="line-height: normal; text-align: justify; text-indent: 35.4pt;"><span style="font-family: "Times New Roman", serif; font-size: x-small; text-align: left; text-indent: 35.4pt;">(Barreno, M. I., Horta, M. T., & Costa, M. V. (2022 (reedição)). </span><i style="font-family: "Times New Roman", serif; font-size: x-small; text-align: left; text-indent: 35.4pt;">Novas Cartas Portuguesas.</i><span style="font-family: "Times New Roman", serif; font-size: x-small; text-align: left; text-indent: 35.4pt;"> D. Quixote, págs. 270-271)</span></p><p class="MsoNormal" style="line-height: normal; text-align: justify; text-indent: 35.4pt;"><span style="font-family: "Times New Roman", serif; font-size: 12px; text-align: left;"><br /></span></p>
<hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<p class="MsoFootnoteText"><a href="file:///C:/Users/marin/Desktop/Reflex%C3%A3oDesePerf_MariaIn%C3%AAsGomes.docx#_ftnref1" name="_ftn1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "Calibri",sans-serif; font-size: 10.0pt; line-height: 107%; mso-ansi-language: PT; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></a> <span style="font-size: 9pt;">Auslander, Philip (2006).
"The Performativity of Performance Documentation". </span><i><span style="font-family: Calibri-Italic, serif; font-size: 9pt;">PAJ: a
Journal of Performance and Art</span></i><span style="font-size: 9pt;">. 84. Vol 28, September, 2006, pp. 1-10</span></p></div></div>Maria Inês Gomeshttp://www.blogger.com/profile/08408448036491660993noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-49816570999730668222023-02-02T22:25:00.004+00:002023-02-02T22:30:23.409+00:00absorver, conter, libertar | trabalho final<span id="docs-internal-guid-ecb438a8-7fff-6c8a-afcb-ba4c74dfcc80"><p dir="ltr" style="line-height: 1.8; margin-bottom: 0pt; margin-top: 0pt; text-align: justify; text-indent: 36pt;"><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: helvetica; font-size: xx-small;">A presente proposta partiu de uma ideia ainda embrionária que pretendo concretizar em Estúdio de Desenho: paralelamente ao projecto individual, comecei um registo gráfico que evoca partes do processo de trabalho que vai sendo desenvolvido, pretendendo reflectir sobre as noções de “arquivo”, “registo” e “memória” destes processos com diversos rumos - sejam mais sustentados ou efémeros -, que quando revisitados noutras linguagens plásticas, podem conferir diferentes narrativas e lugares imaginários. </span></span></p><p dir="ltr" style="line-height: 1.8; margin-bottom: 0pt; margin-top: 0pt; text-align: justify; text-indent: 36pt;"><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: helvetica; font-size: xx-small;"><br /></span></span></p></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibL3Db7Ukzs-dfQuMSaIEPlT4E1fiTC68SnDffb2HR9v3CdqBY_3mMbieVgQTZDRx1VHzgwEVcD6ndrYBUnTK-T2CHF-wVrP5OouLrgTDc-yHXwIpd7cLklWvUx6-XbAmxE0lNgWew5Mp4qwTUN48z0GjcDp9g05vk2lQHSb5Kzzns7yy911CjO_QCwQ/s3560/inessoares001.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-size: xx-small;"><img border="0" data-original-height="3560" data-original-width="2543" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibL3Db7Ukzs-dfQuMSaIEPlT4E1fiTC68SnDffb2HR9v3CdqBY_3mMbieVgQTZDRx1VHzgwEVcD6ndrYBUnTK-T2CHF-wVrP5OouLrgTDc-yHXwIpd7cLklWvUx6-XbAmxE0lNgWew5Mp4qwTUN48z0GjcDp9g05vk2lQHSb5Kzzns7yy911CjO_QCwQ/w143-h200/inessoares001.jpg" width="143" /></span></a></div><span style="font-size: xx-small;"><br /></span><p><span style="font-size: xx-small;"><span id="docs-internal-guid-b30b5cf3-7fff-e7dc-cc36-e4b3efc0aa0a"></span></span></p><p dir="ltr" style="line-height: 1.8; margin-bottom: 0pt; margin-top: 0pt; text-align: justify; text-indent: 36pt;"><span style="font-family: helvetica; font-size: xx-small;"><span style="background-color: transparent; color: black; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Desde já há algum tempo que tenho tido a vontade de revisitar algumas </span><span style="background-color: transparent; color: black; font-style: italic; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">performances </span><span style="background-color: transparent; color: black; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">que materializei, pelo que pareceu-me o momento ideal para desenvolver uma reflexão recorrendo somente a uma abordagem gráfica: tendo perdido alguns registos fotográficos destas performances, até onde poderei reinterpretá-las apenas pelo Desenho (ou pontualmente Escrita)? Como conseguirei manter alguma qualidade artística para além da documental? Serão estes registos considerados tão válidos como uma fotografia? </span></span></p><p dir="ltr" style="line-height: 1.8; margin-bottom: 0pt; margin-top: 0pt; text-align: justify; text-indent: 36pt;"><span style="font-family: helvetica; font-size: xx-small;"><span style="background-color: transparent; color: black; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><br /></span></span></p><p dir="ltr" style="line-height: 1.8; margin-bottom: 0pt; margin-top: 0pt; text-align: justify; text-indent: 36pt;"><span style="font-family: helvetica;"></span></p><div class="separator" style="clear: both; font-size: x-small; text-align: center;"><span style="font-family: helvetica;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiN6b81Qxf_W4EZ1fruYZX9yd6ws9E086tlBk8wEnGf6-wuRtQYTDWL4u9BAdRxvMIcuopRKld9xnOgev9Ba3H5fMuybFXDxtz9-o9FQkci1U7WAu68-MSjIe2_gepcwGxHeU-pXvMVuPTjoBRpcVZHzG9f11eV0kwraIfdZX2_NUAW_2HUS_tVBGjQ9g/s4000/1675371270175.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1884" data-original-width="4000" height="189" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiN6b81Qxf_W4EZ1fruYZX9yd6ws9E086tlBk8wEnGf6-wuRtQYTDWL4u9BAdRxvMIcuopRKld9xnOgev9Ba3H5fMuybFXDxtz9-o9FQkci1U7WAu68-MSjIe2_gepcwGxHeU-pXvMVuPTjoBRpcVZHzG9f11eV0kwraIfdZX2_NUAW_2HUS_tVBGjQ9g/w400-h189/1675371270175.jpg" width="400" /></a></span></div><div class="separator" style="clear: both; font-size: x-small; text-align: left;"><span style="font-family: helvetica;"><br /></span></div><div class="separator" style="clear: both; font-size: x-small; text-align: left;"><span style="font-family: helvetica;"><span style="text-align: justify; white-space: pre-wrap;"><span> </span></span></span><span style="font-family: helvetica; text-align: justify; white-space: pre-wrap;"> </span><span style="font-family: helvetica; text-align: justify; white-space: pre-wrap;">Durante a apresentação, revelei que apenas uma das performances documentadas aconteceu na realidade (desenho à esquerda na mesa). Toda a análise feita previamente foi puramente especulada, tal como a natureza dos desenhos.</span></div><div class="separator" style="clear: both; font-size: x-small; text-align: left;"><span style="font-family: helvetica;"><span style="text-align: justify; white-space: pre-wrap;"><br /></span></span></div><div class="separator" style="clear: both; font-size: x-small; text-align: center;"><span style="font-family: helvetica;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEineuU8qeqVJL-F-3VXVMCr6JMwkLoOnXCWPkAbXzyv1UfpVU4kDPGezR5WEh5gBjOW6ORjQbWLBSdMTvrCtt4VuYcgoMaPXOoIBvKKPRojq5ECbZTwlQLVLLl11TNdqPsE-z0k65sVrXPk3qoMejY7j8-cNVO5PgmqJiVGKkU0gt5e15i5y16Vlp0ymQ/s2602/1675263536969.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2602" data-original-width="1859" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEineuU8qeqVJL-F-3VXVMCr6JMwkLoOnXCWPkAbXzyv1UfpVU4kDPGezR5WEh5gBjOW6ORjQbWLBSdMTvrCtt4VuYcgoMaPXOoIBvKKPRojq5ECbZTwlQLVLLl11TNdqPsE-z0k65sVrXPk3qoMejY7j8-cNVO5PgmqJiVGKkU0gt5e15i5y16Vlp0ymQ/w229-h320/1675263536969.jpg" width="229" /></a></span></div><span style="font-family: helvetica;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOM3NlmrUH-VCQaGhmluZHzvVKcmpPRRH1HSKvRHvLmH5vH-yoGu_Q5TZjrB0-LxgUZtPWjoxyeTllyRwKaukPT82xdUnck2RIzzCSd4kcXRHIuSgdNtvtm-wDkaKPqbR8Dt30cLIAg0XJMo9KP5oJdcLtFj4EHcDKNapsZvTqNg9qX67wX6fnW3GKpQ/s2406/censurado.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1719" data-original-width="2406" height="229" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOM3NlmrUH-VCQaGhmluZHzvVKcmpPRRH1HSKvRHvLmH5vH-yoGu_Q5TZjrB0-LxgUZtPWjoxyeTllyRwKaukPT82xdUnck2RIzzCSd4kcXRHIuSgdNtvtm-wDkaKPqbR8Dt30cLIAg0XJMo9KP5oJdcLtFj4EHcDKNapsZvTqNg9qX67wX6fnW3GKpQ/s320/censurado.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; font-size: x-small; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmLVaOMYbv7S2mzYGIf6uLjW2jC0kOyOWoorcX0fSXNiMa62P4m_d2LGv7BygV2FxaAGtgpxlbu-JqXoG8fOn4YMeUz9W1YnaLwwHDGsR0wFGF5675rXipc1ooH7KJxI8FwWax9TG5020NdOq1tPjo2qQqvlLtkRrqMGC1wUlORnhVdCdbB9Hjmu8bgw/s3158/1675263537019.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3158" data-original-width="2256" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmLVaOMYbv7S2mzYGIf6uLjW2jC0kOyOWoorcX0fSXNiMa62P4m_d2LGv7BygV2FxaAGtgpxlbu-JqXoG8fOn4YMeUz9W1YnaLwwHDGsR0wFGF5675rXipc1ooH7KJxI8FwWax9TG5020NdOq1tPjo2qQqvlLtkRrqMGC1wUlORnhVdCdbB9Hjmu8bgw/s320/1675263537019.jpg" width="229" /></a></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: xx-small;"><br /></span></div></span><p></p><p dir="ltr" style="line-height: 1.8; margin-bottom: 0pt; margin-top: 0pt; text-align: justify; text-indent: 36pt;"><span style="color: black; font-variant-east-asian: normal; font-variant-numeric: normal; text-indent: 36pt; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: helvetica; font-size: xx-small;">Neste sentido, a proposta real deste projecto prende-se com as noções da performatividade que o documento pode evocar. Tradicionalmente associado a convenções textuais e científicas de registo e arquivo, pretendo reflectir sobre as potencialidades do documento como veículo performativo e investigar até onde posso explorar os limites do evento especulado. </span></span></p><p dir="ltr" style="line-height: 1.8; margin-bottom: 0pt; margin-top: 0pt; text-align: justify; text-indent: 36pt;"><span style="font-family: helvetica; font-size: xx-small;"><span style="white-space: pre-wrap;"><br /></span></span><span id="docs-internal-guid-db9e3ec1-7fff-1796-8490-51db60ce15b6" style="font-family: helvetica; font-size: x-small; text-indent: 36pt;"><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;"><span> </span>«</span><span style="font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;">Tentar escrever sobre o evento indocumentável da performance é invocar as regras do documento escrito e, logo, alterar o evento em si mesmo». </span><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;">(Phelan, 175). Se é verdade que todo o registo documental de um acto performativo - seja vídeo, fotografia, desenho, narração ou escrita - representa uma alteração ao evento original e experienciado, onde se colocam os ensaios especulativos apresentados neste projecto? Ressalvo que este projecto não pretende de todo menosprezar a importância da presença do corpo físico na performance. Contudo será pertinente referir a “categoria teatral” (</span><span style="font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;">tradução literal</span><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;">) do documento performativo proposto por Philip Auslander. </span></span><span style="font-family: helvetica; font-size: x-small; text-indent: 36pt; white-space: pre-wrap;">Ainda segundo Auslander, não haverá propriamente diferença na documentação entre uma performance que existiu e outra puramente fingida, ou encenada. Certamente que divergem na sua natureza e intenção, porém serão igualmente válidas. </span></p><p dir="ltr" style="line-height: 1.8; margin-bottom: 0pt; margin-top: 0pt; text-align: justify; text-indent: 36pt;"><span style="font-family: helvetica; font-size: xx-small;"><span style="white-space: pre-wrap;"><br /></span></span><span style="font-family: helvetica; font-size: x-small; text-indent: 36pt; white-space: pre-wrap;">Voltando aos desenhos desenvolvidos para este projecto, atrevo-me a considerar que não dependem necessariamente da confirmação do espectador sobre a sua veracidade. O lugar da especulação também existe nas práticas artísticas contemporâneas, e constituindo-se o documento como um novo formato para a performance tal poderá permitir uma maior liberdade para novas potencialidades e relações entre a obra e o espectador.</span></p><p dir="ltr" style="line-height: 1.8; margin-bottom: 0pt; margin-top: 0pt; text-align: justify; text-indent: 36pt;"><span id="docs-internal-guid-fcbd5dab-7fff-91bc-136b-d346d21065ac"></span><span style="font-family: helvetica;"></span></p><span style="font-family: helvetica; font-size: xx-small;"><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><span style="background-color: transparent; color: black; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><br /></span></span><p></p>Inês Soareshttp://www.blogger.com/profile/15970617411841872941noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-6971299554136971642023-02-02T20:35:00.002+00:002023-02-02T20:35:20.820+00:00trabalho final- Cláudia Campos<p> Trabalho final</p><p><br /></p><p><br /></p><p></p><p class="MsoBodyText" style="margin: 7.35pt 15.05pt 0.0001pt 7.1pt; text-align: left; text-indent: 0.25pt;"><span lang="PT">As flores são
oferecidas para transmitir símbolos potenciais que expressam significados
particulares. Dependendo das cores das flores, elas trazem consigo as emoções
do doador. No contexto artístico, mais particularmente na pintura, as flores
podem servir como meio de autorrepresentação para expressar condições e as
fragilidades humanas, partindo de um objeto naturalmente delicado.</span><span lang="PT"><o:p></o:p></span></p><p></p><pre style="text-align: left;"><span style="font-family: "Times New Roman", serif; text-align: justify;">A UC Desenho e Performatividade permitiu-me explorar novos pensamentos na minha prática artística no ramo de pintura, através de alguns seminários de processos performativos tais com:</span></pre><p style="text-align: justify;"></p><div style="text-align: left;"><span style="font-family: "Times New Roman", serif;">-O desenho como transferência-de-uso;</span></div><span lang="PT" style="font-family: "Times New Roman",serif; mso-ansi-language: PT;"><div style="text-align: left;">-Retórica do ato performativo;</div></span><span lang="PT" style="font-family: "Times New Roman",serif; mso-ansi-language: PT;"><div style="text-align: left;">-O desenho como ato de presença /documento</div></span><p></p><p style="text-align: left;"><br /></p><p style="text-align: left;"><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvB1huVVH4AGWIFsd_AZBy1rOmnoj0TRb9Oq2iB3wki3vzjAm7hZT7QzXL91qlgTzTEpNTKeRAonyw8sz9AKL6uN7he9u7pkj1pCGZnoq1ReTpcpXJXcKutcb1Y1l4N3c6scilf0QUwNebNvDAuOAKarWVwHoLTRkWvN-1YE77oy9Js0iPOZ6IrdbMRQ/s2000/montagem.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="2000" height="359" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvB1huVVH4AGWIFsd_AZBy1rOmnoj0TRb9Oq2iB3wki3vzjAm7hZT7QzXL91qlgTzTEpNTKeRAonyw8sz9AKL6uN7he9u7pkj1pCGZnoq1ReTpcpXJXcKutcb1Y1l4N3c6scilf0QUwNebNvDAuOAKarWVwHoLTRkWvN-1YE77oy9Js0iPOZ6IrdbMRQ/w448-h359/montagem.png" width="448" /></a></div><br /><p><br /></p><p><span style="font-family: "Times New Roman", serif; font-size: 11pt;">A partir deste seminário da UC deparei-me com a uma
questão sobre a escolha de cores utilizadas na vídeo performance, levando-me a
pensar se a minha escolha seria inconsciente ou não. Com esse questionamento,
comecei a investigar a psicologia das cores.</span></p><p><span style="font-family: "Times New Roman", serif; font-size: 11pt;"><br /></span></p><p><span style="font-family: "Times New Roman", serif;">Cores</span></p><p><span lang="PT" style="font-family: "Times New Roman",serif; font-size: 11.0pt; mso-ansi-language: PT; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">Estamos muito mais
familiarizados com as emoções do que com as cores. Como resultado, uma
tonalidade pode ter uma variedade, muitas vezes contraditória, de impactos.
Dependendo da situação, cada tonalidade comporta-se de forma diferente. A mesma
cor pode ter consequências românticas ou cruéis, nobres ou vulgares. </span></p><p></p><div class="separator" style="clear: both; text-align: center;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkfvaVDl7eLuJQ4qAjX_hridrJcqwJurk8A3apFagTH_vvg8CQ90Actr4K2W7BsqE8Lxr6GPPVX5mNgdNfR03SYpY_GTfGlbu_wTvNaE5yrOOSYjce8sE5VST_eCMtlLGwNjBkbc6BR8gMlyEyPxL_1AwSYPSVSYRForY_zuk4C_H7rwV2FtTIkjBOnA/s1568/Design%20sem%20nome.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="973" data-original-width="1568" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkfvaVDl7eLuJQ4qAjX_hridrJcqwJurk8A3apFagTH_vvg8CQ90Actr4K2W7BsqE8Lxr6GPPVX5mNgdNfR03SYpY_GTfGlbu_wTvNaE5yrOOSYjce8sE5VST_eCMtlLGwNjBkbc6BR8gMlyEyPxL_1AwSYPSVSYRForY_zuk4C_H7rwV2FtTIkjBOnA/s320/Design%20sem%20nome.png" width="320" /></a></div></div><br /><br /><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><span style="font-family: "Times New Roman", serif; font-size: 11pt;"><br /></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiosicYLBT1vXZQ_xivvXjnheHFueXUqhOsSbI_dqwUTQ8Te2KhDHiB18WuLP3LC1WCW6a4hYMjVON3gIb4DjG7oU3DuL9jNY_GBXxV049G0wk2VO7ZHxbriMLZhCDxi4y3xTs2Kn1XvXcqg5hfYFJJrcyoeGgDAwJ8Juc77A4pr2rWTuju-WjveEWebA/s4000/1675116200.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="335" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiosicYLBT1vXZQ_xivvXjnheHFueXUqhOsSbI_dqwUTQ8Te2KhDHiB18WuLP3LC1WCW6a4hYMjVON3gIb4DjG7oU3DuL9jNY_GBXxV049G0wk2VO7ZHxbriMLZhCDxi4y3xTs2Kn1XvXcqg5hfYFJJrcyoeGgDAwJ8Juc77A4pr2rWTuju-WjveEWebA/w251-h335/1675116200.jpg" width="251" /></a></div><p></p><p><span style="font-family: "Times New Roman", serif; font-size: 11pt;"><br /></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgQ-Z2tattzsvmT79xFCyaxFvZNwuk9G5UGfMX9L5U5BmsQfsrJA7XK8H0paR3dfU-CEGnd2H6BBkCsYydvuKMAOG2kC-O-7htxPkahZS2ieRK5P3iaKI7l_2n28PPiUCPrM8aETxb9zkL2FAZYGLousipplzMwaUJtsU_mDTgKwkMvkdEvTi1ffsRBA/s3318/IMG_20230130_221235.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3318" data-original-width="2717" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgQ-Z2tattzsvmT79xFCyaxFvZNwuk9G5UGfMX9L5U5BmsQfsrJA7XK8H0paR3dfU-CEGnd2H6BBkCsYydvuKMAOG2kC-O-7htxPkahZS2ieRK5P3iaKI7l_2n28PPiUCPrM8aETxb9zkL2FAZYGLousipplzMwaUJtsU_mDTgKwkMvkdEvTi1ffsRBA/s320/IMG_20230130_221235.jpg" width="262" /></a></div><p style="text-align: left;"></p><p style="text-align: left;"><span style="font-family: "Times New Roman", serif; font-size: 11pt;"><br /></span></p><pre style="text-align: justify;"><span lang="PT" style="font-family: "Times New Roman",serif; mso-ansi-language: PT;">A pintura permite que os artistas expressem as suas próprias experiências, e assim, reclamar a</span></pre><pre style="text-align: justify;"><span lang="PT" style="font-family: "Times New Roman",serif; mso-ansi-language: PT;"> própria experiência da alma. Ela sustenta as emoções das quais a alma se alimenta e retêm a </span></pre><pre style="text-align: justify;"><span lang="PT" style="font-family: "Times New Roman",serif; mso-ansi-language: PT;">complexidade do pensamento do artista. <span style="color: red;"><o:p></o:p></span></span></pre><pre style="text-align: justify;"><span lang="PT" style="font-family: "Times New Roman",serif; mso-ansi-language: PT;">Assim, a autorrepresentação é o elemento dominante em todas as minhas praticas artísticas,</span></pre><pre style="text-align: justify;"><span lang="PT" style="font-family: "Times New Roman",serif; mso-ansi-language: PT;"> distinguindo-se principalmente por dois fatores muito importantes: além de retratar várias</span></pre><pre style="text-align: justify;"><span lang="PT" style="font-family: "Times New Roman",serif; mso-ansi-language: PT;"> experiências da minha vida, tanto positivas como negativas, proporcionam uma constante </span></pre><pre style="text-align: justify;"><span lang="PT" style="font-family: "Times New Roman",serif; mso-ansi-language: PT;">e intensa introspeção sobre mim mesma de maneira subconsciente. <o:p></o:p></span></pre><pre style="text-align: justify;"><span lang="PT" style="font-family: "Times New Roman",serif; mso-ansi-language: PT;">Pensar na arte como expressão não se limitam a pensar no que a arte pode expressar. Para </span></pre><pre style="text-align: justify;"><span lang="PT" style="font-family: "Times New Roman",serif; mso-ansi-language: PT;">além de comunicar - sentimentos, emoções, valores, ou atitudes - pode criar, estimular e</span></pre><pre style="text-align: justify;"><span lang="PT" style="font-family: "Times New Roman",serif; mso-ansi-language: PT;"> gerar autoconhecimento.<o:p></o:p></span></pre><pre style="text-align: justify;"><span lang="PT" style="font-family: "Times New Roman",serif; mso-ansi-language: PT;">Como resultado, o conceito de arte como expressão de sentimentos e emoções deve ser </span></pre><pre style="text-align: justify;"><span lang="PT" style="font-family: "Times New Roman",serif; mso-ansi-language: PT;">reconsiderado a fim de abordar as contingências e a diversidade que definem os contextos</span></pre><pre style="text-align: justify;"><span lang="PT" style="font-family: "Times New Roman",serif; mso-ansi-language: PT;"> em que a arte "funciona" com as suas infinitas possibilidades.<o:p></o:p></span></pre><pre style="text-align: justify;"><span style="font-family: Times New Roman, serif;">Por último, a UC de Desenho e Performatividade teve um grande impacto na perceção do</span></pre><pre style="text-align: justify;"><span style="font-family: Times New Roman, serif;">meu trabalho de pintura, a partir dela descobri como registrar as minhas ideias e conceitos a partir </span></pre><pre style="text-align: justify;"><span style="font-family: Times New Roman, serif;">das videoperformances para mais tarde alterar até a minha técnica em pintura.</span></pre><pre style="text-align: justify;"><span style="font-family: Times New Roman, serif;"><br /></span></pre><pre style="text-align: justify;"><span style="font-family: Times New Roman, serif;"><br /></span></pre><pre style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7ZQFiUK0efCIDggB_aNYwUqebmsbCnx8NrH3gaUplUsAVd7FbjWmGTLgczXXA5MB1A3jFFcVUKVNAxqxg4OkMWBxidyYWO7QnlCq0KciR9cMe8qwGefhoe11XoUC9gVXITdP6UFFh_VNqUmOOpUG7j00_A_9d2aQ9_RW96gI4Z072O2pXd-1AzGRjoQ/s1766/Screenshot_2023-01-30-22-10-21-508_com.tclhz.gallery-01.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1766" data-original-width="1079" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7ZQFiUK0efCIDggB_aNYwUqebmsbCnx8NrH3gaUplUsAVd7FbjWmGTLgczXXA5MB1A3jFFcVUKVNAxqxg4OkMWBxidyYWO7QnlCq0KciR9cMe8qwGefhoe11XoUC9gVXITdP6UFFh_VNqUmOOpUG7j00_A_9d2aQ9_RW96gI4Z072O2pXd-1AzGRjoQ/s320/Screenshot_2023-01-30-22-10-21-508_com.tclhz.gallery-01.jpeg" width="196" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUQgYX842SmQyucznPzZUrphdH1qDQfu6rYv0m4-MTpgrktV1wnyNEo1ANCEcFvdHzkaAdQsD5249S9JKoSu7os-htrvjEhwL9KTWPvbu7STQUa-ghkVU0YDYbCiLRoKXVjee6b9u0r__BVtLXG41wqxA6ANJ0rnZDA9N_MnIAQfs0yKFuaDOEHuxPdg/s1636/IMG_20230130_190831-01.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1636" data-original-width="1077" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUQgYX842SmQyucznPzZUrphdH1qDQfu6rYv0m4-MTpgrktV1wnyNEo1ANCEcFvdHzkaAdQsD5249S9JKoSu7os-htrvjEhwL9KTWPvbu7STQUa-ghkVU0YDYbCiLRoKXVjee6b9u0r__BVtLXG41wqxA6ANJ0rnZDA9N_MnIAQfs0yKFuaDOEHuxPdg/s320/IMG_20230130_190831-01.jpeg" width="211" /></a></div><br /> <span style="font-family: arial;"> Transferência de uso- escorrer da tinta para a tela</span></pre><pre style="text-align: justify;"> <br /><span style="font-family: Times New Roman, serif;"><br /></span></pre>Cláudia Camposhttp://www.blogger.com/profile/18000457914683497632noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-32118748198883392882023-02-02T16:31:00.018+00:002023-02-02T16:42:00.083+00:00Acaso ,Desenho e Ato Performativo - Laura Carvalho<p style="text-align: center;"><b><span style="font-size: medium;"> Como entender o ACASO como ato performativo?</span></b></p><p style="text-align: center;"><b><span style="font-size: medium;"></span></b></p><div class="separator" style="clear: both; text-align: center;"><b><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgvQKlviesbO-HXxkxEa4NdKcBK69Mq5kvahizy14DqMAOo5jbJnSMCjJfOw139buXdc_T4LuTWTNQr-P3D7UUNqy6HeUQDphEL0_zTQYhWt4sMFZFEhnjHilQdTpkjClyWMG0BTi02ODmDBxcgxF4T9BibW9X80wefyn0EtRZPFzfq5MWiqfZ5JTpV" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="283" data-original-width="571" height="159" src="https://blogger.googleusercontent.com/img/a/AVvXsEgvQKlviesbO-HXxkxEa4NdKcBK69Mq5kvahizy14DqMAOo5jbJnSMCjJfOw139buXdc_T4LuTWTNQr-P3D7UUNqy6HeUQDphEL0_zTQYhWt4sMFZFEhnjHilQdTpkjClyWMG0BTi02ODmDBxcgxF4T9BibW9X80wefyn0EtRZPFzfq5MWiqfZ5JTpV" width="320" /></a></span></b></div><div class="separator" style="clear: both; text-align: center;"><b><span style="font-size: medium;"><br /></span></b></div><p></p><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px; text-align: left;"><div class="separator" style="clear: both; text-align: left;">Na minha prática artística, considero o artista Jackson Pollock uma referência.</div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: left;">Na sua pintura, os seus movimentos de acção, mostram uma sucessão de pequenos acasos.</div></div>O desenho torna-se dinâmico e “carregado” de transformações provindas de acções do artista sobre a tela. </blockquote><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px; text-align: left;">Após a morte de Jackson Pollock, Allan Kaprow escreveu “ o Legado de Jackson Pollock” onde<br />fez uma análise do que Pollock significou para a pintura, para arte e para a vida. A grande escala colocada no chão onde o artista fazia uma “dança dripping” transforma o<br />conceito de pintura numa atmosfera de espaço, num ambiente onde o espectador é envolvido em sensações que o absorvem.<br />A preocupação com o lugar, com a vida quotidiana, com os corpos, com as roupas, usar a visão,o som, o movimento das pessoas, os odores, o tato começam a transformar a palavra artista.<br />Para Kaprow, numa nova arte,tudo se podia tornar objecto: tintas, móveis, comida, luzes, água, filmes...<br /></blockquote><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px; text-align: left;"><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px; text-align: left;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: left;"><br /></div></div></blockquote></blockquote><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhY71wT_QIBYe3aCtfTgx_SImgQrrq479F992aCjwtO4w_TuYEW6hDAdvb9EvEkViNP-Uav5Opbsp6y2yMLPndkinvemYFy7a9ZNSPI3C7wt2U9WXphl_0IlC90KyOTPymk6sCgIDKJn8bJodXwaWgJmY6esOLEMDSjqLcchhpZcYkc7MbU4PNX8IAn" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="275" data-original-width="398" height="172" src="https://blogger.googleusercontent.com/img/a/AVvXsEhY71wT_QIBYe3aCtfTgx_SImgQrrq479F992aCjwtO4w_TuYEW6hDAdvb9EvEkViNP-Uav5Opbsp6y2yMLPndkinvemYFy7a9ZNSPI3C7wt2U9WXphl_0IlC90KyOTPymk6sCgIDKJn8bJodXwaWgJmY6esOLEMDSjqLcchhpZcYkc7MbU4PNX8IAn=w249-h172" width="249" /></a><a href="https://blogger.googleusercontent.com/img/a/AVvXsEh-b7o63mxuIrM0EmmR789s6zf8plYEeO1tuDepbpCAacR1iYYzmmGOGF3nXakVnqI79bz8uQ1kdRdoNMsUsrHaAXhujYeJvwXWXk2QT-KiGqjj7WVr4A3pbNbGWk7XoVwaNP9-wrAovIgx5V_3atZBR0qi9iVe9iNAVeYKjI4zW1TZS6t_6h-UGdlh" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="861" data-original-width="1148" height="168" src="https://blogger.googleusercontent.com/img/a/AVvXsEh-b7o63mxuIrM0EmmR789s6zf8plYEeO1tuDepbpCAacR1iYYzmmGOGF3nXakVnqI79bz8uQ1kdRdoNMsUsrHaAXhujYeJvwXWXk2QT-KiGqjj7WVr4A3pbNbGWk7XoVwaNP9-wrAovIgx5V_3atZBR0qi9iVe9iNAVeYKjI4zW1TZS6t_6h-UGdlh=w224-h168" width="224" /></a></div><div style="text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Gerar o acaso na arte, traduz-se em vários processos que podem circunscrever num ato performativo. </div><div class="separator" style="clear: both; text-align: left;">O desaparecimento do artista faz dele espectador da sua própria poética. Torna-se possível ver </div><div class="separator" style="clear: both; text-align: left;">a pintura a ganhar vida numa esfera irreconhecível absorvida pela tela e onde a percepção visual é</div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: left;">atingida pelo contexto da acção que promove a ilusão.</div></div></div></div><p style="text-align: center;"><b><span style="font-size: medium;"><br /><br /></span></b></p>Laura Carvalhohttp://www.blogger.com/profile/02433871810451997092noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-14366492801279883772023-02-02T16:13:00.004+00:002023-02-02T16:41:30.861+00:00Desenho como Documento - Laura Carvalho<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKzMaS24q-YLeHAjLBNU3qhgqpgxLrZfARG50LWCW3MNtpRcZ5etR_Zf7xNEB55nLk3XZJfR_K7cOpHY8DRyM-d0V8eS7fPTYf0NwIcT96eBKgo40NSJNoFOC-yANdOHVyYHdkXHfG-lDFdtEkLwiQu978ElowgzO6bv3uapQjGmJR84MuFNYAy6SC/s1040/Desenho%20e%20Perf_tbr4_%20Desenho%20como%20documento.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1040" height="445" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKzMaS24q-YLeHAjLBNU3qhgqpgxLrZfARG50LWCW3MNtpRcZ5etR_Zf7xNEB55nLk3XZJfR_K7cOpHY8DRyM-d0V8eS7fPTYf0NwIcT96eBKgo40NSJNoFOC-yANdOHVyYHdkXHfG-lDFdtEkLwiQu978ElowgzO6bv3uapQjGmJR84MuFNYAy6SC/w640-h445/Desenho%20e%20Perf_tbr4_%20Desenho%20como%20documento.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;">Representação de evento enquanto espaço e desvios por interferência.</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8GMihNQBxbVLeuz908JKaDKvSCTL5EOgRD_HhsfeCYAYXV7QRv3ioSDyUKWAFnfl38mDXjMJN2qRWaCAK-Dhj83YdlAT4xefLo2Jiw05uKTZXB5oEnN_5ykT8WpYBmFuLxDOBZV5Iu_Vxnd-VgKhFIQqYht2I8_3z9jhl9kKB6nDRcbRlkJWnfce3/s4032/desenho%20como%20documento13.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8GMihNQBxbVLeuz908JKaDKvSCTL5EOgRD_HhsfeCYAYXV7QRv3ioSDyUKWAFnfl38mDXjMJN2qRWaCAK-Dhj83YdlAT4xefLo2Jiw05uKTZXB5oEnN_5ykT8WpYBmFuLxDOBZV5Iu_Vxnd-VgKhFIQqYht2I8_3z9jhl9kKB6nDRcbRlkJWnfce3/w480-h640/desenho%20como%20documento13.jpg" width="480" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><p></p>Laura Carvalhohttp://www.blogger.com/profile/02433871810451997092noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-41570075357846147672023-02-02T15:26:00.003+00:002023-02-02T15:26:51.830+00:00Performance, documento e desenho - Alejandra Pardo<p> <span class="TextRun SCXW209448994 BCX0" data-contrast="auto" lang="PT-PT" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; color: windowtext; font-family: Calibri, Calibri_EmbeddedFont, Calibri_MSFontService, sans-serif; font-size: 11pt; font-variant-ligatures: none !important; line-height: 18.3458px; margin: 0px; padding: 0px; user-select: text; white-space: pre-wrap;" xml:lang="PT-PT"><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">Neste </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">quarto</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">workshop</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">, exploramos a rela</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">ção</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> entre a </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">performance</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> e a </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">documentação</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> que se fa</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">z</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> da mesma, </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">mediante o </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">desenho</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">, a </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">fotografia</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> ou o vídeo. Cada estudante </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">escolheu</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">um</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> lugar da </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">faculdade</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">para </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">imaginar</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> u</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">m</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">a </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">performance</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> que só </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">podia</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> ser feita </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">nele</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">. Unha vez </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">escolhidos</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> os lugares e pensada a </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">performance</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">, </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">desenhávamos</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> como seria </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">essa</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">performance</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">.</span></span><span class="EOP SCXW209448994 BCX0" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; color: windowtext; font-family: Calibri, Calibri_EmbeddedFont, Calibri_MSFontService, sans-serif; font-size: 11pt; line-height: 18.3458px; margin: 0px; padding: 0px; user-select: text; white-space: pre-wrap;"> </span></p><div class="OutlineElement Ltr SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; background-color: white; clear: both; cursor: text; direction: ltr; font-family: "Segoe UI", "Segoe UI Web", Arial, Verdana, sans-serif; font-size: 12px; margin: 0px; overflow: visible; padding: 0px; position: relative; user-select: text;"><p class="Paragraph SCXW209448994 BCX0" lang="ES-ES" paraeid="{a1223cc0-db28-46e6-b744-8bee0fccd396}{21}" paraid="1515443757" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; background-color: transparent; color: windowtext; font-kerning: none; margin: 0px; overflow-wrap: break-word; padding: 0px; user-select: text; vertical-align: baseline; white-space: pre-wrap;" xml:lang="ES-ES"><span class="TextRun SCXW209448994 BCX0" data-contrast="auto" lang="PT-PT" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; font-family: Calibri, Calibri_EmbeddedFont, Calibri_MSFontService, sans-serif; font-size: 11pt; font-variant-ligatures: none !important; line-height: 18.3458px; margin: 0px; padding: 0px; user-select: text;" xml:lang="PT-PT"><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">O lugar que eu e</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">scolhi</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> foi o corredor </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">com</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> esca</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">das</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> que </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">conecta</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">a zona de aulas do </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">edifício</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> co</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">m a</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> zona de oficinas. </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">Nele</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">, </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">há</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">três</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> estatuas </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">clássicas</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> que </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">representam</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> figuras femininas, que </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">atraíram a minha atenção</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> p</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">e</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">l</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">a </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">atitude</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> t</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">ão</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> “</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">extremamente</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> feminin</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">a</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">” </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">das </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">suas</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> poses. </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">T</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">ão</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">, t</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">ão</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> feminina, que </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">acredito </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">que</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">nenhuma</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">mulher</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> as </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">adotaria</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> naturalmente</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">. Iso </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">levou-me</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> a pensar no performativo da feminidade, </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">em</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> como </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">atuamos</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> para defender o </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">nosso</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">papel</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> de </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">mulher</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> (ou de </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">homem</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">, de ser o caso)</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">, e como a </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">sua</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> forma </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">varia</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> segundo a época e a </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">classe</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> social</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">. </span></span><span class="EOP SCXW209448994 BCX0" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; font-family: Calibri, Calibri_EmbeddedFont, Calibri_MSFontService, sans-serif; font-size: 11pt; line-height: 18.3458px; margin: 0px; padding: 0px; user-select: text;"> </span></p><p class="Paragraph SCXW209448994 BCX0" lang="ES-ES" paraeid="{a1223cc0-db28-46e6-b744-8bee0fccd396}{21}" paraid="1515443757" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; background-color: transparent; color: windowtext; font-kerning: none; margin: 0px; overflow-wrap: break-word; padding: 0px; user-select: text; vertical-align: baseline; white-space: pre-wrap;" xml:lang="ES-ES"><span class="EOP SCXW209448994 BCX0" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; font-family: Calibri, Calibri_EmbeddedFont, Calibri_MSFontService, sans-serif; font-size: 11pt; line-height: 18.3458px; margin: 0px; padding: 0px; user-select: text;"><br /></span></p><p class="Paragraph SCXW209448994 BCX0" lang="ES-ES" paraeid="{a1223cc0-db28-46e6-b744-8bee0fccd396}{21}" paraid="1515443757" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; background-color: transparent; color: windowtext; font-kerning: none; margin: 0px; overflow-wrap: break-word; padding: 0px; user-select: text; vertical-align: baseline; white-space: pre-wrap;" xml:lang="ES-ES"><span class="EOP SCXW209448994 BCX0" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; font-family: Calibri, Calibri_EmbeddedFont, Calibri_MSFontService, sans-serif; font-size: 11pt; line-height: 18.3458px; margin: 0px; padding: 0px; user-select: text;"><br /></span></p></div><div class="OutlineElement Ltr SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; background-color: white; clear: both; cursor: text; direction: ltr; font-family: "Segoe UI", "Segoe UI Web", Arial, Verdana, sans-serif; font-size: 12px; margin: 0px; overflow: visible; padding: 0px; position: relative; user-select: text;"><p class="Paragraph SCXW209448994 BCX0" lang="ES-ES" paraeid="{25a3dbca-2ba9-41cc-9d3a-08f23bb43206}{252}" paraid="869502056" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; background-color: transparent; color: windowtext; font-kerning: none; margin: 0px; overflow-wrap: break-word; padding: 0px; user-select: text; vertical-align: baseline; white-space: pre-wrap;" xml:lang="ES-ES"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjBMu2N6OfYk226X02cUtZEkTtU7AM9PDp6tNJ63keJ28XnG16hh9QvDkTd1hbGzlJTnavUyQhaIbeqLcfEmORpt7gp3LuprOstV7vmfDnJZyPt8ZsZf9yfoEw7fXTH57a20C0Wvgx-o4GMR-gEi60uzvRWg8_BkMqt3PiIFHJTs_EHKFQ3_h_CWzHOaA" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="720" data-original-width="1280" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEjBMu2N6OfYk226X02cUtZEkTtU7AM9PDp6tNJ63keJ28XnG16hh9QvDkTd1hbGzlJTnavUyQhaIbeqLcfEmORpt7gp3LuprOstV7vmfDnJZyPt8ZsZf9yfoEw7fXTH57a20C0Wvgx-o4GMR-gEi60uzvRWg8_BkMqt3PiIFHJTs_EHKFQ3_h_CWzHOaA=w427-h240" width="427" /></a><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjHOZartBucExm8DgP161oly_8MC4crpwZZ6diX8GdwaK88nlZki3n0Dbl4T7Yim_jR3zUkYKu_YqJwohutzfH9L58yQ57uupbGo7dV4ydGXxWWHl_GiOt05-rY6PwjeVoNa4gjQ6NZ9S_b1kiQKmx2GVTrHYAGRte34iDIq1um4T3XWhzZ9J439L10mQ" style="background-color: transparent; margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="919" data-original-width="417" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEjHOZartBucExm8DgP161oly_8MC4crpwZZ6diX8GdwaK88nlZki3n0Dbl4T7Yim_jR3zUkYKu_YqJwohutzfH9L58yQ57uupbGo7dV4ydGXxWWHl_GiOt05-rY6PwjeVoNa4gjQ6NZ9S_b1kiQKmx2GVTrHYAGRte34iDIq1um4T3XWhzZ9J439L10mQ" width="109" /></a><br /><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: transparent; color: windowtext;">Esquerda: Lugar escolhido como site-specific para a performance</span></div><div class="separator" style="clear: both; text-align: center;">Direita: localização do lugar no plano do edifício</div><div class="separator" style="clear: both; text-align: center;"><br /></div><span class="TextRun SCXW209448994 BCX0" data-contrast="auto" lang="PT-PT" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; font-family: Calibri, Calibri_EmbeddedFont, Calibri_MSFontService, sans-serif; font-size: 11pt; font-variant-ligatures: none !important; line-height: 18.3458px; margin: 0px; padding: 0px; user-select: text;" xml:lang="PT-PT"><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"><p class="Paragraph SCXW209448994 BCX0" lang="ES-ES" paraeid="{25a3dbca-2ba9-41cc-9d3a-08f23bb43206}{252}" paraid="869502056" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; background-color: transparent; color: windowtext; font-kerning: none; margin: 0px; overflow-wrap: break-word; padding: 0px; user-select: text; vertical-align: baseline; white-space: pre-wrap;" xml:lang="ES-ES"><span class="TextRun SCXW209448994 BCX0" data-contrast="auto" lang="PT-PT" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; font-family: Calibri, Calibri_EmbeddedFont, Calibri_MSFontService, sans-serif; font-size: 11pt; font-variant-ligatures: none !important; line-height: 18.3458px; margin: 0px; padding: 0px; user-select: text;" xml:lang="PT-PT"><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"><br /></span></span></p>Por </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">isso</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">, </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">imaginei-me</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">de</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">fronte de cada u</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">m</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">a das esculturas, imitando a </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">sua</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> pose, como </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">um</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">espelho</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">, vestida coa roupa de trabalho que </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">utilizava</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">esse</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">dia</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">. </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">Queria</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> explorar o contraste entre </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">as</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">pose</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">s</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> de feminidade </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">destas ima</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">g</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">e</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">n</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">s co</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">m o</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> absurdo que </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">seria</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">adotá-las</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> na vida real.<br /> </span></span><span class="EOP SCXW209448994 BCX0" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; font-family: Calibri, Calibri_EmbeddedFont, Calibri_MSFontService, sans-serif; font-size: 11pt; line-height: 18.3458px; margin: 0px; padding: 0px; user-select: text;"> </span><p></p></div><div class="OutlineElement Ltr SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; background-color: white; clear: both; cursor: text; direction: ltr; font-family: "Segoe UI", "Segoe UI Web", Arial, Verdana, sans-serif; font-size: 12px; margin: 0px; overflow: visible; padding: 0px; position: relative; user-select: text;"><p class="Paragraph SCXW209448994 BCX0" lang="ES-ES" paraeid="{b95691cf-9d77-4f62-99c7-f2ec888c2414}{32}" paraid="22727848" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; background-color: transparent; color: windowtext; font-kerning: none; margin: 0px; overflow-wrap: break-word; padding: 0px; user-select: text; vertical-align: baseline; white-space: pre-wrap;" xml:lang="ES-ES"><span class="TextRun SCXW209448994 BCX0" data-contrast="auto" lang="PT-PT" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; font-family: Calibri, Calibri_EmbeddedFont, Calibri_MSFontService, sans-serif; font-size: 11pt; font-variant-ligatures: none !important; line-height: 18.3458px; margin: 0px; padding: 0px; user-select: text;" xml:lang="PT-PT"><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">No lugar </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">escolhido</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">, desenhei as esculturas no meu </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">diário</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> gráfico para estudar as </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">suas</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> pose</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">s, e depois desenhei-me, </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">com</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> apenas algumas linhas, na frente delas</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">. Nunca </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">realizei</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">essa</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;"> performance, mas este documento também pode ser uma instrução para </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">ser realizada no futuro, por min ou por outra </span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">pessoa</span><span class="NormalTextRun SCXW209448994 BCX0" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; margin: 0px; padding: 0px; user-select: text;">. </span></span></p><p class="Paragraph SCXW209448994 BCX0" lang="ES-ES" paraeid="{b95691cf-9d77-4f62-99c7-f2ec888c2414}{32}" paraid="22727848" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; background-color: transparent; color: windowtext; font-kerning: none; margin: 0px; overflow-wrap: break-word; padding: 0px; user-select: text; vertical-align: baseline; white-space: pre-wrap;" xml:lang="ES-ES"><span class="EOP SCXW209448994 BCX0" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; font-family: Calibri, Calibri_EmbeddedFont, Calibri_MSFontService, sans-serif; font-size: 11pt; line-height: 18.3458px; margin: 0px; padding: 0px; user-select: text;"><br /></span></p><p class="Paragraph SCXW209448994 BCX0" lang="ES-ES" paraeid="{b95691cf-9d77-4f62-99c7-f2ec888c2414}{32}" paraid="22727848" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; background-color: transparent; color: windowtext; font-kerning: none; margin: 0px; overflow-wrap: break-word; padding: 0px; user-select: text; vertical-align: baseline; white-space: pre-wrap;" xml:lang="ES-ES"><span class="EOP SCXW209448994 BCX0" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; font-family: Calibri, Calibri_EmbeddedFont, Calibri_MSFontService, sans-serif; font-size: 11pt; line-height: 18.3458px; margin: 0px; padding: 0px; user-select: text;"><br /></span></p><p class="Paragraph SCXW209448994 BCX0" lang="ES-ES" paraeid="{b95691cf-9d77-4f62-99c7-f2ec888c2414}{32}" paraid="22727848" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; background-color: transparent; color: windowtext; font-kerning: none; margin: 0px; overflow-wrap: break-word; padding: 0px; user-select: text; vertical-align: baseline; white-space: pre-wrap;" xml:lang="ES-ES"><span class="EOP SCXW209448994 BCX0" data-ccp-props="{"201341983":0,"335559739":160,"335559740":259}" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; font-family: Calibri, Calibri_EmbeddedFont, Calibri_MSFontService, sans-serif; font-size: 11pt; line-height: 18.3458px; margin: 0px; padding: 0px; user-select: text;"></span></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhQRtmXJamK7OPqACOV3ZrvoZHWcKg6oJoHtmRdSjPtepqrpV1V2BCmWBH3PKfLMU-gLg2064AJhKiXVfuMo6YisPU-sO_m-YHshryW87U6JRx3Cn3aluSJHH-gyXD59wF1ESWMUd4zURthJvrSuG-QId2HTR_vRcXN9mq1JZ9dgS64w8cAQ6GnzvDRbg" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="876" data-original-width="479" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEhQRtmXJamK7OPqACOV3ZrvoZHWcKg6oJoHtmRdSjPtepqrpV1V2BCmWBH3PKfLMU-gLg2064AJhKiXVfuMo6YisPU-sO_m-YHshryW87U6JRx3Cn3aluSJHH-gyXD59wF1ESWMUd4zURthJvrSuG-QId2HTR_vRcXN9mq1JZ9dgS64w8cAQ6GnzvDRbg=w218-h400" width="218" /></a><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhOGloQVPNt5nNdb5AdceK2aV9XEfJDI2XKnEbBKS7Fgy9I3MGlHLhmFdMO6ohYnOfqA9NtbVpxu4vc6wmC8MFIbb3x0nleoMcKb8GD75mZHtNXoeNPe6QYIyP0Bj19QtvlhzODTXvw3sJOa10TDf4jo0NEHFV8tAZkajlE5GcjkbUBS1tPGW1EUK0lSw" style="background-color: transparent; font-size: 11pt; margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="798" data-original-width="508" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEhOGloQVPNt5nNdb5AdceK2aV9XEfJDI2XKnEbBKS7Fgy9I3MGlHLhmFdMO6ohYnOfqA9NtbVpxu4vc6wmC8MFIbb3x0nleoMcKb8GD75mZHtNXoeNPe6QYIyP0Bj19QtvlhzODTXvw3sJOa10TDf4jo0NEHFV8tAZkajlE5GcjkbUBS1tPGW1EUK0lSw=w255-h400" width="255" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiB3GzLj41Q8nTOo-BT9aK43MBI2XY1O_NBFCkM4gRf7jSDLkhnjMei80oOu1sm2dP4CXVKI9FL_u-3mfPAMDBxN5iDI20gqgyu1WUUMwXUXUitagRknoXx_vsHIXl9mX4xoRjZPjavqUE1ZGkEEsYjMMvtVITPS8LRQ0-WuXlxI7FrwUxqH8RQn2SbeA" style="background-color: transparent; font-size: 11pt; margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="691" data-original-width="469" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEiB3GzLj41Q8nTOo-BT9aK43MBI2XY1O_NBFCkM4gRf7jSDLkhnjMei80oOu1sm2dP4CXVKI9FL_u-3mfPAMDBxN5iDI20gqgyu1WUUMwXUXUitagRknoXx_vsHIXl9mX4xoRjZPjavqUE1ZGkEEsYjMMvtVITPS8LRQ0-WuXlxI7FrwUxqH8RQn2SbeA=w272-h400" width="272" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Desenhos que documentan a (ideia da) performance</div></div><br /> <p></p></div>Alejandra Pardohttp://www.blogger.com/profile/00518002024811057722noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-40817309271364615762023-02-01T17:00:00.002+00:002023-02-07T15:18:45.745+00:00Trabalho Final<div class="separator" style="clear: both; text-align: center;"><br /></div><p><b><span style="font-family: arial; font-size: medium;">Segunda Pele</span></b></p><p><span style="font-family: arial; font-size: x-small;">Filipa Domingues</span></p><p><span style="font-family: arial; font-size: x-small;"><br /></span></p><p><span style="font-family: arial; font-size: x-small;"><br /></span></p><h2></h2><h2><span style="font-family: arial; font-size: small;"><a name="_Toc126158890"><span style="color: #767171;"><span style="color: windowtext;">Abstract</span></span></a><span style="color: #767171;"><o:p></o:p></span></span></h2>
<p class="MsoNormal"><span style="font-family: arial; font-size: medium;">Vivemos numa
época em que o corpo é elevado ao extremo e problematizado como nunca. Questionam-se
os padrões impostos socialmente, enquanto se normaliza a cedência aos mesmos. A
necessidade de transformação física e psicológica tem se revelado numa
preocupação da sociedade atual.</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: small;">Nesta série de
fotografias, rostos de jovens são deformados, individualmente e em composições.
A transformação é provocada pelos próprios modelos, ou seja, uma auto deformação
e possível asfixia. Nota-se uma estranha calma e plenitude das suas expressões
enquanto são envolvidos em película transparente ou esmagados contra o vidro, e
desta forma, é proporcionada uma sensação contrastante entre a imagem e o
observador, pela imprevisibilidade da ação. A dimensão psicológica do ser
humano é muitas vezes exteriorizada através de gestos codificados e revela-se
no estado físico de cada individuo.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: small;">A pelicula surge
como uma segunda pele que envolve, deforma, protege e sufoca, como uma metáfora
do quotidiano, mas é também uma analogia à dor e desconforto que o ser humano
está suscetível. O rosto é o nosso cartão de identidade, sujeito ás diferentes
leituras de quem nos observa. É possível manipulá-lo, como instrumento de
proteção, para que o estado emocional não seja percetível.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: small;">Este projeto
evoca conceitos como o autorretrato/autorrepresentação e retórica do ato
performativo, e atos fingidos, que apelam à perceção do grau zero da figura
representada, sem a terceira pele e controlo exterior, e contribuem na
construção da ação.<o:p></o:p></span></p>
<p class="MsoNormal"><o:p><span style="font-family: arial; font-size: small;"> </span></o:p></p>
<p class="MsoNormal"><o:p><span style="font-family: arial; font-size: small;"> </span></o:p></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: small;"><span style="color: #767171;">Palavras-chave</span>: corpo, deformação, sufoco, autoconhecimento,
expressão</span></p><p class="MsoNormal"><span style="font-family: arial; font-size: small;"><br /></span></p>
<h2><span style="font-family: arial; font-size: small;"><a name="_Toc126158891"><span style="color: #767171;"><span style="color: windowtext;">Introdução</span></span></a></span> </h2>
<p class="MsoNormal"><span style="font-family: arial; font-size: small;">A transformação
é o conceito chave para o desenvolvimento deste projeto. Através do uso da
pelicula é possível criar diferentes formas no rosto humano, que podem seguir o
caminho da transformação física, como do sufoco psicológico, ou como uma segunda
pele que une os sujeitos da ação. A ideia de transformação de um corpo abrange
uma grande variedade de questões socias relativas ao preconceito, <i>shaming,</i>
questões de género, pensamento patriarcal e pressão social exercida sobre o ser
humano, provocada pela dificuldade de encaixe nos padrões pré-concebidos. Mais
uma vez, surge a importância do corpo como transmissor de sensações, relativas
ao próprio individuo e a quem o rodeia.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: small;">O uso do autorretrato,
presente nos elementos fotografados, é um confronto entre o que o sujeito acredita
e o que espectador irá sentir, de forma a estimular ambos pensamentos através
da relação entre a artista, obra e público. Utiliza a sua imagem como bandeira
de representatividade do seu tema de trabalho, normalizando corpos pintados.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: small;">O rosto é o
nosso cartão de identidade, sujeito a diferentes leituras de quem nos observa. É
possível manipulá-lo, como instrumento de proteção quando não se quer expor o
estado emocional.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: small;">Artistas como Ana
Mendieta e Jenny Saville debruçaram-se sobre este tema.<span style="background: white; color: black;"> Saville colaborou com o fotógrafo Glen Luchford para
produzir uma série de fotografias intitulada <i>“Closed Contact”</i> (1995-6),
no qual foi fotografada de baixo para cima, deitada numa placa de acrílico
transparente, onde foi capturado o seu corpo empurrado, esticado e esmagado até
ao extremo. Desta forma, a artista também se transformou numa forma escultural que
pode ser modelada e refeita.<o:p></o:p></span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: small;"><span style="background: white; color: black;"><br /></span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: small;"><span style="background: white; color: black;"><br /></span></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: small;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDzlxK4sE0wpsPsk7tq7jR69w9wU4u4cFJP95Sz25UM2PelhrPhCqZMaNjmgpmelEeGq1sU-TBlQu0hZjOOIpLgXF3KOlktEbYd4WZCM2Wk05yb57lrLBx2XICrwZNDFM4poqza8HCX_V0bG_fcXLcWe19UrOTpq37VyrI4PdJXriPPPwvc49NAjQtzg/s784/closed%20contact.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="373" data-original-width="784" height="152" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDzlxK4sE0wpsPsk7tq7jR69w9wU4u4cFJP95Sz25UM2PelhrPhCqZMaNjmgpmelEeGq1sU-TBlQu0hZjOOIpLgXF3KOlktEbYd4WZCM2Wk05yb57lrLBx2XICrwZNDFM4poqza8HCX_V0bG_fcXLcWe19UrOTpq37VyrI4PdJXriPPPwvc49NAjQtzg/s320/closed%20contact.jpg" width="320" /></a></td></tr></tbody></table></span></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="EN-US" style="font-size: 8.0pt; line-height: 107%; mso-ansi-language: EN-US;">Figura 1. Jenny
Saville & Glen Luchford, Closed Contact #13, impressão c-print em acrílico,
152,4 x 304,8 cm, 1995-96</span><span lang="EN-US" style="font-size: 10.0pt; line-height: 107%; mso-ansi-language: EN-US;"><o:p></o:p></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td class="tr-caption" style="text-align: center;"></td></tr></tbody></table><p class="MsoNormal"><span style="font-family: arial; font-size: small;"><br /></span></p>
<p class="MsoNormal"><!--[if gte vml 1]><v:shapetype id="_x0000_t202"
coordsize="21600,21600" o:spt="202" path="m,l,21600r21600,l21600,xe">
<v:stroke joinstyle="miter"/>
<v:path gradientshapeok="t" o:connecttype="rect"/>
</v:shapetype><v:shape id="Caixa_x0020_de_x0020_Texto_x0020_2" o:spid="_x0000_s1027"
type="#_x0000_t202" style='position:absolute;margin-left:0;margin-top:.55pt;
width:225.4pt;height:41.55pt;z-index:-251642880;visibility:visible;
mso-wrap-style:square;mso-width-percent:0;mso-height-percent:0;
mso-wrap-distance-left:9pt;mso-wrap-distance-top:3.6pt;
mso-wrap-distance-right:9pt;mso-wrap-distance-bottom:3.6pt;
mso-position-horizontal:center;mso-position-horizontal-relative:margin;
mso-position-vertical:absolute;mso-position-vertical-relative:text;
mso-width-percent:0;mso-height-percent:0;mso-width-relative:margin;
mso-height-relative:margin;v-text-anchor:top' o:gfxdata="UEsDBBQABgAIAAAAIQC75UiUBQEAAB4CAAATAAAAW0NvbnRlbnRfVHlwZXNdLnhtbKSRvU7DMBSF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" filled="f" stroked="f">
<w:wrap anchorx="margin"/>
</v:shape><![endif]--><!--[if !vml]--><span style="height: 87px; margin-left: 0px; margin-top: 832px; mso-ignore: vglayout; position: absolute; width: 455px; z-index: -1895810048;">
<table cellpadding="0" cellspacing="0">
<tbody><tr>
<td height="87" style="vertical-align: top;" width="455"><!--[endif]--><!--[if !mso]--><span style="mso-ignore: vglayout; position: absolute; z-index: -1895810048;">
<table cellpadding="0" cellspacing="0" style="width: 100%px;">
<tbody><tr>
<td><!--[endif]-->
<div class="shape" style="padding: 3.6pt 7.2pt 3.6pt 7.2pt;" v:shape="Caixa_x0020_de_x0020_Texto_x0020_2">
<p align="center" class="MsoNormal" style="text-align: center;"><span lang="EN-US" style="line-height: 107%;"><o:p><b><span style="font-family: arial;"> </span></b></o:p></span></p>
</div>
<!--[if !mso]--></td>
</tr>
</tbody></table>
</span><!--[endif]--><!--[if !mso & !vml]--><b><span style="font-family: arial;"> <!--[endif]--><!--[if !vml]--></span></b></td>
</tr>
</tbody></table>
</span><!--[endif]--><span style="font-family: arial; font-size: small;">Na sua prática
como artista feminista e pintora de carne, Saville chama a atenção para um modelo
da perfeição, aquele que reflete essencialmente os desejos masculinos que são continuamente
projetados nas mulheres. Apresenta a sua própria perceção e reivindica a conceção
feminista de beleza, dizendo não considerar errado o ideal tradicional, apenas
que o que as mulheres pensam ser belo pode variar, e não tem necessariamente de
pertencer a um só padrão, pois existe beleza no individualismo e, relativamente
à arte, na própria pintura, até uma verruga ou uma cicatriz podem ser
consideradas bonitas quando são pintadas.<span style="background: white; color: black;"><o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: small;">Durante a época
de 1970 e 1980, Ana Mendieta trouxe uma abordagem íntima e feminista para arte relacionada
com a Terra. Nas suas performances, fotografias, filmes, esculturas (…) <span style="mso-spacerun: yes;"> </span>a artista explorou as conexões místicas e
emocionais entre o seu corpo e a natureza, por exemplo na série “<i>Silhueta”</i>
(1973–80) de performances de “corpo-terra”, por exemplo.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: small;">Em obras como <i>Sem
</i>Título <i>(Body on Glass Imprinted),</i> Mendieta pressionou um pedaço de
vidro contra o rosto e diferentes áreas de seu corpo nu, numa série de 36 imagens.
Mais tarde, selecionou treze imagens do seu rosto para serem impressas como
fotografias a preto e branco, incluindo este trabalho. A visão assustadoramente
próxima das feições deformadas da artista transmite uma sensação de alienação e
desafia o espectador a decifrar os seus atributos faciais alterados. Além de
demonstrar a sua angústia corporal, a distorção da sua cara nas diversas
imagens perturba a função da obra como retrato. Noutras palavras, as
fotografias de Mendieta não são coerentes como representativas de si mesma,
interrompendo assim a forma como os outros a vêm e tiram conclusões sobre sua
identidade. Relacionado a essas preocupações, <i>Sem Título (Facial Cosmetic
Variations)</i> mostra Mendieta a manipular sua aparência usando maquilhagem e
perucas, em alguns casos clareia a sua pele e cabelo para questionar o seu
estereotipo nos Estados Unidos. A série foi uma das primeiras experiências de
Mendieta com arte corporal em que afirma o controlo tanto quanto lamenta a
pressão violenta e o desconforto resultante.<o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: small;"><br /></span></p><p class="MsoNormal"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjna-GrVgsoWSxWBP3nUFO6NbQpsTldPIsKs9uWED9YpNWpL4w9WipyMYV2Z8hEYFGNR4OcFu6yMGhi-6IadMEoHcZPNznOlA8FR5ywqCZb8-yiNrnlOf_xpLOCKGMpRLuw43bMaBzRaIb2HbmGCd3CgMvy8lf8F4-i6z8RU1KTgw7Q78WSFn0XEi7MxA/s800/transferir.webp" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="654" data-original-width="800" height="262" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjna-GrVgsoWSxWBP3nUFO6NbQpsTldPIsKs9uWED9YpNWpL4w9WipyMYV2Z8hEYFGNR4OcFu6yMGhi-6IadMEoHcZPNznOlA8FR5ywqCZb8-yiNrnlOf_xpLOCKGMpRLuw43bMaBzRaIb2HbmGCd3CgMvy8lf8F4-i6z8RU1KTgw7Q78WSFn0XEi7MxA/s320/transferir.webp" width="320" /></a></td></tr></tbody></table></p><p align="center" class="MsoNormal" style="text-align: center;"><span class="fontstyle01"><span style="font-family: "Arial",sans-serif; font-size: 7.0pt; line-height: 107%;">Figura 2. Ana Mendieta</span></span><span style="font-family: Arial, sans-serif; font-size: 7pt; line-height: 107%;"><br />
<span class="fontstyle01"><i><span style="line-height: 107%;">Sem Título (Glass on
Body and Face</span></i></span><span class="fontstyle01"><span style="line-height: 107%;">),
1972</span></span><br />
<span class="fontstyle01"><span style="line-height: 107%;">Gelatin silver print</span></span></span><span style="font-family: "Arial",sans-serif; font-size: 7.0pt; line-height: 107%;"><o:p></o:p></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td class="tr-caption" style="text-align: center;"></td></tr></tbody></table><p class="MsoNormal"><br /></p>
<h2><span style="font-family: arial; font-size: small;"><a name="_Toc126158892"><span style="color: #767171;"><span style="color: windowtext;">Plástico como protagonista</span></span></a><span style="color: #767171;"><o:p></o:p></span></span></h2>
<p class="MsoNormal"><o:p><span style="font-family: arial; font-size: small;"> </span></o:p><span style="font-family: arial;">Ficar preso
dentro de plástico é um medo que muitos de nós temos desde a infância. Todos
nós já ouvimos “Não coloques o saco na cabeça!” quando os perigos sobre os
sacos plásticos são nos ensinados pela primeira vez.</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: small;">Nesta série fotográfica,
temos a sensação de que as personagens procuram algo com a falta de ar. É como
se com a perda do fôlego, uma das ações mais fundamentais e inconscientes
enquanto seres vivos, pudessem visualizar uma nova forma de ser. É neste
momento que se dá a consciência da própria respiração.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: small;">O envolvimento
na pelicula transparente é um gesto codificado que remete aos produtos e
objetos embalados, como alimentos ou mobiliário numa mudança de casa. A dicotomia
entre proteger e sufocar oferece ao espectador a possibilidade de repensar na experiência
como ser humano, nas nossas ações do quotidiano. Da mesma forma que embalamos
um produto para proteção do exterior, também o fazemos quando oprimimos o nosso
estado emocional, e criamos diferentes camadas de peles que não só nos protegem
como também nos sufocam. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: small;"><span style="background: white; color: black;">“Ao deslocarmo-nos da gramática das palavras para a gramática
do corpo, movemo-nos do campo da metáfora para o campo da metonímia”<a href="#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="background: white; color: black; line-height: 107%;">[1]</span></span><!--[endif]--></span></span></a>
(Peggy Phelan).</span> Nestas imagens substitui-se a expressão oral pela
corporal, pois, na verdade, o individuo diz ao público que está desconfortável
com a situação descrita, mas aceita a sua realidade, referente à dor, opressão,
sufocamento, pela necessidade de encaixe num padrão social. Este padrão não
terá de ser necessariamente relativo a valores estéticos, mas principalmente à
pressão psicológica da rotina.<o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: small;"><br /></span></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifY983tDV4OEXTkNsDF3VK4Ecv7k_dzVRYb1PAbBbTreYxcUDRKufC_wdo1yK-TsGOj6kOIrHvKnii4OULardB90jiQ2fRMjcQ1f_TO8LMsTHIWOb1HDfsstBAoi3bHyhUMKgcrBX-ObGfbJ3Ctg9EJ7u4EYFhx7sYsyXAiWJmjJZ7BJ4AZPwFW8bQiQ/s1024/o.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="782" data-original-width="1024" height="244" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifY983tDV4OEXTkNsDF3VK4Ecv7k_dzVRYb1PAbBbTreYxcUDRKufC_wdo1yK-TsGOj6kOIrHvKnii4OULardB90jiQ2fRMjcQ1f_TO8LMsTHIWOb1HDfsstBAoi3bHyhUMKgcrBX-ObGfbJ3Ctg9EJ7u4EYFhx7sYsyXAiWJmjJZ7BJ4AZPwFW8bQiQ/s320/o.jpeg" width="320" /></a></div><br /><span style="font-family: arial; font-size: small;"><br /></span><p></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs3ibhL4dQEdqP84xbCs5N5yzwgBOUU6E2r8HON_C8vuYdUtNjAUAHi8oz6_eMKPxPazqeArUrTwBFTWqkzJ_j2qyIx7MmWdvXpzLe-X9qdEzsBC9Rrh8tJ7Iecv1_J7bpnG_ng5GBpe99apP3l0JK9HCJPW_DvnpToDG9oiEzykSb0t_uOpi8myNQoA/s1024/d.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="768" height="353" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs3ibhL4dQEdqP84xbCs5N5yzwgBOUU6E2r8HON_C8vuYdUtNjAUAHi8oz6_eMKPxPazqeArUrTwBFTWqkzJ_j2qyIx7MmWdvXpzLe-X9qdEzsBC9Rrh8tJ7Iecv1_J7bpnG_ng5GBpe99apP3l0JK9HCJPW_DvnpToDG9oiEzykSb0t_uOpi8myNQoA/w265-h353/d.jpeg" width="265" /></a></div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYEkc9Zc3eXd7SCe14WuLV9uFiIvQitUcp_MMbx579Ano4SQ2ueh0N1ohkPUWkPh1EBxxxl9ajeHtXJAWWN2upgO4Te2IxK67S2BbdlfkdjjwdAt7YvPqiDSDjvblNO01F47whX0uoFeaN2uD9yyv9znYQkiibiPf2vnaFqXhWZbtpspwSd3dQ9u0RYA/s5918/5.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="5466" data-original-width="5918" height="296" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYEkc9Zc3eXd7SCe14WuLV9uFiIvQitUcp_MMbx579Ano4SQ2ueh0N1ohkPUWkPh1EBxxxl9ajeHtXJAWWN2upgO4Te2IxK67S2BbdlfkdjjwdAt7YvPqiDSDjvblNO01F47whX0uoFeaN2uD9yyv9znYQkiibiPf2vnaFqXhWZbtpspwSd3dQ9u0RYA/s320/5.jpg" width="320" /></a></td></tr></tbody></table><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: "Arial",sans-serif; font-size: 8.0pt; line-height: 107%;">Figura
3<i>.Segunda Pele</i>, 2022<o:p></o:p></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td class="tr-caption" style="text-align: center;"></td></tr></tbody></table><p class="MsoNormal"><br /><span style="font-family: arial; font-size: small;"><br /></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: small;"><a name="_Toc126158896"><span style="background: white; color: #767171;"><span style="color: windowtext;"><b>Transformação do Corpo como Autoconhecimento</b></span></span></a></span><b> </b></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: small;"><span style="background: white; color: black;">“Quando uso o termo corpo, estou-me a referir, no sentido
mais básico, a essa condição de não saber, que resulta num conflito entre o que
inegavelmente somos, mas do que, no entanto, ainda nos distanciamos. O corpo
está no campo contraditório dos limites do próprio conhecimento.”<a href="#_ftn2" name="_ftnref2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="background: white; color: black; line-height: 107%;">[2]</span></span><!--[endif]--></span></span></a> (Jane
Blocker)</span><o:p></o:p></span></p>
<p class="MsoNormal"><span style="background: white; color: black;"><span style="font-family: arial; font-size: small;">O vidro partilha com a pelicula aderente a função de deformar
o corpo, no entanto, é detentor de outras características. Em comparação à
película, é um material duro, e apesar da sua fragilidade, permite ao sujeitoexplorar
diferentes formas de transformação do seu rosto.<o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: small;"><span style="background: white; color: black;">As novas formas adquiridas no rosto dos modelos funcionam
como forma de libertação do “eu”/ identidade, transmitindo uma sensação de
estranheza pela deformação de um rosto jovial. A importância do corpo está em proporcionar
a exteriorização das sensações, sendo também ele uma “pele” que funciona como
capa de proteção. A estranheza e singularidade das formas criadas pelo plano de
vidro são o resultado de experiências que levam o corpo ao extremo, numa tentativa
de fuga da realidade.</span> A plenitude
presente no rosto das figuras é referente à facilidade com que aceitamos a transformação
em proveito da proteção.<o:p></o:p></span></p><p class="MsoNormal"><span style="font-family: arial; font-size: small;"><br /></span></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMZP46YJJCQhD9bCCKP7DbcL2mLozK_E6EM4NOH1pMMu31LWtYuDPAbXfqagtGfCzJYta-gzprANZhm-LKJ2QOOyIB_rkoIfUpcxxZ064gDqegSBf8lUr_xJ35qhplntPlXVprRtF3QtE9H4ew4dbBzxyNL0U-bMba27MLhLPNPslAmUPtfdFn5PtfBw/s1022/l.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1022" data-original-width="742" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMZP46YJJCQhD9bCCKP7DbcL2mLozK_E6EM4NOH1pMMu31LWtYuDPAbXfqagtGfCzJYta-gzprANZhm-LKJ2QOOyIB_rkoIfUpcxxZ064gDqegSBf8lUr_xJ35qhplntPlXVprRtF3QtE9H4ew4dbBzxyNL0U-bMba27MLhLPNPslAmUPtfdFn5PtfBw/s320/l.jpeg" width="232" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0ochbUENhj9hHQLe3-hft6MyM7SYqL17VY6DE0npgwJwd-VmRqHSRst4iAWyv1Gs645Z4Sr24u1WTi9jQzOdx31GuPKZz3bLzNwQWyeBZ3Jn9qnXk2phQiTNoxzRd73UZbwZiYKxm1v1QOo3OuSazUJ4eLn45HMw1pebVI89jqu7-vYj42QwlTnksHw/s1024/m.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1024" data-original-width="778" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0ochbUENhj9hHQLe3-hft6MyM7SYqL17VY6DE0npgwJwd-VmRqHSRst4iAWyv1Gs645Z4Sr24u1WTi9jQzOdx31GuPKZz3bLzNwQWyeBZ3Jn9qnXk2phQiTNoxzRd73UZbwZiYKxm1v1QOo3OuSazUJ4eLn45HMw1pebVI89jqu7-vYj42QwlTnksHw/s320/m.jpeg" width="243" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" class="MsoNormal"><span style="font-family: "Arial",sans-serif; font-size: 8.0pt; line-height: 107%;"><br /></span></p><p align="center" class="MsoNormal"><span style="font-family: "Arial",sans-serif; font-size: 8.0pt; line-height: 107%;">Figura 4.<i>
Segunda Pele</i>, 2022<o:p></o:p></span></p></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQYz60AvvMiGSRGncmxc5tShj1PLpBDHHeI6hE9zUvLWkTgRHksvPK1EBUiwwG0Jw6g8NY3xUCTqsnSyHrsUvxKsvtSJgr4sO5klv40dSXMYPJvkvjO-I8xkX6ruh6o03E1W1-6iOO04CtnhVEDepLwWvyOVnoohYEfDa5gmYjufYthxV8j7vO92R1Pw/s5934/2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="5669" data-original-width="5934" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQYz60AvvMiGSRGncmxc5tShj1PLpBDHHeI6hE9zUvLWkTgRHksvPK1EBUiwwG0Jw6g8NY3xUCTqsnSyHrsUvxKsvtSJgr4sO5klv40dSXMYPJvkvjO-I8xkX6ruh6o03E1W1-6iOO04CtnhVEDepLwWvyOVnoohYEfDa5gmYjufYthxV8j7vO92R1Pw/s320/2.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" class="MsoNormal"><span style="font-family: Arial, sans-serif; font-size: 8pt;"><br /></span></p><p align="center" class="MsoNormal"><span style="font-family: Arial, sans-serif; font-size: 8pt;">Figura 5.</span><i style="font-family: Arial, sans-serif; font-size: 8pt;">
Segunda Pele</i><span style="font-family: Arial, sans-serif; font-size: 8pt;">, 2022</span></p><p align="center" class="MsoNormal"><span style="font-family: Arial, sans-serif; font-size: 8pt;"><br /></span></p></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHPS7tvGMtrTtJsM8MVJkFOclI5Zl1x1iS0qFh3IetdbzCMwc3KgNvJ_WUuhbckDKJ5Ym3cpvOhVsjETymswM39TPoh0XphTROdBd8Fd3Ff7vzCDEqzfC6esw5yPSJ6JYL6rCIyUuEXJx9ImiQOvlV43vDAv4f7KQHDL0zQnTYrt1yZzRV_Bi173JKQg/s8504/3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="5669" data-original-width="8504" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHPS7tvGMtrTtJsM8MVJkFOclI5Zl1x1iS0qFh3IetdbzCMwc3KgNvJ_WUuhbckDKJ5Ym3cpvOhVsjETymswM39TPoh0XphTROdBd8Fd3Ff7vzCDEqzfC6esw5yPSJ6JYL6rCIyUuEXJx9ImiQOvlV43vDAv4f7KQHDL0zQnTYrt1yZzRV_Bi173JKQg/w428-h285/3.jpg" width="428" /></a></div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJEHSeylPv-rHlE7ex1xBLrKDI9Eqn3Gd9Oowvk11amp_JfleUmZBNIDLspU_viKkUDi8KTRnCB3KoNWmr1i5ItSutl-0L978GWTgKUim2ubBCwUdwU36ONPNlsT9oWigtcW_dPRnp0k-4MCZCPp_nIMnywED2g8BuCKp234vjOK6OjiFu5XYkxqiFiw/s8504/4%20-%20C%C3%B3pia.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="5669" data-original-width="8504" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJEHSeylPv-rHlE7ex1xBLrKDI9Eqn3Gd9Oowvk11amp_JfleUmZBNIDLspU_viKkUDi8KTRnCB3KoNWmr1i5ItSutl-0L978GWTgKUim2ubBCwUdwU36ONPNlsT9oWigtcW_dPRnp0k-4MCZCPp_nIMnywED2g8BuCKp234vjOK6OjiFu5XYkxqiFiw/w463-h308/4%20-%20C%C3%B3pia.jpg" width="463" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" class="MsoNormal"><span style="font-family: "Arial",sans-serif; font-size: 8.0pt; line-height: 107%;"><br /></span></p><p align="center" class="MsoNormal"><span style="font-family: "Arial",sans-serif; font-size: 8.0pt; line-height: 107%;">Figura 6<i>.Segunda
Pele</i>, fotomontagem, 2022<o:p></o:p></span></p></td></tr></tbody></table><br /><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; font-family: arial; text-align: left;">O questionamento é a base essencial no processo de
autoconhecimento. Questionar as nossas ações e sentimentos poderá levar-nos a
um estado confuso, em que não sabemos quem somos, mas esse será o ponto de
partida para a verdadeira descoberta.</span></div>
<p class="MsoNormal"><span style="background: white;"><span style="font-family: arial; font-size: small;">Nesta autorrepresentação, o grau zero surge na forma mais convencional
de apresentação ao mundo (figura 8). O desvio acontece na figura 7, pois o
autorretrato é apresentado com o rosto completamente irreconhecível, envolvido
em película aderente Mais uma vez, o sufoco e asfixia surgem como conceitos que
ilustram o estado psicológico do ser humano quando está perante situações de
stress e condicionamento. A película é uma segunda pele, que distorce e desfigura
o próprio individuo, mas que torna-se uma necessidade. <o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="background: white; color: black;"><span style="font-family: arial; font-size: small;">O autoconhecimento dá-se quando conseguimos retirar toda a
pelicula, numa tentativa de voltar a respirar. Desta forma, o desaparecimento do
sufoco físico significa a libertação emocional.<o:p></o:p></span></span></p><p class="MsoNormal"><span style="background: white; color: black;"><span style="font-family: arial; font-size: small;"><br /></span></span></p><p class="MsoNormal"><span style="background: white; color: black;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikI5MttChQ1tzF5c2a9Hz5rCijYmwnoaHbRM3CQRkAq2SeMfYQscdhFt5Nd0vscmIko8hS9FWfOqswoQKuNe9nI89n7BReMDACPrVXbg3h5LlQN8WP_d96VthImuq13hpLwo4pZxcCpeJU5XcAH6WMu7Xnv_f2UP4c9br0dAeMwRH1ndts6_mKzgBLMw/s1752/Captura%20de%20ecr%C3%A3%202022-11-29%20105922.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="954" data-original-width="1752" height="174" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikI5MttChQ1tzF5c2a9Hz5rCijYmwnoaHbRM3CQRkAq2SeMfYQscdhFt5Nd0vscmIko8hS9FWfOqswoQKuNe9nI89n7BReMDACPrVXbg3h5LlQN8WP_d96VthImuq13hpLwo4pZxcCpeJU5XcAH6WMu7Xnv_f2UP4c9br0dAeMwRH1ndts6_mKzgBLMw/s320/Captura%20de%20ecr%C3%A3%202022-11-29%20105922.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjualE5QfHzV2tuuIVlktIpWDR9gFQLtPRNKQVrYlJr-U1WNBySlHhm7NTc_kYzLKM1vTp7VWx3KDuMqrCwo4f_hdl5vbIPMUrfOlXFWyGGRrJgY7GKsplSAIrZ8PhImXvOq0POJ2v2IkHAnc0UWoKg6ZX3fW71SQnGrT0JyMBji2OcQFhOF84_l2ozHw/s1600/WhatsApp%20Image%202023-02-01%20at%2011.21.50.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="901" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjualE5QfHzV2tuuIVlktIpWDR9gFQLtPRNKQVrYlJr-U1WNBySlHhm7NTc_kYzLKM1vTp7VWx3KDuMqrCwo4f_hdl5vbIPMUrfOlXFWyGGRrJgY7GKsplSAIrZ8PhImXvOq0POJ2v2IkHAnc0UWoKg6ZX3fW71SQnGrT0JyMBji2OcQFhOF84_l2ozHw/s320/WhatsApp%20Image%202023-02-01%20at%2011.21.50.jpeg" width="320" /></a></td></tr></tbody></table></span></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: "Arial",sans-serif; font-size: 8.0pt; line-height: 107%;">Figura 7 e 8.<i>Segunda Pele</i>, frames de vídeo performance, 2022<o:p></o:p></span></p><div><br /></div><div><br /></div><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td class="tr-caption" style="text-align: center;"></td></tr></tbody></table><p class="MsoNormal"><span style="background: white; color: black;"><b><span style="font-family: arial;">Processo de Libertação</span></b><br /><span style="font-family: arial; font-size: small;"><br /></span></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPVNN_ktFF5Q5maNcNwQNKUTpJtx0Dh6Mns_viW8LO_-Z6mpLYJyf0GJNmQUUL_yiEZ8ohbolT9wQaFxz0_zO-K9ZmAcwSWqHOOP1kMjSFYXP7_rE_u84Ra9t4Np9ym1RT-iGqHpsvRHq496MDk0bA1zDDhQWP8rfq67zpyuCgYv278ZOuAKcsvL3kJw/s1752/Captura%20de%20ecr%C3%A3%202022-11-29%20105922.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="954" data-original-width="1752" height="174" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPVNN_ktFF5Q5maNcNwQNKUTpJtx0Dh6Mns_viW8LO_-Z6mpLYJyf0GJNmQUUL_yiEZ8ohbolT9wQaFxz0_zO-K9ZmAcwSWqHOOP1kMjSFYXP7_rE_u84Ra9t4Np9ym1RT-iGqHpsvRHq496MDk0bA1zDDhQWP8rfq67zpyuCgYv278ZOuAKcsvL3kJw/s320/Captura%20de%20ecr%C3%A3%202022-11-29%20105922.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXHV3RUq0mGrUTGKNqL3xW-vuLPi2SxyUGYpLfnP_2rGpiShKicedOxyCWLaZF-fhPT19I4N1MA2snxHYHz1SjKbjJ-WZxjVomjLaeChPU2fdvIQBOxHNwtBxV1eU7aEe3_mlNEw2XK3-HGLxKJ7bVTWGrvMrO5ZmqfpTDs8TdmwkjfVywljiY8niHHQ/s1836/Captura%20de%20ecr%C3%A3%202022-11-29%20110131.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="963" data-original-width="1836" height="168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXHV3RUq0mGrUTGKNqL3xW-vuLPi2SxyUGYpLfnP_2rGpiShKicedOxyCWLaZF-fhPT19I4N1MA2snxHYHz1SjKbjJ-WZxjVomjLaeChPU2fdvIQBOxHNwtBxV1eU7aEe3_mlNEw2XK3-HGLxKJ7bVTWGrvMrO5ZmqfpTDs8TdmwkjfVywljiY8niHHQ/s320/Captura%20de%20ecr%C3%A3%202022-11-29%20110131.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGtABUehhSOqdMO0AaIPbtz_02lXt3I4xfHT37KpOaIeo5q0pxcd32yDKGwLPju57rYNtUsZsoA1oV_ptcZJbPgliKhdWAx26P5c4kA4oo31NhNgrbOHpSIf0eydZszewrIhBI5MA_CgCIIv2fuEaxoV4MFbC26QA93q9-0Kd7-zBTsISCwusiUKID3A/s1773/Captura%20de%20ecr%C3%A3%202022-11-29%20110219.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="958" data-original-width="1773" height="173" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGtABUehhSOqdMO0AaIPbtz_02lXt3I4xfHT37KpOaIeo5q0pxcd32yDKGwLPju57rYNtUsZsoA1oV_ptcZJbPgliKhdWAx26P5c4kA4oo31NhNgrbOHpSIf0eydZszewrIhBI5MA_CgCIIv2fuEaxoV4MFbC26QA93q9-0Kd7-zBTsISCwusiUKID3A/s320/Captura%20de%20ecr%C3%A3%202022-11-29%20110219.jpg" width="320" /></a></div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg05PqK_S4kLAG7rkO_vNNV-3Ej74xDf7Jb-Lnmv6eyk6m0Sj4e87eEoM5R1VPQxFGt_hRXg4FTttYyxi6CfQSJmdSAnRDzOkZepisKtXTzpWHPdiqyIAGTJ-v9dbWTWEAyWMtB2sga07n9lFosRjPxpbmGmjHO7bTFHm7YNZIlUi_yfuv6KU-BLZsP5w/s1600/WhatsApp%20Image%202023-02-01%20at%2011.21.50.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="901" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg05PqK_S4kLAG7rkO_vNNV-3Ej74xDf7Jb-Lnmv6eyk6m0Sj4e87eEoM5R1VPQxFGt_hRXg4FTttYyxi6CfQSJmdSAnRDzOkZepisKtXTzpWHPdiqyIAGTJ-v9dbWTWEAyWMtB2sga07n9lFosRjPxpbmGmjHO7bTFHm7YNZIlUi_yfuv6KU-BLZsP5w/s320/WhatsApp%20Image%202023-02-01%20at%2011.21.50.jpeg" width="320" /></a></td></tr></tbody></table><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: "Arial",sans-serif; font-size: 8.0pt; line-height: 107%;">Figura 9<i>. Segunda Pele</i>, <i>frames</i> de vídeo performance, 2022<o:p></o:p></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td class="tr-caption" style="text-align: center;"></td></tr></tbody></table><p class="MsoNormal"><span style="background: white; color: black;"><span style="font-family: arial; font-size: small;"><br /></span></span></p>
<p class="MsoNormal"><!--[if gte vml 1]><v:shape id="_x0000_s1026" type="#_x0000_t202"
style='position:absolute;margin-left:112.05pt;margin-top:13.7pt;width:153.3pt;
height:25.65pt;z-index:-251639808;visibility:visible;mso-wrap-style:square;
mso-width-percent:400;mso-height-percent:200;mso-wrap-distance-left:9pt;
mso-wrap-distance-top:3.6pt;mso-wrap-distance-right:9pt;
mso-wrap-distance-bottom:3.6pt;mso-position-horizontal:absolute;
mso-position-horizontal-relative:margin;mso-position-vertical:absolute;
mso-position-vertical-relative:text;mso-width-percent:400;
mso-height-percent:200;mso-width-relative:margin;mso-height-relative:margin;
v-text-anchor:top' o:gfxdata="UEsDBBQABgAIAAAAIQC75UiUBQEAAB4CAAATAAAAW0NvbnRlbnRfVHlwZXNdLnhtbKSRvU7DMBSF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" stroked="f">
<v:textbox style='mso-fit-shape-to-text:t'/>
<w:wrap anchorx="margin"/>
</v:shape><![endif]--><!--[if !vml]--><span style="height: 55px; margin-left: 240px; margin-top: 1938px; mso-ignore: vglayout; position: absolute; width: 310px; z-index: -1895806976;">
<table cellpadding="0" cellspacing="0">
<tbody><tr>
<td bgcolor="white" height="55" style="background: white; vertical-align: top;" width="310"><!--[endif]--><!--[if !mso]--><span style="mso-ignore: vglayout; position: absolute; z-index: -1895806976;">
<table cellpadding="0" cellspacing="0" style="width: 100%px;">
<tbody><tr>
<td><!--[endif]-->
<div class="shape" style="padding: 3.6pt 7.2pt 3.6pt 7.2pt;" v:shape="_x0000_s1026">
<p align="center" class="MsoNormal" style="text-align: center;"><span style="line-height: 107%;"><o:p><b><span style="font-family: arial;"> </span></b></o:p></span></p>
</div>
<!--[if !mso]--></td>
</tr>
</tbody></table>
</span><!--[endif]--><!--[if !mso & !vml]--><b><span style="font-family: arial;"> <!--[endif]--><!--[if !vml]--></span></b></td>
</tr>
</tbody></table>
</span><!--[endif]--><span style="font-family: arial; font-size: small;"><o:p></o:p></span></p>
<h2><span style="font-family: arial; font-size: small;"><a name="_Toc126158898"><span style="color: #767171;"><span style="color: windowtext;">Conclusão</span></span></a><span style="color: #767171;"><o:p></o:p></span></span></h2>
<p class="MsoNormal"><o:p><span style="font-family: arial; font-size: small;"> </span></o:p><span style="font-family: arial;">A transformação
física está automaticamente ligada à dimensão psicológica, independentemente se
é positiva ou negativa. Vivemos numa época em que somos bombardeados
diariamente com imagens. A imagem e aparência tornaram-se extremamente
importantes para a sociedade, principalmente na faixa etária jovem.</span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: small;">Existe uma enorme
pressão para pertencer e encaixar num modo social muitas vezes impossível de
alcançar, referindo-me tanto a questões de estética visual como ao stress geral
do quotidiano. É muito comum criar peles na forma de máscaras, num ato de medo,
que se tornam necessárias para o encaixe na sociedade, no entanto, estas
máscaras podem levar ao sufoco de tanta pressão que exercida sobre o eu
verdadeiro. <span style="mso-spacerun: yes;"> </span>Através dos atos performativos,
oferecemos a liberdade ao corpo para se expressar de forma catártica. As marcas
contextuais de um ato, como embrulhar um objeto, pressionar/amassar algo contra
uma superfície redirecionam-nos para um diferente campo performativo.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: small;">A
autorrepresentação é um elemento essencial neste projeto, pois oferece uma
visão única da experiência como ser humano por parte da figura presente nas imagens.
Neste sentido, o exercício de autoconhecimento torna-se real e proporciona uma
maior ligação entre o artista, a obra e o espectador.<o:p></o:p></span></p>
<p class="MsoNormal"><o:p><span style="font-family: arial; font-size: small;"> </span></o:p></p><p class="MsoNormal"><o:p><span style="font-family: arial; font-size: small;"><br /></span></o:p></p><p class="MsoNormal"><o:p><span style="font-family: arial; font-size: small;"><br /></span></o:p></p>
<h2><span style="font-family: arial; font-size: small;"><a name="_Toc126158899"><span style="color: #767171;"><span style="color: windowtext;">Bibliografia</span></span></a><span style="color: #767171;"><o:p></o:p></span></span></h2>
<p class="MsoNormal"><o:p><span style="font-family: arial; font-size: small;"> </span></o:p></p>
<p class="MsoNormal"><span style="color: #767171; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #767171; mso-style-textfill-fill-colortransforms: lumm=50000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 128;"><span style="font-family: arial; font-size: small;">Almeida, Paulo Luís. <i>A RETÓRICA PERFORMATIVA DO DESENHO<o:p></o:p></i></span></span></p>
<p class="MsoNormal"><i><span style="color: #767171; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #767171; mso-style-textfill-fill-colortransforms: lumm=50000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 128;"><span style="font-family: arial; font-size: small;"><span style="mso-spacerun: yes;">
</span>DESENHO COMO ATO DE PRESENÇA<o:p></o:p></span></span></i></p>
<p class="MsoNormal"><i><span style="color: #767171; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #767171; mso-style-textfill-fill-colortransforms: lumm=50000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 128;"><span style="font-family: arial; font-size: small;"><span style="mso-spacerun: yes;">
</span>RETÓRICA DO ATO PERFORMATIVO<o:p></o:p></span></span></i></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: small;"><span style="background: white; color: #767171; line-height: 107%;">Blocker, Jane (2004). </span><span lang="EN-US" style="background: white; color: #767171; line-height: 107%;">What the Body Cost: Desire, History and Performance. Minneapolis:
University of Minnesota Press.</span><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="background: white; color: #767171; line-height: 107%;"><o:p><span style="font-family: arial; font-size: small;"> </span></o:p></span></p>
<p class="MsoBibliography"><span style="font-family: arial; font-size: small;"><i><span lang="EN-US" style="color: #767171; line-height: 107%;">Gagosian Jenny Saville Works</span></i><span lang="EN-US" style="color: #767171; line-height: 107%;">. (2023). Obtido de Gagosian: <a href="https://gagosian.com/artists/jenny-saville/"><span style="color: #767171; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #767171; mso-style-textfill-fill-colortransforms: lumm=50000; mso-style-textfill-fill-themecolor: background2; mso-themecolor: background2; mso-themeshade: 128;">https://gagosian.com/artists/jenny-saville/</span></a><o:p></o:p></span></span></p>
<p class="MsoNormal"><span lang="EN-US" style="mso-ansi-language: EN-US;"><o:p><span style="font-family: arial; font-size: small;"> </span></o:p></span></p>
<p class="MsoNormal"><span style="font-family: arial; font-size: small;"><span lang="EN-US" style="background: white; color: #767171; line-height: 107%;">Phelan, Peggy (1993).
Unmarked: The Politics of Performance. London and New York: Routledge.</span><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="background: white; color: #767171; line-height: 107%;"><o:p><span style="font-family: arial; font-size: small;"> </span></o:p></span></p>
<p class="MsoBibliography" style="margin-left: 36.0pt; text-indent: -36.0pt;"><span style="font-family: arial; font-size: small;"><i><span lang="EN-US" style="color: #767171; line-height: 107%;">Untitled (Glass on Body Imprints – Face)</span></i><span lang="EN-US" style="color: #767171; line-height: 107%;">. (2021). Obtido de Princeton University Art Museum:
https://artmuseum.princeton.edu/collections/objects/55532<o:p></o:p></span></span></p>
<p class="MsoNormal"><span lang="EN-US" style="color: #767171; line-height: 107%;"><o:p><span style="font-family: arial; font-size: small;"> </span></o:p></span></p>
<p class="MsoBibliography" style="margin-left: 36.0pt; text-indent: -36.0pt;"><span style="color: #767171; line-height: 107%;"><span style="font-family: arial; font-size: small;">Yuste,
J. (17 de dezembro de 2017). <i>Closed Contact, os nus perturbadores de Jenny
Saville e Glen Luchford</i>. Obtido de Cultura Inquieta:
https://culturainquieta.com/es/arte/pintura/item/13127-closed-contact-los-perturbadores-desnudos-de-jenny-saville-y-glen-luchford.html<o:p></o:p></span></span></p>
<p class="MsoNormal"><o:p><span style="font-family: arial; font-size: small;"> </span></o:p></p>
<div style="mso-element: footnote-list;"><!--[if !supportFootnotes]--><span style="font-family: arial; font-size: small;"><br clear="all" />
</span><hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1" style="mso-element: footnote;">
<p class="MsoNormal"><span style="font-family: arial; font-size: small;"><a href="#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="line-height: 107%;">[1]</span></span><!--[endif]--></span></span></a><span style="mso-ansi-language: EN-US;"> </span><span lang="EN-US" style="background: white; color: #767171; line-height: 107%;">Phelan, Peggy (1993). Unmarked: The Politics of
Performance. London and New York: Routledge.</span><o:p></o:p></span></p>
<p class="MsoFootnoteText"><span lang="EN-US" style="mso-ansi-language: EN-US;"><o:p><span style="font-family: arial; font-size: small;"> </span></o:p></span></p>
</div>
<div id="ftn2" style="mso-element: footnote;">
<p class="MsoFootnoteText"><span style="font-family: arial; font-size: small;"><a href="#_ftnref2" name="_ftn2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="line-height: 107%;">[2]</span></span><!--[endif]--></span></span></a><span style="mso-ansi-language: EN-US;"> </span><span lang="EN-US" style="background: white; color: #999999;">BLOCKER,
Jane (2004). What the Body Cost: Desire, History and Performance. </span><span style="background: white; color: #999999;">Minneapolis:
University of Minnesota Press.</span><o:p></o:p></span></p>
</div>
</div><br />Filipahttp://www.blogger.com/profile/01457549459254164748noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-46457684514554082332023-02-01T00:40:00.003+00:002023-02-01T00:40:45.690+00:00performance, documento e desenho<p> </p><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib84X8Mb1OsKM8rV2aS8QcWGG1_dpvyxIjWz7n93o4qilTSjkECxHkd1Y8W4_tCEkwTRXWqOzQYqkI36eRYicedTArPUgNjv1k40xWrmhpJdBFSKiZjcnFsmPnH-G5pr7-Lswbq0TyA_65nhMrSDKR-7F3jRKKyAT1bbAY0EoMemkWkfFJ-2UDohk3tg/s2256/des001.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2256" data-original-width="2256" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib84X8Mb1OsKM8rV2aS8QcWGG1_dpvyxIjWz7n93o4qilTSjkECxHkd1Y8W4_tCEkwTRXWqOzQYqkI36eRYicedTArPUgNjv1k40xWrmhpJdBFSKiZjcnFsmPnH-G5pr7-Lswbq0TyA_65nhMrSDKR-7F3jRKKyAT1bbAY0EoMemkWkfFJ-2UDohk3tg/s320/des001.png" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNWsNVPY4OfpS1LAI9Z-12iAQlQGA6GMSD0AKcBT7go57i0JPMV2KmT8H5OwykGirquUZp7rjf71kXzuSUh3d6AbRbE8NPOShEyeiuuQY8ECMiaZWmIPot5KwWHd0plyiQIBSaW_jzu4mVWuS3AFPZTsaVRM5iE6B3dtOxLjhLqhi5k6x6Imo4oIkDpg/s1968/des002.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1968" data-original-width="1968" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNWsNVPY4OfpS1LAI9Z-12iAQlQGA6GMSD0AKcBT7go57i0JPMV2KmT8H5OwykGirquUZp7rjf71kXzuSUh3d6AbRbE8NPOShEyeiuuQY8ECMiaZWmIPot5KwWHd0plyiQIBSaW_jzu4mVWuS3AFPZTsaVRM5iE6B3dtOxLjhLqhi5k6x6Imo4oIkDpg/s320/des002.png" width="320" /></a></div><span style="font-family: helvetica; font-size: xx-small;">Para o último workshop propus uma acção desde a sala 42 até ao piso abaixo. Consistiu em transformar-me num ser quadrúpede e descer as escadas com os quatro membros locomotores. Desafiei-me a mim mesma ao tentar evocar um espaço e eventos associados apenas pelo desenho: para isso, desenhei os diferentes momentos em cada papel: o desenho no canto superior esquerdo representa a sala de aula, e numa orientação descendente representei a acção da figura humana. Logo abaixo, registei o movimento dos membros, cabeça e articulações na mudança de locomoção. Ao lado, os vários andares do Pavilhão Sul foram representados pelo elevador com um evento paralelo de estudantes a entrar. Posteriormente, introduzi o mapa como elemento informativo e objectivo. </span><p></p>Inês Soareshttp://www.blogger.com/profile/15970617411841872941noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-91173136989609981692023-01-30T19:07:00.003+00:002023-01-30T19:07:55.946+00:00Trabalho Final<p><br /></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dyVOsU9dMvwA7VzZU-SmDy28LTbGjHRljN726cs3iyJp0pwJskEkwOUbf7ny_64ZoX6rgACHYzohK4UlalgtQ' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='324' height='270' src='https://www.blogger.com/video.g?token=AD6v5dwgi2lRw4A9tsqUFcVA1RWeCWFR6747YrPcYJLZhhvTRBs2HxC2yt7gm9cGB8j-8bRB6SNBHJTQy3C4qsGOhw' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dy_uENONBAbU7t5wx3VoolHHKzkJM5k1aZ9-stX5SCw6WohCSo3-DMfj6hVlPKTY9o4KnzM_92ZaxQSLp51zA' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dxdq6IhAHjSF717OgD5_6tIFF4bQ4HFpHTRBFBGP9bADTwA-Ryh3yTqy5xFN1SlC0dGWBhCGsCebXi4YyThxQ' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyawcLxqrpmTbRQovYbZWY_WN3eZEtv-HGYtyfjz-ELDNzIFulTz1bCJLHocYPEVBN7KFubyh9pvhxzH7yQbyohJ1gjhRhto2anGC9fXuiJcex8XO2xnXs7UuflJTiUbbft9IDrhIIASBqhJelkBsA5yOhJIwd0tvcHQwh0KG14meSTpvzXv744dgc/s3916/IMG_8437.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2812" data-original-width="3916" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyawcLxqrpmTbRQovYbZWY_WN3eZEtv-HGYtyfjz-ELDNzIFulTz1bCJLHocYPEVBN7KFubyh9pvhxzH7yQbyohJ1gjhRhto2anGC9fXuiJcex8XO2xnXs7UuflJTiUbbft9IDrhIIASBqhJelkBsA5yOhJIwd0tvcHQwh0KG14meSTpvzXv744dgc/s320/IMG_8437.jpg" width="320" /></a><br /></div><div class="separator" style="clear: both; text-align: center;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWCL6yDKibMTeX8Z3rNvG4M09hGHY7DNqznfar1GdXZUHUuXgaKDaT6gLMZzdXbmkogtor6BawAzu4Fj88FTyyKdDjeclGAhsz-R2MZPjQCZEuhs7ObclFtZyiLGSebS8EEhR0KCM3EdazbNUhe7w1cPlDSU2T8GK1w_NmrXQhApIf0ymT06c8CqDs/s2778/IMG_8433.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1981" data-original-width="2778" height="228" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWCL6yDKibMTeX8Z3rNvG4M09hGHY7DNqznfar1GdXZUHUuXgaKDaT6gLMZzdXbmkogtor6BawAzu4Fj88FTyyKdDjeclGAhsz-R2MZPjQCZEuhs7ObclFtZyiLGSebS8EEhR0KCM3EdazbNUhe7w1cPlDSU2T8GK1w_NmrXQhApIf0ymT06c8CqDs/s320/IMG_8433.jpg" width="320" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"> </div><br /></div><br /> <p></p>Carolina Lourençohttp://www.blogger.com/profile/15689488798555742545noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-17492104876146544422023-01-30T15:20:00.004+00:002023-02-01T21:02:17.984+00:00Trabalho Final _Francisca Costa<p> Ato Performativo- Trabalho Final </p><p class="MsoNormal" style="text-align: justify;"><span style="font-size: 14.0pt; line-height: 107%;">A instrução como elemento catalisador da performance:<o:p></o:p></span></p><p>
</p><p class="MsoNormal" style="text-align: justify;"><span style="font-size: 14.0pt; line-height: 107%;">A performance que desenvolvi assenta os seus alicerces nos
conceitos de Instrução-Performance-Obra independente ou registo.<o:p></o:p></span></p><p class="MsoNormal" style="text-align: justify;"><span style="font-size: 14.0pt; line-height: 107%;">Formada por três desdobráveis compostos por quatro desenhos
cada, a atividade consistiu em utilizar os materiais de desenho para registar os
movimentos na folha. O ato performativo teve 4 participantes sendo eu um deles.<o:p></o:p></span></p><p class="MsoNormal" style="text-align: justify;"><span style="font-size: 14.0pt; line-height: 107%;">
</span></p><p class="MsoNormal" style="text-align: justify;"><span style="font-size: 14.0pt; line-height: 107%;">Nas instruções pode ver-se o seguinte:<o:p></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjV8nNTjDKTJz1M3cGKgYCiDdJbXrpoyhJ2XQ16C9CIx-K85Srar9PiO8yCbX3Yct5T5IaFGPDeslQsEjf1p1OnU_jZFZ2FrGai8cRECOm66cxX4aZjx7Jt1jVd5AvLOYLw6qpMvRtAo_7fvtmDJcPmbcMK69okvtn3fMa_JIbb4qumTPXlgTrVI_ls" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="272" data-original-width="940" height="189" src="https://blogger.googleusercontent.com/img/a/AVvXsEjV8nNTjDKTJz1M3cGKgYCiDdJbXrpoyhJ2XQ16C9CIx-K85Srar9PiO8yCbX3Yct5T5IaFGPDeslQsEjf1p1OnU_jZFZ2FrGai8cRECOm66cxX4aZjx7Jt1jVd5AvLOYLw6qpMvRtAo_7fvtmDJcPmbcMK69okvtn3fMa_JIbb4qumTPXlgTrVI_ls=w651-h189" width="651" /></a></div><br /><br /><p></p><p style="text-align: left;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiDeC2SY0xpfGbGz-VTeitfv_BKxyWV_6dWrqSXsDLvjtIlL7Xg167vvEZneH-0Osx6IQVqoIARVu9_pjjQYsnnBxBSWoFpeivWXITDZ9pWlXr39DNaRsgK0AvAT9DAuKEdklcL0cR2aJE7LcNmaBpp3hhThi9sjHfgHasW49GxlvsyynLYGn0HafAR" style="margin-left: 1em; margin-right: 1em; text-align: center;"></a></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhlgqeJCn1lMVOqUrsQ6ZiItMfdMUyAsFD546Lx8xZlGP-dbfQp3kFNBjeVcua0HC37mfoyr_4TrljWHs_AdVxCxrDqiRsH88pDt7omBir87wU-riR9dEB8sRHAYgRhbfPLCC-vsQg8TQ7yQgsyic2HRH7ivEnD_uKseXmoGDWZAV2C9Lz_E9lASD5F" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="277" data-original-width="940" height="189" src="https://blogger.googleusercontent.com/img/a/AVvXsEhlgqeJCn1lMVOqUrsQ6ZiItMfdMUyAsFD546Lx8xZlGP-dbfQp3kFNBjeVcua0HC37mfoyr_4TrljWHs_AdVxCxrDqiRsH88pDt7omBir87wU-riR9dEB8sRHAYgRhbfPLCC-vsQg8TQ7yQgsyic2HRH7ivEnD_uKseXmoGDWZAV2C9Lz_E9lASD5F=w648-h189" width="648" /></a></div><br /><img alt="" data-original-height="279" data-original-width="940" height="191" src="https://blogger.googleusercontent.com/img/a/AVvXsEiDeC2SY0xpfGbGz-VTeitfv_BKxyWV_6dWrqSXsDLvjtIlL7Xg167vvEZneH-0Osx6IQVqoIARVu9_pjjQYsnnBxBSWoFpeivWXITDZ9pWlXr39DNaRsgK0AvAT9DAuKEdklcL0cR2aJE7LcNmaBpp3hhThi9sjHfgHasW49GxlvsyynLYGn0HafAR=w643-h191" width="643" /><p></p><div><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-autospace: none;"><span style="font-size: 14pt;">O desenho como protocolo instrutório é uma das formas de
comunicar e é um elemento catalisador das múltiplas possibilidades da ação.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-autospace: none;"><span style="font-size: 14pt;">O participante é confrontado com um papel que “não diz
nada”, não tem nada escrito, o que causa imediatamente um sentimento de
estranheza.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-autospace: none;"><span style="font-size: 14pt;"> Ao anular as características
normais de uma instrução (o texto escrito e o passo a passo) já está implícito
uma abordagem performativa, pois o interprete é guiado a usar a sua
criatividade e raciocínio para executar a ação.<o:p></o:p></span></p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-autospace: none;"><span style="font-size: 14pt;">Das três pessoas que participaram no ato performativo
nenhuma delas optou pela recusa da instrução, ficando bastante agarradas á
ideia de corresponder a certo comportamento, pelo menos na parte inicial do ato.<o:p></o:p></span></p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-autospace: none;">
</p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-autospace: none;"><span style="font-size: 14pt;">Relacionando com a questão do desenho protocolar, onde a
relação entre a interação de agir e resultados da ação é formalizada enquanto
imagem e ato de desenho.<o:p></o:p></span></p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-autospace: none;"><span style="font-size: 14pt;"> Procurei que a
linguagem do desenho usada fosse bastante simples, usando o desenho de
contorno-linha e um fundo branco para dar as instruções. Não realizei muitos desenhos
para cada instrução com o propósito de criar incerteza sobre o que existe entre
cada ação, que espaço é esse que se cria.<o:p></o:p></span></p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-autospace: none;"><span style="font-size: 14pt;"> Sendo que os
participantes e as instruções dadas se situam no campo da dança já era de
esperar um certo tipo de comportamento e entendimento das instruções, pois o
ser humano baseia-se no conhecimento que tem anteriormente adquirido para ver o
mundo.<o:p></o:p></span></p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-autospace: none;"><span style="font-size: 14pt;"> O que foi mais
interessante de observar a nível comportamental foi ver a dificuldade sentida
em transcrever um movimento habitual e já conhecido pelos participantes para o
papel através dos instrumentos de desenho.<o:p></o:p></span></p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-autospace: none;">
</p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-autospace: none;"><span style="font-size: 14pt;"> </span></p></div><div><br /></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='477' height='397' src='https://www.blogger.com/video.g?token=AD6v5dy46EIf4Kz1-n55ezKc8S02-F3zO43ANtT8OEZXjW5Nz7C2xVWr66rzyc6_bvyE5lwtNHPAUYYy3myn_QzY4A' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br /><div><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='474' height='395' src='https://www.blogger.com/video.g?token=AD6v5dwavPVjNDZ7J5abtBdIfEmy2hEilr2omQKG17YLvJMcRHOd8Me2go8G2Jo2j71EDfLXodYb2Cxhinw1ZDFYOA' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br /><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='469' height='389' src='https://www.blogger.com/video.g?token=AD6v5dwFt1zitr_eNdYokbsomlrVAz9eIFtJm7zE5vqElOyEU_i8HdRBQJgtUf0_BH_zDAgZZcmcV5VuZdkZ66sXXg' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYbmsUJwMuI5Piq5ntnj5LZKuNZRhQvQvcSG6Mliz2roaSsd-L5iboOEzqJ9YeDg5McNkjfvO9WVvK4pXLzeP6dUrwsXtGHVp15Rhc0aHI1LiJxy2hrv2fwTnzEFRaMGvf40jPJRcktBIyWlY3V63nz49ItJRuLhaZJ8PLLHvAEVfsodBzvRoYDUZh/s6000/IMG_5447.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="6000" height="332" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYbmsUJwMuI5Piq5ntnj5LZKuNZRhQvQvcSG6Mliz2roaSsd-L5iboOEzqJ9YeDg5McNkjfvO9WVvK4pXLzeP6dUrwsXtGHVp15Rhc0aHI1LiJxy2hrv2fwTnzEFRaMGvf40jPJRcktBIyWlY3V63nz49ItJRuLhaZJ8PLLHvAEVfsodBzvRoYDUZh/w498-h332/IMG_5447.JPG" width="498" /></a></div><br /><div><br /></div><div><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-size: 14.0pt; line-height: 107%;">Um corpo que se move, desenha muitas
vezes por si só.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><span style="font-size: 14.0pt; line-height: 107%;"><span style="mso-spacerun: yes;"> </span>Penso que o desenho
e a performance são por vezes tão intrínsecos que não sabemos onde começa um e
acaba o outro.<o:p></o:p></span></p><br /></div>Francisca Costahttp://www.blogger.com/profile/16233392910322942163noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-61859432929737993142023-01-25T17:20:00.005+00:002023-02-01T20:58:47.475+00:00Performance-Documento-Desenho<p><br /></p><p style="background: white; text-align: justify;"><span style="color: black; font-family: "Calibri",sans-serif; font-size: 10.0pt;"> </span><span style="color: black; font-family: "trebuchet",serif; font-size: 10.0pt; mso-bidi-font-family: Calibri;"> Neste workshop, foi-nos proposto pensar o desenho
como documento do ato performativo. Começando com um lugar da faculdade, olha-lo
como o grau zero de uma ação desviante. <o:p></o:p></span></p>
<p style="background: white; text-align: justify;"><span style="color: black; font-family: "trebuchet",serif; font-size: 10.0pt; mso-bidi-font-family: Calibri;"> Deveríamos
então perceber as dinâmicas do espaço e a sua funcionalidade para então a
podermos alterar conscientemente.<o:p></o:p></span></p>
<p style="background: white; text-align: justify;"><span style="color: black; font-family: "trebuchet",serif; font-size: 10.0pt; mso-bidi-font-family: Calibri;"> Pretendia-se
que o aluno construísse um corpo documental da ação que criou, tendo como uma
das bases o sistema das transcrições de Bernard Tschumi.<o:p></o:p></span></p>
<p style="background: white; text-align: justify;"><span style="color: black; font-family: "trebuchet",serif; font-size: 10.0pt; mso-bidi-font-family: Calibri;"> Os
meios para o fazer eram livres e cada aluno poderia adequar a linguagem à sua
própria prática.<o:p></o:p></span></p>
<p style="background: white; text-align: justify;"><span style="color: black; font-family: "trebuchet",serif; font-size: 10.0pt; mso-bidi-font-family: Calibri;"> Para
esta proposta optei por descontextualizar a entrada da faculdade, um espaço
bastante emblemático e que todos os estudantes têm que interagir para se
dirigirem aos restantes edifícios. Pensei então num ato que contrariasse a dinâmica
da estrutura do edifício, ou seja, as escadas que são para ser subidas na
vertical permitindo nos ascender, agora eram um espaço ou onde deslizávamos
lateralmente por elas. A simples troca de eixos muda completamente o propósito do
objeto-escada, agora esta já não nos eleva, mas sim nos mantem ao mesmo nível. Neste
mesmo espaço existiria uma pessoa que estava no patamar ligeiramente a cima a
saltar. Neste patamar o objetivo é que nos desloquemos para outras áreas, mas
em vez disso estaríamos no mesmo sítio apenas a variar a altura em que nos
encontrávamos. Penso que esta simples inversão do propósito de algo tão simples
nos faz pensar o espaço como algo com uma função e o desenho como registo ou
instrução para o ato performativo performance. <o:p></o:p></span></p>
<p style="background: white; text-align: justify;"><span style="color: black; font-family: "trebuchet",serif; font-size: 10.0pt; mso-bidi-font-family: Calibri;"><o:p> </o:p></span></p>
<p style="background: white; text-align: center;"><span style="color: black; font-family: "trebuchet",serif; font-size: 10.0pt; mso-bidi-font-family: Calibri;">Ninguém
sabe se esta ação foi realmente realizada, mas ela existe na cabeça de todos
que viram o seu desenho</span></p><p style="background: white; text-align: justify;"><span style="font-family: trebuchet, serif;"><span style="font-size: 13.3333px;"><br /></span></span><span style="color: black; font-family: "trebuchet",serif; font-size: 10.0pt; mso-bidi-font-family: Calibri;"></span></p><div class="separator" style="clear: both; text-align: center;"><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5Rc1z5PWVamQjbzT6C9ssosNkNSPtarYcR40xIOjZpO0-OReQQo2ffCCJLxbedWwSMxWQyFjQCIxJHsDMz8wgOy05bd-ZSx4ag2WCPTOHNUL-It_7eZ0w8nmTXOMCMEZPvlE-yir8jpd6lVs4RDKex6fQM_DwEFV_LF_yTi_1V3AJZ0Ah_hbY9Arr/s733/desenho.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="733" data-original-width="550" height="488" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5Rc1z5PWVamQjbzT6C9ssosNkNSPtarYcR40xIOjZpO0-OReQQo2ffCCJLxbedWwSMxWQyFjQCIxJHsDMz8wgOy05bd-ZSx4ag2WCPTOHNUL-It_7eZ0w8nmTXOMCMEZPvlE-yir8jpd6lVs4RDKex6fQM_DwEFV_LF_yTi_1V3AJZ0Ah_hbY9Arr/w365-h488/desenho.jpg" width="365" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKHy0wwHku04hOx0PViI4ekjTdpecmtiw1C5KZeHkJvdoQeDVc5wC_hZjodiLOoeBaOt5C5EcILNdWNAmQkDNFiEnHS22aQSgf3KCN4IYPHLwOlBtxEXSdN1-zie1pKSCwbqZrNCGYu-osBLvnPCIHsTJs2zRQKjpMh7sPlgC-a83qTelQ8CAfkoO_/s753/mapa.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="419" data-original-width="753" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKHy0wwHku04hOx0PViI4ekjTdpecmtiw1C5KZeHkJvdoQeDVc5wC_hZjodiLOoeBaOt5C5EcILNdWNAmQkDNFiEnHS22aQSgf3KCN4IYPHLwOlBtxEXSdN1-zie1pKSCwbqZrNCGYu-osBLvnPCIHsTJs2zRQKjpMh7sPlgC-a83qTelQ8CAfkoO_/w415-h230/mapa.jpg" width="415" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyphAEPFfzyqMu-Gv1WcRepEORXYLipBye3ChROFuJwfjCSJvVj4zjruETAPfiMsvXUkAiAvmFtJAJVg0TUZbJ0Rk5elkT2-kbikeJaJFZ1pfT9K6_2MnEzY54hURcr4JjvcxMDUkxpHw34Sfbfaw0bVLncEjGYzB-TA07BrpGD9LrRmpcKCCjv5n6/s2000/4af8597a-17f1-4549-8acb-4b36d4f21001.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1128" data-original-width="2000" height="234" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyphAEPFfzyqMu-Gv1WcRepEORXYLipBye3ChROFuJwfjCSJvVj4zjruETAPfiMsvXUkAiAvmFtJAJVg0TUZbJ0Rk5elkT2-kbikeJaJFZ1pfT9K6_2MnEzY54hURcr4JjvcxMDUkxpHw34Sfbfaw0bVLncEjGYzB-TA07BrpGD9LrRmpcKCCjv5n6/w416-h234/4af8597a-17f1-4549-8acb-4b36d4f21001.jpg" width="416" /></a></div></div><div style="text-align: center;"><span style="font-size: 10pt;">fotografia: Ines Soares</span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><o:p></o:p><p></p>Francisca Costahttp://www.blogger.com/profile/16233392910322942163noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-69999955609309057982023-01-25T11:01:00.016+00:002023-01-25T11:03:31.750+00:00Desenho, Instrução, Performance<h3 style="text-align: justify;"><span style="font-family: verdana; text-align: left;"><span style="font-size: small;">1.</span></span></h3><div><span style="font-family: verdana; font-size: small;">Seguem as instruções feitas por mim para outra pessoa. A primeira é para a realização da ação, a segunda do desenho.</span></div><div><span style="font-family: verdana; font-size: small;"><br /></span></div><div style="text-align: center;"><span style="font-family: verdana; font-size: small;">i</span></div><h3 style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpK2sgo7G7EuRO3wlHwZw2MWlJCfeFY1NJRf2kf91ARURFH1pgEuco4-S6s-Oc_pEAoxmDJ-EP7KqTdZTvChDdh1m-2PoMa15C1_EorkeljSFk-Jr3sb1uVd5aZaYhGWlpz1clhey0FJVrl3egvpvZ7cltClpgZIJj0P0WxXs_Zg6ojDYGHtW1_a67tw/s3257/Instru%C3%A7%C3%A3o%20para%20a%C3%A7%C3%A3o%20-1.tif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1748" data-original-width="3257" height="262" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpK2sgo7G7EuRO3wlHwZw2MWlJCfeFY1NJRf2kf91ARURFH1pgEuco4-S6s-Oc_pEAoxmDJ-EP7KqTdZTvChDdh1m-2PoMa15C1_EorkeljSFk-Jr3sb1uVd5aZaYhGWlpz1clhey0FJVrl3egvpvZ7cltClpgZIJj0P0WxXs_Zg6ojDYGHtW1_a67tw/w483-h262/Instru%C3%A7%C3%A3o%20para%20a%C3%A7%C3%A3o%20-1.tif" width="483" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM17touZZ96CWouqXoyGYa45k3iSoLVAAOo-EsXDVPKpuyfqNoO0rpNR2q7GQk_a04j61n0DVRCWuCm6J61C2g9om_3dypWv0T_PHarAfiI6VQaNYhI-K8LzS1mnoY7o1vVx_vFshHDLF7YFc2HE48I930RQ4zH7CGvvTLqbvPuxlx9aaH3az_GT8eIA/s3257/Instru%C3%A7%C3%A3o%20para%20a%C3%A7%C3%A3o%20-2.tif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1748" data-original-width="3257" height="261" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM17touZZ96CWouqXoyGYa45k3iSoLVAAOo-EsXDVPKpuyfqNoO0rpNR2q7GQk_a04j61n0DVRCWuCm6J61C2g9om_3dypWv0T_PHarAfiI6VQaNYhI-K8LzS1mnoY7o1vVx_vFshHDLF7YFc2HE48I930RQ4zH7CGvvTLqbvPuxlx9aaH3az_GT8eIA/w483-h261/Instru%C3%A7%C3%A3o%20para%20a%C3%A7%C3%A3o%20-2.tif" width="483" /></a><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKVDt_W3ksNWAr6WTerF67DM265cszv4FxDU_1xXIz8U7sqdc10mGvNAk-1D9YN5F3otSiKp7BNLsmf9pvG51pHe8-QdMxg7TMnFxxT6SG7XOvvulyHsmz5Ln6YCIBm0WIdDV0ymowIb3HKr07sCizwkDP6ipZ4Nw5AwW5fODjlUtvvaK9aHHBlhgbKA/s3257/Instru%C3%A7%C3%A3o%20para%20a%C3%A7%C3%A3o%20-3.tif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1748" data-original-width="3257" height="257" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKVDt_W3ksNWAr6WTerF67DM265cszv4FxDU_1xXIz8U7sqdc10mGvNAk-1D9YN5F3otSiKp7BNLsmf9pvG51pHe8-QdMxg7TMnFxxT6SG7XOvvulyHsmz5Ln6YCIBm0WIdDV0ymowIb3HKr07sCizwkDP6ipZ4Nw5AwW5fODjlUtvvaK9aHHBlhgbKA/w483-h257/Instru%C3%A7%C3%A3o%20para%20a%C3%A7%C3%A3o%20-3.tif" width="483" /></a></div></h3><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirVefpgjfAmRSdUuGgAr7C1DaPYHzxvVi3GXPWXvdYtccKsyTxRDXamU9kJmSgH43nKH62sMo_ZFiuDN2dj8xYRN-Sgz4zpCUmvjR84cHLaKl8FlDAQ9A8DmFQvS-tZjZc7TcfAB1RSUI3qRRe6Wbz5XTGtHGK4nXa_d8uek6ZGZfCdgViWwcdM9Ygtw/s3257/Instru%C3%A7%C3%A3o%20para%20a%C3%A7%C3%A3o%20-4.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1748" data-original-width="3257" height="257" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirVefpgjfAmRSdUuGgAr7C1DaPYHzxvVi3GXPWXvdYtccKsyTxRDXamU9kJmSgH43nKH62sMo_ZFiuDN2dj8xYRN-Sgz4zpCUmvjR84cHLaKl8FlDAQ9A8DmFQvS-tZjZc7TcfAB1RSUI3qRRe6Wbz5XTGtHGK4nXa_d8uek6ZGZfCdgViWwcdM9Ygtw/w484-h257/Instru%C3%A7%C3%A3o%20para%20a%C3%A7%C3%A3o%20-4.png" width="484" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: verdana;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: verdana;">Fiz a instrução para o efeito de uma ação que atuasse a partir das formas do acaso. Ou seja, que levasse a pessoa a refletir sobre a realidade tal qual se presentificava no momento determinado, aos olhos e ao espírito. </span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: verdana;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: verdana;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: verdana;">ii</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: verdana;">Na segunda instrução, tentei que o desenho pudesse não só representar o objeto, mas conseguisse trazer a antítese da sua materialidade e de todo comportamento físico. O desenho, ao designar a pedra, passa a funcionar como uma, atuando na própria leitura e configuração do gesto sobre o espaço. </span></div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuj1cAK-TvsVxDgxIaZsX1DwbQ6Md0LUE2QPT6lKXHe7HqZKS6Km6evAvq1R3csvJ9vsMyfZ9tpieMKNqmPqHDntZdGLW_i0s9Nb6LSjSKNVTPVDbE9Gi18H3WaU-OgSvsF-6Dy2m7ddhd8b6kq3U5Te2B0VeQAVQhX8j2c3QPNqtgt2w9BliHzGjccA/s2953/Instru%C3%A7%C3%A3o%20para%20desenho.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1322" data-original-width="2953" height="220" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuj1cAK-TvsVxDgxIaZsX1DwbQ6Md0LUE2QPT6lKXHe7HqZKS6Km6evAvq1R3csvJ9vsMyfZ9tpieMKNqmPqHDntZdGLW_i0s9Nb6LSjSKNVTPVDbE9Gi18H3WaU-OgSvsF-6Dy2m7ddhd8b6kq3U5Te2B0VeQAVQhX8j2c3QPNqtgt2w9BliHzGjccA/w493-h220/Instru%C3%A7%C3%A3o%20para%20desenho.png" width="493" /></a></div><div><br /></div><span style="font-family: verdana;"><b>2.</b></span><div style="text-align: justify;"><span style="font-family: verdana;">Quanto à instrução que recebi, havia um só documento com dois passos. O desenho acabaria por ser um objeto que surge da sua manipulação, através do recorte de um círculo. Não obtendo muito mais informação, recebera uma anotação poética que dizia "murmúrio do vento", acompanhado de um desenho de duas mãos a friccionarem um lápis, onde espetaria o círculo ao centro, formando um "cata-vento".</span></div><div><div style="text-align: justify;"><span style="font-family: verdana;">Decidi, assim, representar tudo numa só ação gravada, em que recorto a forma, e onde o passo seguinte parte da descoberta sobre a forma posta em movimento. Decidi prestar atenção aos ritmos e ao som do vento, fazendo o objeto durar, no espaço do vídeo. </span></div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0oS7AEHI6KM1jeV6tsbVLCSZ9hgWGoUNZbnWv6LSe-OuY3Hn6c3Z83iZUGHdgLk16177n5iHJw0UP-AJCxHF6ekxtJUgY148E6OJWObW8dQa8hOS1pE_wdE_yKSx9lnWAqCv8GEwgtJcLOWCx-r9WPSjng6EfpHyYIDqJfNX8ipTE2zINkfJ-_V22xw/s1366/Untitled-1.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="1366" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0oS7AEHI6KM1jeV6tsbVLCSZ9hgWGoUNZbnWv6LSe-OuY3Hn6c3Z83iZUGHdgLk16177n5iHJw0UP-AJCxHF6ekxtJUgY148E6OJWObW8dQa8hOS1pE_wdE_yKSx9lnWAqCv8GEwgtJcLOWCx-r9WPSjng6EfpHyYIDqJfNX8ipTE2zINkfJ-_V22xw/s320/Untitled-1.png" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzjIpVA0E9lVmUf-m7eETcYuxabaPmlWJJqzzEu_NWF9YEr97O5CPtearghqDOKJiEWyw1TZX5Ngt0-Bb1JBlzp1W1o-C_TCn8eEyfXC-vRsrguxzZdxPRCZSO8gQ-0jiw78MQ2kmyokHdhwdXhW_Ivm5G6iuxJ9VYuKWLp8D47dMdvx13dEHKnBwLLw/s1366/Untitled-2.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="1366" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzjIpVA0E9lVmUf-m7eETcYuxabaPmlWJJqzzEu_NWF9YEr97O5CPtearghqDOKJiEWyw1TZX5Ngt0-Bb1JBlzp1W1o-C_TCn8eEyfXC-vRsrguxzZdxPRCZSO8gQ-0jiw78MQ2kmyokHdhwdXhW_Ivm5G6iuxJ9VYuKWLp8D47dMdvx13dEHKnBwLLw/s320/Untitled-2.png" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglCYhF-NtKxg41frk8R4y7v1vDdTJcXPP47laxsJYgSE0PjjTcmBtaPyeiJUWuiT2cEeT8nZm72bc8eDLOaAw5B0afvA7YZnJ50cj6EGOBfZluEqI9AWdkwe8if7G-K7Sagwoe5Yl7vNbYlOThsAE15bi9XLbL7UExtHVKpqQOycJ38PlftsBzrpcrZg/s1366/Untitled-3.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="709" data-original-width="1366" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglCYhF-NtKxg41frk8R4y7v1vDdTJcXPP47laxsJYgSE0PjjTcmBtaPyeiJUWuiT2cEeT8nZm72bc8eDLOaAw5B0afvA7YZnJ50cj6EGOBfZluEqI9AWdkwe8if7G-K7Sagwoe5Yl7vNbYlOThsAE15bi9XLbL7UExtHVKpqQOycJ38PlftsBzrpcrZg/s320/Untitled-3.png" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-small;">frames do vídeo (18'25'')</span></div><br /><div class="separator" style="clear: both; text-align: justify;"><br /></div><div><div style="text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div></div></div>André Marqueshttp://www.blogger.com/profile/07324137119581048671noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-85123852999870062122023-01-24T20:33:00.017+00:002023-01-25T11:08:43.982+00:00Retórica do Ato Performativo<h3 style="text-align: center;"><span style="font-family: verdana; font-size: small; font-weight: normal;">i</span></h3><div class="separator" style="clear: both; text-align: center;"><span style="font-family: verdana; font-size: small; text-align: left;"><br /></span></div><p style="clear: both; text-align: justify;"><span style="text-align: left;"><span style="font-family: verdana;"></span></span></p><p style="text-align: justify;"><span style="text-align: left;"><span style="font-family: verdana;"> </span></span><span style="font-family: verdana;">A performance começa comigo e com alguém escolhido da turma. Peço que nos sentemos frente a frente. Sem nenhuma instrução verbalizada, incito a que nos olhemos, pelo silêncio formado e pelo sentido de inação. </span></p><p style="text-align: justify;"><span style="text-align: left;"><span style="font-family: verdana;"> </span></span></p><p></p><p style="text-align: left;"></p><div class="separator" style="clear: both; text-align: center;"><p style="clear: both; text-align: center;"></p><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQNSsPc3A4lHCZdnOVUbrGdEN-mieyTadoqab5AJemQOi3ZnV3b-WLeriB8gA-SQW7seBR4PdrmMcDQ5keIVr_MXbEkhOCg-pF104g6oH6djjgClWDGiiLpTJAQerMzjkRa2ZJZSxa1gPnuxZN3NxSFmpzWbzOxTt9s9Vowbbu1W40RyA2pKDBUVyaEw/s1599/IMG-20221111-WA0001%20(1).jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: verdana;"><img border="0" data-original-height="1200" data-original-width="1599" height="290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQNSsPc3A4lHCZdnOVUbrGdEN-mieyTadoqab5AJemQOi3ZnV3b-WLeriB8gA-SQW7seBR4PdrmMcDQ5keIVr_MXbEkhOCg-pF104g6oH6djjgClWDGiiLpTJAQerMzjkRa2ZJZSxa1gPnuxZN3NxSFmpzWbzOxTt9s9Vowbbu1W40RyA2pKDBUVyaEw/w386-h290/IMG-20221111-WA0001%20(1).jpg" width="386" /></span></a></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; text-align: justify;"><span style="font-family: verdana;">Esta disposição entres os dois
participantes transporta-nos para a ação de duas<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; text-align: justify;"><span style="font-family: verdana;">pessoas a conversar. O direcionamento do
olhar é essencial ao conversar.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; text-align: justify;"><span style="font-family: verdana;"> </span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; text-align: justify;"><span style="font-family: verdana;">Contudo, nesta situação, não estamos a
fazer nada a não ser olharmo-nos. Não há fala. Poderia ter verbalizado a
intenção deste primeiro momento - a concentração mútua, <i>isotopia</i> deste
grau zero; o “conversar-se com o olhar”. A pessoa ficou ligeiramente confusa,
perante a inação. <o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; text-align: justify;"><span style="font-family: verdana;"> </span></p>
<p align="center" class="MsoNormal" style="line-height: normal; margin-bottom: 0cm;"><span style="font-family: verdana;">ii<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; text-align: justify;"><span style="font-family: verdana;">Adiciona-se um novo gesto – o gesto de
tirar os óculos da cara, estendê-los à pessoa, e esta os pôr.</span><span style="font-family: "Times New Roman", serif; font-size: 13.5pt;"><o:p></o:p></span></p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; text-align: justify;"><span style="font-family: verdana;"><br /></span></p></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpBKSOrGg5a1QpXU0eRzlbCFl4FjGjqd5CiAw7yRPM9NiZNigaEVM31CmbnAMN55e9ADC8qNK3h0QqRt0E9c1Eb99tg-N_RdnQ6SLVuDZw-8-ez91fznq5Gza5ETU46yl5D4OfMX8EQVknuPIyHxaTSv8FfaY2IV9-gohmQziMPWYWBNeNVwhN6HhuXQ/s1599/IMG-20221111-WA0012.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: verdana;"><img border="0" data-original-height="1200" data-original-width="1599" height="296" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpBKSOrGg5a1QpXU0eRzlbCFl4FjGjqd5CiAw7yRPM9NiZNigaEVM31CmbnAMN55e9ADC8qNK3h0QqRt0E9c1Eb99tg-N_RdnQ6SLVuDZw-8-ez91fznq5Gza5ETU46yl5D4OfMX8EQVknuPIyHxaTSv8FfaY2IV9-gohmQziMPWYWBNeNVwhN6HhuXQ/w394-h296/IMG-20221111-WA0012.jpg" width="394" /></span></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">
<div style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-family: verdana;">Este gesto introduz uma negociação. É um acordo que
vem desequilibrar e desorganizar esta experiência satisfatoriamente partilhada.<br /></span><span style="font-family: verdana;">Pedir para alguém pôr os meus óculos
de correção de miopia é comprometer amplamente a sua acuidade visual.</span></div>
<p class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span face=""Verdana",sans-serif" style="font-size: 12pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><br /></span></p><p class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicht3ox3XkTWqzItOsNtcJHhJl1gmgGL-lAYJ5RyP15zCQhReWb7rS7AWTY8C-tXfCFAPaKhPn0ePMIgN5Re4WObfo0KlzuJtUynQFI3OyCvD4jfTDSDjPP9VBAISARZwkGjK4u1h4MRWGTqJjdkrP7O12Q_3_LQ_Qpr5o6zjeFy-6HP7BmUN-B8jEQA/s1599/IMG-20221111-WA0011.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1599" height="297" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicht3ox3XkTWqzItOsNtcJHhJl1gmgGL-lAYJ5RyP15zCQhReWb7rS7AWTY8C-tXfCFAPaKhPn0ePMIgN5Re4WObfo0KlzuJtUynQFI3OyCvD4jfTDSDjPP9VBAISARZwkGjK4u1h4MRWGTqJjdkrP7O12Q_3_LQ_Qpr5o6zjeFy-6HP7BmUN-B8jEQA/w396-h297/IMG-20221111-WA0011.jpg" width="396" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div></div></div><blockquote><blockquote><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><span style="font-family: verdana; text-align: justify;"></span></div></div></blockquote></blockquote><p style="text-align: justify;"><span style="font-family: verdana;"><span face="Verdana, sans-serif" style="line-height: 107%;">A pessoa passa a ter um elemento que
corresponde à minha aparência física. A isto, está subjacente a dor que isso
provoca, a pessoa sente-se tonta. </span><span style="line-height: 107%;"><o:p></o:p></span></span></p><p>
</p><p class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;"><span style="font-family: verdana;"><span face="Verdana, sans-serif">Há
um desvio – a pessoa que põe os óculos sofre, e eu vejo mal sem eles. Há o que
permite um contexto de <i>alotopia</i>. Mas como se resolverá esta
transposição? Tentarei remediar a falta de visão. Desse modo, terei de me
aproximar para corrigir a visão. A outra pessoa deverá acabar a performance,
porque não aguenta muito tempo a ver pelos óculos. </span><span face="Verdana, sans-serif"> </span></span><span style="font-family: "Times New Roman", serif; font-size: 13.5pt;"><o:p></o:p></span></p></div><p style="text-align: center;"><span style="font-family: verdana; text-align: left;"></span></p><blockquote style="text-align: left;"><p></p></blockquote><div style="text-align: left;"><div class="separator" style="clear: both; text-align: center;"><blockquote><blockquote><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTlPQTxW-2s_d8lPz_OfBnMERl0K8xMoS2S090jOwO3XpJvENU1eIDdJriT3wm9c9zNpaVUASvM-tjoB3v_uvRQJ_kpquXfA0Bh6KN4IEtZl545Vnd_EHnTFDqCOccUUtCJa9f_UOSdFWZMx_buH-BfFiRIDFwJ05ZPyTJe4MZzmdW5uwG9lIVwa7KIQ/s1599/IMG-20221111-WA0011.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: verdana;"></span></a></div></blockquote></blockquote><p style="text-align: center;"><br /></p><p style="text-align: center;"><span style="font-family: verdana;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBV6Qr1hq3gw6_hg5avgvPpehzYpAPmJnbXGWicfOFENihhx6VSF4GZkefLKjrJAOXzjjMeW8lAgMBkST_CUpSnlqxoXDx0AN_iaKSFyfSOScAEhh0pT770LT1nvbvYm52CWD4HxT_JcdBx85bDo_YOvuD3kwym0JIwYKWGanUd8DNuHh4Nbz6k246Rw/s1599/IMG-20221111-WA0010.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1599" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBV6Qr1hq3gw6_hg5avgvPpehzYpAPmJnbXGWicfOFENihhx6VSF4GZkefLKjrJAOXzjjMeW8lAgMBkST_CUpSnlqxoXDx0AN_iaKSFyfSOScAEhh0pT770LT1nvbvYm52CWD4HxT_JcdBx85bDo_YOvuD3kwym0JIwYKWGanUd8DNuHh4Nbz6k246Rw/w410-h307/IMG-20221111-WA0010.jpg" width="410" /></a></span></p><p style="text-align: center;"><br /></p></div></div><blockquote style="text-align: left;"><blockquote><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='409' height='340' src='https://www.blogger.com/video.g?token=AD6v5dxsZF---jk0aa7ztuU3qQUr9bvK0z0t2h3pLmeyaHK9M0y5eVu8mxH0qX8cqdOxgnGkRkoHEV_7ZRycGX15nQ' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br /><p style="text-align: center;"><br /></p></blockquote><p></p><div><div></div></div></blockquote><div style="text-align: left;"><div style="text-align: justify;"><br /></div></div>André Marqueshttp://www.blogger.com/profile/07324137119581048671noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-6908137161851851122023-01-23T21:52:00.004+00:002023-01-23T21:53:25.059+00:00Transferência ato-imagem – Performance, Desenho e Documentação<p> </p><div class="separator" style="clear: both; text-align: left;">Este trabalho consistia em utilizar o desenho como documentação num contexto performativo. Foi proposto que escolhêssemos um local da escola para ser utilizado no nosso trabalho e, após deliberação, decidi pelas escadas que fazem a ligação entre o quarto e o terceiro andar do Pavilhão Sul da Faculdade de Belas Artes da Universidade do Porto.</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhU_UVm6MvGIEG6q-VIX8xgpK2GxJZdxQlUeeGdZevgjN85Oqz-0B0tQzpTcBQfVVt8bbqJdQMusCYHiaecFy4sq8ylhfiBOerBkaGnujdMU823Lot1h42TI7Z0MAnB0S9rSIC6A8xIdixBeZCml-ldkt65jeI--GassFQm0M3vy7YNAx5l5-vtHuKvrQ/s4032/1A3E5679-F048-4F42-AC96-E27B04DBC254.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhU_UVm6MvGIEG6q-VIX8xgpK2GxJZdxQlUeeGdZevgjN85Oqz-0B0tQzpTcBQfVVt8bbqJdQMusCYHiaecFy4sq8ylhfiBOerBkaGnujdMU823Lot1h42TI7Z0MAnB0S9rSIC6A8xIdixBeZCml-ldkt65jeI--GassFQm0M3vy7YNAx5l5-vtHuKvrQ/s320/1A3E5679-F048-4F42-AC96-E27B04DBC254.jpeg" width="240" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #999999; font-size: small;">registo fotográfico do local em questão - grau zero</span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1UktLksAXkPS5pl5_Mgo3R9ymuCVLEtkixFaMDTvra8FmWdv1EZiginZlIxvMWRBigCQ4U0N4N9Zrv3fStE0-WsdvXXRpvkTMpy8TT3fAn6VKGPEU-CoUCvpK_Vwx8hKuwuNaPpv7i5RcEN58_nnB1lcQyOtIFvWaBcgwU_Jn9-O_f79GoqMgfLEfXg/s2289/IMG_6776.heic" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1178" data-original-width="2289" height="165" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1UktLksAXkPS5pl5_Mgo3R9ymuCVLEtkixFaMDTvra8FmWdv1EZiginZlIxvMWRBigCQ4U0N4N9Zrv3fStE0-WsdvXXRpvkTMpy8TT3fAn6VKGPEU-CoUCvpK_Vwx8hKuwuNaPpv7i5RcEN58_nnB1lcQyOtIFvWaBcgwU_Jn9-O_f79GoqMgfLEfXg/s320/IMG_6776.heic" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #999999; font-size: x-small;">local específico retirado da planta da faculdade</span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: left;">Primeiramente considerei várias performances que pudesse utilizar para o registo da documentação e eventualmente fiz a ligação das escadas como escorrega, das memórias infantis de querer deslizar pelo corrimão, mas desta vez pelos degraus. A acção consistia em utilizar uma mesa da sala de aula, virá-la ao contrário e utilizá-la como prancha para deslizar pelos degraus abaixo até chegar ao terceiro andar debaixo. Esta transferência-de-uso em que transformo as escadas em escorrega.</span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxom-lpKRBXT9gW26dN4sCTIkxgn6cz58zdX7MhzxRYy5yMGurx8RB13c0mxcnEYOSad_dh0Iex15mQ9tcmMTux8EPA7jZy-cImJavCldm2HzwzIA932rAl5y79fNojScbR6pvaUEYxe1cPQy1WfjeefOCAiPFYza0meERfHg0HH1-b7aZ6mnbbRpfdQ/s1243/Untitled-2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="384" data-original-width="1243" height="99" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxom-lpKRBXT9gW26dN4sCTIkxgn6cz58zdX7MhzxRYy5yMGurx8RB13c0mxcnEYOSad_dh0Iex15mQ9tcmMTux8EPA7jZy-cImJavCldm2HzwzIA932rAl5y79fNojScbR6pvaUEYxe1cPQy1WfjeefOCAiPFYza0meERfHg0HH1-b7aZ6mnbbRpfdQ/s320/Untitled-2.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #999999; font-size: small;">desenho da planta com o percurso da ação</span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9psh9j4vQtzSFpVP3RSq2JFvNnBhI6aO-IDHq-NF9awnZxsLmOv9xWtCjpsBI22nHZX_3NNGDaIPzlZkAeXmkjDhNe_SUHlgIcl-v1eFp8lC6stpybMnw1qVt7nYKL2MILwiiQkih7rhm3W2spBChUaR0Ke5MNvq5pWZ05u5T54sybnnOmByRpmbd2g/s2353/Untitled-3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="612" data-original-width="2353" height="83" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9psh9j4vQtzSFpVP3RSq2JFvNnBhI6aO-IDHq-NF9awnZxsLmOv9xWtCjpsBI22nHZX_3NNGDaIPzlZkAeXmkjDhNe_SUHlgIcl-v1eFp8lC6stpybMnw1qVt7nYKL2MILwiiQkih7rhm3W2spBChUaR0Ke5MNvq5pWZ05u5T54sybnnOmByRpmbd2g/s320/Untitled-3.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #999999; font-size: x-small;">documento da construção da "prancha"</span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: justify;">Esta documentação trata-se de uma documentação fictícia em que aqui crio uma documentação em desenho de uma ação que, na verdade, não aconteceu na realidade. Não tinha testemunhas nem uma audiência mas aqui não se trata tanto de quem esteve presente para provar o acontecimento pois a documentação do ato em si aqui é o ato performativo. Neste contexto, o evento ter acontecido ou não não faz sentido <strike>se bem que à medida que fazia o registo, sentia uma enorme vontade de o fazer na realidade, se não fosse os riscos envolvidos</strike>.</div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;">"<i>Perhaps the authenticity of the performance document resides in its relationship to its beholder rather than to an ostensibly originary
event: perhaps its authority is phenomenological rather than ontological. Just as one
can have the pleasure of hearing Sinatra sing duets with singers with whom he had
no real interaction, so one can have the pleasure of seeing Klein leap into the void
or that of contemplating the implications of Burden’s allowing himself to be shot.
These pleasures are available from the documentation and therefore do not depend
on whether an audience witnessed the original event.</i>"<br /><br /></div><div class="separator" style="clear: both; text-align: right;">(Philip Auslander, 2005)</div><div class="separator" style="clear: both; text-align: justify;"> </div><div class="separator" style="clear: both; text-align: justify;">Para o desenho da documentação, precisei imaginar-me na ação em si e colocar-me no papel da performance, considerando o que via, o que sentia, o movimento que fazia, entre outros. Como tal fiz vários registos diferentes de forma a contribuir para que quem observasse sentisse presente na performance da ação e passasse pela mesma experiência que agora estava permanente em desenho. Perante toda a documentação final, para além da vontade de recriar, quase me enganava a pensar que realmente tivesse acontecido.</div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: x-small;">A talvez alguém o tenha feito...</span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6G46gIpwMmI6Gnzfc2wGrrN4epL15PXZpdmccvK504PMI-lsqP7wWZxNAiZpr8aDm1V2dzFARpxge6mi28eRj67N3nXHDx_irm0N3xhY6mT8HROLBOyCyRE38H4NnNAvkmXQg5oQJw53hEESu0VULuLqIPQmRHXa4JgF4XIstGw3ItnLiVXvChlMVfA/s1335/Untitled-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1335" data-original-width="898" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6G46gIpwMmI6Gnzfc2wGrrN4epL15PXZpdmccvK504PMI-lsqP7wWZxNAiZpr8aDm1V2dzFARpxge6mi28eRj67N3nXHDx_irm0N3xhY6mT8HROLBOyCyRE38H4NnNAvkmXQg5oQJw53hEESu0VULuLqIPQmRHXa4JgF4XIstGw3ItnLiVXvChlMVfA/s320/Untitled-1.jpg" width="215" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #999999; font-size: small;">desenho da perspetiva do local com a ação</span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTomeOvl1BBuVOPLQrskq0GcRw-gmoluGMIHT2NDpyj1xLA6LzJ6UG51dAJkBvKgEjt88RU69AzSH78SYi1Uw0rs71YX_EAHtFGzXWBeHiAP2MKjjs_WJOkgYELjvgQ4-spwlYyqWP5hof5Shhx-a4ooQA2KEnrfX8OhHxG4Fk6lfJUdhmhqEe8yr5Jg/s2716/Untitled-4.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1899" data-original-width="2716" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTomeOvl1BBuVOPLQrskq0GcRw-gmoluGMIHT2NDpyj1xLA6LzJ6UG51dAJkBvKgEjt88RU69AzSH78SYi1Uw0rs71YX_EAHtFGzXWBeHiAP2MKjjs_WJOkgYELjvgQ4-spwlYyqWP5hof5Shhx-a4ooQA2KEnrfX8OhHxG4Fk6lfJUdhmhqEe8yr5Jg/s320/Untitled-4.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #999999; font-size: small;">documento da deslocação seguindo o movimento pelas escadas abaixo</span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #999999; font-size: small;">incluindo registos de emoções, batimento cardíaco e nível de adrenalina</span></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><p></p>Carla Agostinhohttp://www.blogger.com/profile/17874717798074402559noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-58186232702881894962023-01-23T21:37:00.003+00:002023-01-29T17:50:31.393+00:00PERFORMANCE, DOCUMENTO E DESENHO - Maria Inês Gomes<p><br /></p><p style="text-align: justify;"> <span style="font-family: trebuchet;"> Neste quarto workshop, foi-nos proposto pensar o desenho como documento do ato performativo. Tendo como ponto de partida um lugar da faculdade, a proposta consistia em olhar esse lugar como o grau zero de uma ação desviante. Em seguida, devíamos pensar esse espaço em relação à sua funcionalidade e características, e descontextualizá-lo, de modo a desfamiliarizar a relação que </span><span style="font-family: trebuchet;"><span style="text-align: left;">mantínhamos com o espaço. Depois, pretendia-se realizar um corpo documental dessa mesma ação, tendo como uma das bases o </span><span style="text-align: left;">sistema das transcrições de Bernard Tschumi, usado em Manhattan Transcripts (1994).</span></span></p><p style="text-align: justify;"><span style="font-family: trebuchet;"> Para esta proposta decidi descontextualizar o espaço da casa-de-banho do 3º andar do Pavilhão Sul. Quando pensei a função e o contexto deste espaço, tive a ideia de pensar no acontecimento mais disruptivo possível, e foi aí que me lembrei de realizar um funeral. De modo a poder realmente realizar a ação, e não só a documentação da mesma, estabeleci uma correlação entre o canal da água que liga a sanita ao esgoto, com o canal do </span><span style="background-color: white; text-align: left;"><span style="color: #202124; font-family: trebuchet;">rio Estige e Aqueronte, que segundo a mitologia grega, dividiam o mundo dos vivos do mundo dos mortos. A figura do morto, que representaria o Caronte, foi interpretada por um belo bicho-de-conta, que jazia há uns dias numa teia de aranha perto da entrada da minha casa. Recolhi o sujeito de modo a conceder-lhe um último momento solene neste mundo, até o mesmo seguir para outras paragens. Como caixão, construí um pequeno barquinho de papel, que levaria o nosso amigo até às terras do além. </span></span></p><p style="text-align: justify;"><span style="background-color: white; text-align: left;"><span style="color: #202124; font-family: trebuchet;"><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> A performance terminou com o apertar do botão do autoclismo. </span><br /></span></span></p><p style="text-align: justify;"><span style="background-color: white; text-align: left;"><span style="color: #202124; font-family: trebuchet;"><span><span> </span><span> </span><span> </span><span> </span><span> </span><span> <span> </span><span> </span></span><span>Porém, diz-se por aí que o defunto naufragou e ficou a boiar em marés desconhecidas até ao dia seguinte.</span><br /></span></span></span></p><p style="text-align: justify;"><span style="background-color: white; text-align: left;"><span style="color: #202124; font-family: trebuchet;"><span><span><br /></span></span></span></span></p><p style="text-align: justify;"><span style="background-color: white; text-align: left;"><span style="color: #202124; font-family: trebuchet;"><span><span>Em seguida, apresentam-se alguns quadros da ação performativa realizada:</span></span></span></span></p><p style="text-align: justify;"><span style="background-color: white; text-align: left;"><span style="color: #202124; font-family: trebuchet;"><span><span><br /></span></span></span></span></p><p style="text-align: justify;"><span style="background-color: white; text-align: left;"><span style="color: #202124; font-family: trebuchet;"><span><span><br /></span></span></span></span></p><p style="text-align: center;"><span style="background-color: white; text-align: left;"><span style="color: #202124; font-family: trebuchet;"><span></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #202124; font-family: trebuchet;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-EUxY7PPbQg3Wyz8KfFSvh-GOt9uKn8jtH7zOyZ9-98ONLh1K-k9IESY8Ob16UJnjkVCGr5IkiYuuQBnhCvTYtO9qDO_SKwZV-bOmVBT9nrfy_5bc3RHwqkD1AzIzO0CVKeqgIekzcQgmTX5acRJKjtmDVqPk2a_vbUZ2AhAgHg37dzt6vVADL-dq/s1600/IMG-20230123-WA0001.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1600" height="144" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-EUxY7PPbQg3Wyz8KfFSvh-GOt9uKn8jtH7zOyZ9-98ONLh1K-k9IESY8Ob16UJnjkVCGr5IkiYuuQBnhCvTYtO9qDO_SKwZV-bOmVBT9nrfy_5bc3RHwqkD1AzIzO0CVKeqgIekzcQgmTX5acRJKjtmDVqPk2a_vbUZ2AhAgHg37dzt6vVADL-dq/s320/IMG-20230123-WA0001.jpg" width="320" /></a></span></div><span style="color: #202124; font-family: trebuchet;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTCrBx2b2bkjw_A3PmcXWaJXstiKAHsLlbhDZhk5dgDIhusOTRio8GNn8sppJtxPT24dK1pERIXC6RqnHfh-nDYaI6Uf1ax-mxp9SELPmFgKaRZ5ND-aOPm5cxHaD2PFv1wVUzgqXAA8cYYMiwlT00A5Qia8UIeP_1HzKuuwF0uKVWVBoW0Dhzx69Y/s1600/IMG-20230123-WA0002.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1600" height="144" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTCrBx2b2bkjw_A3PmcXWaJXstiKAHsLlbhDZhk5dgDIhusOTRio8GNn8sppJtxPT24dK1pERIXC6RqnHfh-nDYaI6Uf1ax-mxp9SELPmFgKaRZ5ND-aOPm5cxHaD2PFv1wVUzgqXAA8cYYMiwlT00A5Qia8UIeP_1HzKuuwF0uKVWVBoW0Dhzx69Y/s320/IMG-20230123-WA0002.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ7dg7VM7-J1uG2yrc0mHP14aMjwj7uaxEVaZeQaa5qEFGGybMD-LEyGwXPqPMf3Y3ASdUTS2vaqwpEIAkg1qNH1aUQnDRuqE_5Jp69dlqhZsdSbO7csIACsQi8Dp2-5hUjY1FpCHu1Ni5TNnudsABGWkcPUB6X4XcDsVXWzZJN0PEjX0QiuqiduVx/s1600/IMG-20230123-WA0003.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1600" height="144" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ7dg7VM7-J1uG2yrc0mHP14aMjwj7uaxEVaZeQaa5qEFGGybMD-LEyGwXPqPMf3Y3ASdUTS2vaqwpEIAkg1qNH1aUQnDRuqE_5Jp69dlqhZsdSbO7csIACsQi8Dp2-5hUjY1FpCHu1Ni5TNnudsABGWkcPUB6X4XcDsVXWzZJN0PEjX0QiuqiduVx/s320/IMG-20230123-WA0003.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqvEx0i69wlNr1KGzFwjsp3h7YveRiUer6OGL04pV9w1UYsiC_o2GwMCB1C4C86InjRe7j--k2KDPv-jFtwTca_1-ePxS98vTNRWYyDxBuRL4wAWNrDYSpmu4Mzv-U8uMOVwY_KEzZERB4QP96Q2sy2R499GqaiEcVE_McfYG6fqsDQeIoBETlI0rf/s1600/IMG-20230123-WA0004.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1600" height="144" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqvEx0i69wlNr1KGzFwjsp3h7YveRiUer6OGL04pV9w1UYsiC_o2GwMCB1C4C86InjRe7j--k2KDPv-jFtwTca_1-ePxS98vTNRWYyDxBuRL4wAWNrDYSpmu4Mzv-U8uMOVwY_KEzZERB4QP96Q2sy2R499GqaiEcVE_McfYG6fqsDQeIoBETlI0rf/s320/IMG-20230123-WA0004.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFN9HYNMCKUnS22G4nbPDMtE94xts2Dqp_jOcumFeK3RPCmA4_TIIL8gD1JE5hbtnXjBOsKXMBCJ6gGVs4jHFWK4U1Z5LenoDRvLq2_k2t55sDV6cdQ9NxRSOCc-vB7mOSBrxW_vNWEblCa1yh5IklCoHxfuktd3H2UCD-HGfWhNtd7qruooZQ3ZrL/s1600/IMG-20230123-WA0005.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1600" height="144" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFN9HYNMCKUnS22G4nbPDMtE94xts2Dqp_jOcumFeK3RPCmA4_TIIL8gD1JE5hbtnXjBOsKXMBCJ6gGVs4jHFWK4U1Z5LenoDRvLq2_k2t55sDV6cdQ9NxRSOCc-vB7mOSBrxW_vNWEblCa1yh5IklCoHxfuktd3H2UCD-HGfWhNtd7qruooZQ3ZrL/s320/IMG-20230123-WA0005.jpg" width="320" /></a></div><br /><span><br /></span></span><p></p><p style="text-align: justify;"><span style="background-color: white; text-align: left;"><span style="color: #202124; font-family: trebuchet;"><span><span>Em seguida, procedeu-se à documentação de todo o processo da ação, tendo sido estes os resultados obtidos:</span></span></span></span></p><p style="text-align: justify;"><span style="background-color: white; text-align: left;"><span style="color: #202124; font-family: trebuchet;"><span><span><br /></span></span></span></span></p><p style="text-align: justify;"><span style="background-color: white; text-align: left;"><span style="color: #202124; font-family: trebuchet;"><span></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #202124; font-family: trebuchet;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheU19GZAVnciItzqaBZb6AHTnTeUf5cjf-OMpLxH0uKvzqbdQDgpbUFx8kpN0NOP0z3pMTvaBfJUpY1CafJKu1LKRl7nD7qvlr31cNBBxenxibXKMUePY64fgN7zPYt3sO9ETkVVHS5gvi5k3KDOTxL_vUZ6f4aqsgPS_3d4S181ZoVl2Lk6LxyB9r/s4608/1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3456" data-original-width="4608" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheU19GZAVnciItzqaBZb6AHTnTeUf5cjf-OMpLxH0uKvzqbdQDgpbUFx8kpN0NOP0z3pMTvaBfJUpY1CafJKu1LKRl7nD7qvlr31cNBBxenxibXKMUePY64fgN7zPYt3sO9ETkVVHS5gvi5k3KDOTxL_vUZ6f4aqsgPS_3d4S181ZoVl2Lk6LxyB9r/s320/1.jpg" width="320" /></a></span></div><span style="color: #202124; font-family: trebuchet;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghwcOUS96PNkX5R3_beFcUWCDfSiacE8uzkOrVLoUM1FqO5AJrQyiMnlPycdrYLt865NjnMja7-uhLufY5Uic2_p1XIXSgWl1DpdEtONGz7wijccUIj5bWCn43K3_LwJWRho03y2586vfp5TlpEravlmNq5tW4Y8LV4DCqeBE0wmtk33KQp6w_4EFb/s4608/2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3456" data-original-width="4608" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghwcOUS96PNkX5R3_beFcUWCDfSiacE8uzkOrVLoUM1FqO5AJrQyiMnlPycdrYLt865NjnMja7-uhLufY5Uic2_p1XIXSgWl1DpdEtONGz7wijccUIj5bWCn43K3_LwJWRho03y2586vfp5TlpEravlmNq5tW4Y8LV4DCqeBE0wmtk33KQp6w_4EFb/s320/2.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLdH1ZZy4p_Qs64BUCQ1ZJi9mAqs2dflsrN3DDVJEtg1Ih1p6uy-6HTeGw0d_J8-vdWCPyOwhNIraXMNe6sS-xqSPdeMBIcwiEeStY43ILikhBim79sFl0mIQ6SmLNN_NJQI8672VaFMLCxlmKAHc8lxYtI2TLTbXCrlTGSskW6dP3F12MfZn7nrxV/s3455/3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3296" data-original-width="3455" height="405" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLdH1ZZy4p_Qs64BUCQ1ZJi9mAqs2dflsrN3DDVJEtg1Ih1p6uy-6HTeGw0d_J8-vdWCPyOwhNIraXMNe6sS-xqSPdeMBIcwiEeStY43ILikhBim79sFl0mIQ6SmLNN_NJQI8672VaFMLCxlmKAHc8lxYtI2TLTbXCrlTGSskW6dP3F12MfZn7nrxV/w425-h405/3.jpg" width="425" /></a></div></span><span style="background-color: white; color: #202124; font-family: trebuchet; text-align: left;"><p style="font-size: medium; text-align: justify;"><span style="background-color: white; color: #202124; font-family: trebuchet; font-size: small; text-align: left;"><br /></span></p><span style="font-size: x-small;">De cima para baixo: 1) réplica do barco que transportou o cadáver;</span></span><p></p><p style="text-align: justify;"><span style="background-color: white; text-align: left;"><span style="color: #202124; font-family: trebuchet; font-size: x-small;"><span><span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span>2) localização do espaço, com recurso a modelo do barco, acompanhado de folha de alumínio que permitiu a conservação e transporte;</span><br /></span></span></span></span></p><p style="text-align: justify;"><span style="font-size: x-small;"><span style="background-color: white; text-align: left;"><span style="color: #202124; font-family: trebuchet;"><span><span><span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span>3) documentos diversos: desenhos desenvolvidos a partir do </span></span></span></span></span></span><span style="font-family: trebuchet; text-align: left;">sistema das transcrições de Bernard Tschumi e outros registos à mão livre; planta do espaço; fotografia da ação.</span></span></p><p style="text-align: justify;"><br /></p>Maria Inês Gomeshttp://www.blogger.com/profile/08408448036491660993noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-6170454560445084672023-01-23T19:28:00.024+00:002023-01-25T11:07:03.142+00:00Transferências de uso. André Marques<h1 style="text-align: center;"><span style="font-size: small; text-align: left;"><br /></span></h1><h3 style="text-align: left;"><span style="font-size: small;">1</span></h3><div style="text-align: left;"><p class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; text-align: justify;"><span style="font-family: verdana;">Cabelo à frente, na testa. Verão. O suor escorre sem que o possa controlar a fim de me manter bem. Chegar à testa com os dedos, limpar o suor. Um envolvimento que, da contingência, se torna cuidadoso. Os dedos deslizam.</span></p></div><p style="text-align: left;"></p><div style="text-align: justify;"><span style="font-family: verdana;"><br /></span></div><span style="font-family: verdana; text-align: justify;">Agora fazer tudo no papel. Com pigmento, com pincel, com os dedos novamente. Sentir e atentar. Perceber os vários toques, os vários ritmos, os tempos para a transferência. </span><p></p><div><br /></div><div><span style="font-family: "inherit", serif; font-size: 16px; text-align: justify;"><br /></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFxVj7Ew9EVoVNsrnQoiBl4sVPYqp2acziz2A95TsT4xVBX_uXG44I8mMfFZ5HStAcmy72-Isn7GFyIk2lfEI1xvhw3_xtGMV5-ajOdUFSLGivPhLuYlgjhkfDe50UJKSvUAsdU9dq9Ehru3wquKajh_kV2IddpMdmXf6rHsp34OUWY2Nonowjjsiw2g/s3869/1.2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1772" data-original-width="3869" height="147" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFxVj7Ew9EVoVNsrnQoiBl4sVPYqp2acziz2A95TsT4xVBX_uXG44I8mMfFZ5HStAcmy72-Isn7GFyIk2lfEI1xvhw3_xtGMV5-ajOdUFSLGivPhLuYlgjhkfDe50UJKSvUAsdU9dq9Ehru3wquKajh_kV2IddpMdmXf6rHsp34OUWY2Nonowjjsiw2g/s320/1.2.jpg" width="320" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnhUTxjfhc-V3aAaOYLLc0ZGAerXTY6zJTXSeTJdXP9NlnZWb5A6syDkRbNsOr9LhN6ZJ11KUsEf0dGH4SSQoJ9x3STaD4EQEP9J2Z0SYjJyxdBwrcL6GIrIson4vZhlyehW7eC5hvYPQE8y1b4jqF6GkFV3X6A9W5RtWKIlnTuA78ENysQL8KENcEqQ/s3543/1%20-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2322" data-original-width="3543" height="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnhUTxjfhc-V3aAaOYLLc0ZGAerXTY6zJTXSeTJdXP9NlnZWb5A6syDkRbNsOr9LhN6ZJ11KUsEf0dGH4SSQoJ9x3STaD4EQEP9J2Z0SYjJyxdBwrcL6GIrIson4vZhlyehW7eC5hvYPQE8y1b4jqF6GkFV3X6A9W5RtWKIlnTuA78ENysQL8KENcEqQ/s320/1%20-1.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: x-small;"> </span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: x-small;"> </span></div></div><p style="clear: both; text-align: center;"><span style="font-family: verdana; text-align: justify;">Perceber também o desenho que segue da natureza do gesto.</span></p><p> </p><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdL4CdHWmr-KCR6-dYvhKqgPAzmc9LN9ERXcucjpZxkb7Ua266KwLw8CW3LDlXgGJSnmMT8qG9VWZ_R_Ga-DJAvUNDkoFa9-nu1C-Qqsemzhier5Gplq-Y4ehGPus00F2XlHvjoo5JOeLmBXReAR1zBAT_qEqUw-c2qCcybbVgCVSV40NG3VQaw17YlQ/s3997/1.3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2322" data-original-width="3997" height="186" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdL4CdHWmr-KCR6-dYvhKqgPAzmc9LN9ERXcucjpZxkb7Ua266KwLw8CW3LDlXgGJSnmMT8qG9VWZ_R_Ga-DJAvUNDkoFa9-nu1C-Qqsemzhier5Gplq-Y4ehGPus00F2XlHvjoo5JOeLmBXReAR1zBAT_qEqUw-c2qCcybbVgCVSV40NG3VQaw17YlQ/s320/1.3.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><h3 style="clear: both; text-align: left;"><span style="font-family: verdana; font-size: small;">2.</span></h3><p style="text-align: center;"></p><p style="text-align: justify;"><span style="font-family: verdana;">A segunda performance nasce da simultaneidade de duas ações díspares, a fim de as coordenar. <br /></span><span style="font-family: verdana;">Espetar uma agulha numa almofada de costureiro; engolir. <br /></span><span style="font-family: verdana;">Calças azuis; almofada vermelha (por coincidência).</span></p><p></p><p></p><p></p><div style="text-align: justify;"><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjaq9Pz8q_q0rqlpqNUP8RiIQT4f7ZtZovPuleEA3Z7sJAJTC_nL2aj70-G0rjonrfc4RvllrLt8CLPNRHRWHjHCkNp8F4OMAZXIkgHxyabWkKXQZttEuohLugyszgp4QI6IEaVU3PHMIqcyFTJFLG2lsBVr56jhTUpO5dqHPbXTYTFgzPQ2lYwQfAuA/s4068/2.1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4068" data-original-width="2140" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjaq9Pz8q_q0rqlpqNUP8RiIQT4f7ZtZovPuleEA3Z7sJAJTC_nL2aj70-G0rjonrfc4RvllrLt8CLPNRHRWHjHCkNp8F4OMAZXIkgHxyabWkKXQZttEuohLugyszgp4QI6IEaVU3PHMIqcyFTJFLG2lsBVr56jhTUpO5dqHPbXTYTFgzPQ2lYwQfAuA/s320/2.1.jpg" width="168" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1Voso0Jowj1SOZY8J2lmfdHjr4_NRngQThzjWCJjWTriPfm8gHNLl93F5MDm2zqULG72wIEr9ASucZ8Eg1XZaln1uFSXhc1MJpcHOXy-XS1fomvcCphpNeahFO5Gui-VxqPU-L9qJ8J-afHtGSMMhCXcxksD9hER_JFSv4ntUi1-kckZve6oL3u8QBg/s3926/2.2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3926" data-original-width="2013" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1Voso0Jowj1SOZY8J2lmfdHjr4_NRngQThzjWCJjWTriPfm8gHNLl93F5MDm2zqULG72wIEr9ASucZ8Eg1XZaln1uFSXhc1MJpcHOXy-XS1fomvcCphpNeahFO5Gui-VxqPU-L9qJ8J-afHtGSMMhCXcxksD9hER_JFSv4ntUi1-kckZve6oL3u8QBg/s320/2.2.jpg" width="164" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4teiC6cgyDkVZ-CA2djW9U6eWo3H5vrbsiQA0fvX1Jr_mEHFC9SnKIQQ2OWe3DMpAvC9ILZb9uSdHMiFT16MEAnkbJhsse1sj4dFvE-nEGciw4kAN2tg7koYwc_dtTMVvYSqvKK_I--o19II2WON53eBZsFUgPlFAL2CW0_VYheXvk65phHT0nu2Zkg/s4114/2.3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4114" data-original-width="2322" height="290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4teiC6cgyDkVZ-CA2djW9U6eWo3H5vrbsiQA0fvX1Jr_mEHFC9SnKIQQ2OWe3DMpAvC9ILZb9uSdHMiFT16MEAnkbJhsse1sj4dFvE-nEGciw4kAN2tg7koYwc_dtTMVvYSqvKK_I--o19II2WON53eBZsFUgPlFAL2CW0_VYheXvk65phHT0nu2Zkg/w165-h290/2.3.jpg" width="165" /></a></div><span style="font-family: verdana; text-align: justify;"><div><span style="text-align: justify;"><br /></span></div>O ato surge de uma tentativa, interna e sensorial, de pensar a função do corpo para a sua saciedade imaginada.</span></div><div><span style="font-family: verdana; text-align: justify;"><br /></span></div><p style="text-align: justify;"></p><div style="text-align: left;"><span style="font-family: verdana;">Positivo; negativo.</span></div><div style="text-align: left;"><span style="font-family: verdana;"><br /></span></div><div style="text-align: left;"><span style="font-family: verdana;"> Dentro; fora.</span></div><div style="text-align: left;"><br /></div><h4 style="text-align: left;"><br /></h4><h4 style="text-align: left;"><span style="font-family: verdana;">3</span></h4><div><br /></div><div style="text-align: justify;"><span style="font-family: verdana;">Neste último momento, tenta-se usar um gesto do desenho, transportando-o para o espaço envolvente.</span></div><div style="text-align: justify;"><span style="font-family: verdana;"><br /></span></div><div style="text-align: justify;"><span style="font-family: verdana;">Lembrei-me de pegar numa trincha, pincel apto a deslizar em movimentos retilíneos. A tentativa é a de perceber como o corpo dirige, pela noção de espaço e de movimento que comporta, para o espaço negativo. Permanece o movimento. Desafia o vazio, atuando sobre ele, pelo comando e pela motricidade fina.</span></div><div style="text-align: justify;"><br /></div><div><br /></div><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqXbjoBHkPjY9KApU2Y_nGg7QrK_q9kDE1yYICGt4hHI9pqdD82tfFO9SpamTjbmnsjPE1TZLXWtB9QoasDgc2lf9CU1EytlgGDbm2cQof3DBE5QdfuI1uLOlGjQlKGQPzSA_eG-6Fup5jknjRZcOBXfb4mNlA3ZwXGi4psc2w9VEKchlmigcLhMNWMg/s3799/3.1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2197" data-original-width="3799" height="185" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqXbjoBHkPjY9KApU2Y_nGg7QrK_q9kDE1yYICGt4hHI9pqdD82tfFO9SpamTjbmnsjPE1TZLXWtB9QoasDgc2lf9CU1EytlgGDbm2cQof3DBE5QdfuI1uLOlGjQlKGQPzSA_eG-6Fup5jknjRZcOBXfb4mNlA3ZwXGi4psc2w9VEKchlmigcLhMNWMg/s320/3.1.jpg" width="320" /></a></div><div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlVa48xCd7wkoijeqTY3H7ELGS2m0Y1_sV_Jnbuqsyn-evyg0NGmIOrKq97n_pbSk3ioZdqB3mKp2YaFr81Q9BJW2dw6Br7je74rP2WpyH4t40G0yLqNsERBJ3rdIoR0byuoUqHZ-lWMZSCJPmEqVUwnbkDdGchx5Byvzh3GEufu0p2kvvLCuQfvcSxw/s4128/3.2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2322" data-original-width="4128" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlVa48xCd7wkoijeqTY3H7ELGS2m0Y1_sV_Jnbuqsyn-evyg0NGmIOrKq97n_pbSk3ioZdqB3mKp2YaFr81Q9BJW2dw6Br7je74rP2WpyH4t40G0yLqNsERBJ3rdIoR0byuoUqHZ-lWMZSCJPmEqVUwnbkDdGchx5Byvzh3GEufu0p2kvvLCuQfvcSxw/s320/3.2.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXyv8OpMHnv5_k7a966on42vcKmnhhhF_e2ckU3plYlOlTqUBTv1Lr1T_M37I68S5Of6cdv-BNx3e7z_ZNhhvDh884pnKSwO-FXkvRNSoba_pfvvgaTgids1zJIV0o3c5IDpD-BkwVBgAR5AraZHUxdyVBYVdsubVOf6EJ5tkMtkc3D8U0GVLOfIrQgw/s4128/3.3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2322" data-original-width="4128" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXyv8OpMHnv5_k7a966on42vcKmnhhhF_e2ckU3plYlOlTqUBTv1Lr1T_M37I68S5Of6cdv-BNx3e7z_ZNhhvDh884pnKSwO-FXkvRNSoba_pfvvgaTgids1zJIV0o3c5IDpD-BkwVBgAR5AraZHUxdyVBYVdsubVOf6EJ5tkMtkc3D8U0GVLOfIrQgw/s320/3.3.jpg" width="320" /></a></div></div><div><br /></div><span style="font-family: arial; font-size: large;"><br /></span></div>André Marqueshttp://www.blogger.com/profile/07324137119581048671noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-53480026527603527262023-01-23T00:38:00.005+00:002023-01-23T00:39:23.376+00:00Performace, Documento e Desenho- Claudia Campos<p><span style="background-color: white;"><span style="font-family: times;"><br /></span></span></p><p><span style="font-family: times; font-size: large;">Performance</span><span style="background-color: white;"><span style="font-family: times; font-size: large;">, Documento e Desenho</span></span></p><p><span style="background-color: white;"><span style="font-family: times;">Cláudia Campos</span></span></p><p><span style="background-color: white;"><span style="font-family: times;"><br /></span></span></p><p><span style="background-color: white;"><span style="font-family: times;"><br /></span></span></p><p><span style="background-color: white;"><span style="font-family: times;"><br /></span></span></p><p><span style="background-color: white;"><span style="font-family: times;">Verbos escolhidos: </span></span><span style="background-color: white; font-family: times;">Documentar, rememorar, reconstituir </span></p><div style="background-color: white;"><span style="font-family: times;"><br /></span></div><div style="background-color: white;"><span style="font-family: times;">Este seminário pretendia refletir sobre as motivações e estratégias do desenho como arquivo e documento em contexto performativo. </span></div><div style="background-color: white;"><span style="font-family: times;">Como base do trabalho, eu escolhi uma caixa de música ( Für Elise - Beethoven’s) que serve como o grau zero de uma ação desviante.</span></div><div style="background-color: white;"><span style="font-family: times;"><br /></span></div><div style="background-color: white;"><span style="font-family: times;">Circunstância: A caixa de música serve como elemento transportador para o meu passado. </span><span style="font-family: times;">Esta ideia procura explorar atos do desenho deslocando-me para uma memória </span><span style="background-color: transparent;"><span style="font-family: times;">nostálgica. A partir do desenho procuro recriar o atelier de pintura que frequentava desde muito nova, arquivando essa memória visual.</span></span></div><div style="background-color: white;"><br /></div><div style="background-color: white;"><br /></div><div style="background-color: white;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNFQXL3orOp7tL94eh9MqNWRDNF6sk2-ICTLqxvTytg5D8cRT95CgqD8gRlv33iHkh0mu0wS-0SDGbL73_Uk6jp3m-NNJYq4K24qht6MXR_Gvf1NN4LVH_SvC1exB8jn4bUK5a1b0OGYqhF2EIWi5OHG-ks935Xij0SBLs1wXeCzwPadMxolce4uzpQw/s2000/77.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="2000" height="512" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNFQXL3orOp7tL94eh9MqNWRDNF6sk2-ICTLqxvTytg5D8cRT95CgqD8gRlv33iHkh0mu0wS-0SDGbL73_Uk6jp3m-NNJYq4K24qht6MXR_Gvf1NN4LVH_SvC1exB8jn4bUK5a1b0OGYqhF2EIWi5OHG-ks935Xij0SBLs1wXeCzwPadMxolce4uzpQw/w640-h512/77.png" width="640" /></a></div><br />1#Frames do vídeo " O limiar entre o passado e o presente"<br /><div class="separator" style="clear: both; text-align: center;"><br /></div></div></div><div style="background-color: white;"><br /></div><div style="background-color: white;"><br /></div><div style="background-color: white;"><br /></div><div style="background-color: white;">Naquele tempo todo ouvia vários clássicos enquanto pintava, mas havia sempre uma música
que me dava muito gosto de ouvir, na altura não sabia nomes, até um dia a ouvir novamente enquanto
passava uma loja com caixinhas de música. Decidi entrar para ver de onde reconhecia tão bem aquela melodia,
e li na sua etiqueta que pertencia a Beethoven, com o nome Für Elise. Ainda hoje ouço essa música, que traz
sempre consigo memórias daquele lugar acolhedor, cheio de livros e posters de arte pelas paredes e da sala com o cheiro delicioso do chá de limonete que a professora Avelina
tanto gostava de fazer, mas mais importante, traz-me memórias daquela menina que gostava tanto de pintar
com os dedos nas telas ao ritmo das músicas.
… "<div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFb4P1Xdds9PHqK8Rhs8ZKBuZ8Una7Yva9_LNxgcHs4x5b1rnydzQLS4I-NsgpPcKprtlsd3RLsoCt-4jw2vQ8gEpKBr1NE3Wm6RFV5ieIgfoYLOsxyjJnnXEJ8PTOKVPMg6xt3VbaL9UYSXvKfUNQIBVqYWelu2mhXTRGaLr7bHHssxrShgJNAKK1gA/s2950/22.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2950" data-original-width="2252" height="359" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFb4P1Xdds9PHqK8Rhs8ZKBuZ8Una7Yva9_LNxgcHs4x5b1rnydzQLS4I-NsgpPcKprtlsd3RLsoCt-4jw2vQ8gEpKBr1NE3Wm6RFV5ieIgfoYLOsxyjJnnXEJ8PTOKVPMg6xt3VbaL9UYSXvKfUNQIBVqYWelu2mhXTRGaLr7bHHssxrShgJNAKK1gA/w274-h359/22.jpg" width="274" /></a></div></div><div style="background-color: white;"><span style="font-family: times;"><br /></span></div><div style="background-color: white;"><span style="font-family: times;"><br /></span></div><div style="background-color: white;">2# Memória visual do atelier</div>Cláudia Camposhttp://www.blogger.com/profile/18000457914683497632noreply@blogger.comtag:blogger.com,1999:blog-1905045061266545658.post-83081020128119582332023-01-22T23:19:00.008+00:002023-01-22T23:20:49.145+00:00Desenho, instrução e performance- Cláudia Campos<p> </p><h3 class="post-title entry-title" itemprop="name" style="background-color: white; font-size: 22px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: normal; line-height: normal; margin: 0.75em 0px 0px; position: relative;"><a href="http://desenhoeperformatividade.blogspot.com/2022/04/blog-post.html" style="color: #cc0000; text-decoration-line: none;"><span style="font-family: georgia;">Desenho, instrução e performance</span></a></h3><div>Cláudia Pinto Campos</div><p><span style="background-color: white; font-family: Calibri; font-size: 13.2px; text-align: justify;"><br /></span></p><p><span style="background-color: white; font-family: Calibri; font-size: 13.2px; text-align: justify;"><br /></span></p><p><span style="background-color: white; font-family: times; text-align: justify;"> </span><span style="background-color: white; font-family: times; text-align: justify;">Penso na instrução como uma estrutura ou norma para realizarmos uma tarefa, ainda assim a interpretação é algo bastante singular, e o modo como é executada revela, também, a singularidade de quem a executa. O poder da instrução não é inerente a esta, mas na "submissão" de quem a recebe.</span></p><p><span style="background-color: white; text-align: justify;"><span style="font-family: times;">Para este exercício recebi duas instruções escritas por outro colega (anónimo)</span></span></p><p></p><ol start="1" type="1">
<li class="MsoNormal" style="background: white; color: black; mso-list: l0 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt;"><span style="font-size: 12pt; mso-fareast-font-family: "Times New Roman";"><span style="font-family: times;">(Instrução
para realização de um desenho)<br />
A partir de uma folha branca e uma caneta preta, desenha um ponto.<br />
Agora tens a tua mosca.<br />
Colocando a caneta sobre a mosca, e sem a levantar do papel, guia-a no
sentido de procurar a saída para fora do papel, registando o seu movimento
por via de linha contínua.<o:p></o:p></span></span></li></ol><div><span style="font-family: times;"><br /></span></div><div><span style="font-family: times;"><br /></span></div><div><span style="font-family: times;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiazH8II2gDdPWu8SNEb1zVcQi_hZEijsYDG5Dw488BdHN4axixmw7kidPR4xqY_COgjTxaBPyVICyRW1P-vXJ_tw5t9uGDb6Elc4vDiGOP4KUtQfsxHak64iPuMrX_LekhsPh-o0svnxQiP0DYdU0jJbb3oWO6FqadIJyj9Xi41jr8tWP5FFGDC2qosA" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="1600" data-original-width="2000" height="442" src="https://blogger.googleusercontent.com/img/a/AVvXsEiazH8II2gDdPWu8SNEb1zVcQi_hZEijsYDG5Dw488BdHN4axixmw7kidPR4xqY_COgjTxaBPyVICyRW1P-vXJ_tw5t9uGDb6Elc4vDiGOP4KUtQfsxHak64iPuMrX_LekhsPh-o0svnxQiP0DYdU0jJbb3oWO6FqadIJyj9Xi41jr8tWP5FFGDC2qosA=w599-h442" width="599" /></a></div><br /> 1# Frames de video performance "A mosca"</span></div><div><span style="font-family: times;"><br /></span></div><div><span style="font-family: times;">Para este exercício fui rabiscando um papel ao "ritmo" do barulho de uma mosca, expressando de certa forma ,todo o caminho que ela voou até conseguir sair do papel.</span></div><div><span style="font-family: times;"><br /></span></div><div><span style="font-family: times;"><br /></span></div><div><span style="font-family: times;"><br /></span></div><div><span style="font-family: times;"><br /></span></div><div><span style="font-family: times;"><br /></span></div><div><span style="font-family: times;"><br /></span></div><ol start="1" type="1">
<li class="MsoNormal" style="background: white; color: black; mso-list: l0 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt;"><span style="font-size: 12pt; mso-fareast-font-family: "Times New Roman";"><span style="font-family: times;">(Instrução
para a realização de outra ação que não um desenho)<br />
Numa folha, escreve aquilo que sentes no momento e, posteriormente dobra e
coloca num envelope.<br />
Demolha o envelope em água até este ficar bem molhado.<br />
Com cuidado, leva o envelope ao congelador e deixa-o permanecer lá durante
a noite.<br />
No dia seguinte, retira o envelope do congelador e relê o que foi escrito
no papel.<o:p></o:p></span></span></li>
</ol><div><span style="font-family: times;"><br /></span></div><div><span style="font-family: times;"><br /></span></div>
<p class="MsoNormal" style="background: white;"><span style="color: black; font-size: 12pt; mso-fareast-font-family: "Times New Roman";"><o:p><span style="font-family: times;"> </span></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: times;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhAJ1OuLKkPeLBVxB18DfoP_OAtyBXSmai7_KwDoBuve34GqcYyioCvTfxyjccsIQYoaNdsxqpXmTIJLny8xu9G8Odi0_LhU4qOUWKIRZUeOGfavDBWPVcwxM-yyb2GfSCWMbS0KrhLNP5dZ1zK4yIC9t_Kk60jSDmpJkIA790YDRfuVOkFZ6eTAXNO1g" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="1459" data-original-width="1872" height="481" src="https://blogger.googleusercontent.com/img/a/AVvXsEhAJ1OuLKkPeLBVxB18DfoP_OAtyBXSmai7_KwDoBuve34GqcYyioCvTfxyjccsIQYoaNdsxqpXmTIJLny8xu9G8Odi0_LhU4qOUWKIRZUeOGfavDBWPVcwxM-yyb2GfSCWMbS0KrhLNP5dZ1zK4yIC9t_Kk60jSDmpJkIA790YDRfuVOkFZ6eTAXNO1g=w617-h481" width="617" /></a></span></div><span style="font-family: times;">2# Fotografias do processo</span><p></p><p class="MsoNormal" style="background: white;"><span style="color: black; font-size: 12pt; mso-fareast-font-family: "Times New Roman";"><o:p><span style="font-family: times;">Escrevi a palavra que me veio à cabeça no momento, nostalgia. </span></o:p></span><span style="font-family: times;"><span data-offset-key="arq91-147-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">N</span><span data-offset-key="arq91-148-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">ost</span><span data-offset-key="arq91-149-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">algia</span><span data-offset-key="arq91-150-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> é</span><span data-offset-key="arq91-151-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> u</span><span data-offset-key="arq91-152-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">ma</span><span data-offset-key="arq91-153-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> em</span><span data-offset-key="arq91-154-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">o</span><span data-offset-key="arq91-155-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">ç</span><span data-offset-key="arq91-156-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">ão</span><span data-offset-key="arq91-157-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> p</span><span data-offset-key="arq91-158-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">oder</span><span data-offset-key="arq91-159-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">osa</span><span data-offset-key="arq91-160-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> que</span><span data-offset-key="arq91-161-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> p</span><span data-offset-key="arq91-162-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">ode</span><span data-offset-key="arq91-163-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> ev</span><span data-offset-key="arq91-164-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">oc</span><span data-offset-key="arq91-165-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">ar</span><span data-offset-key="arq91-166-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> u</span><span data-offset-key="arq91-167-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">ma</span><span data-offset-key="arq91-168-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> varied</span><span data-offset-key="arq91-169-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">ade</span><span data-offset-key="arq91-170-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> de</span><span data-offset-key="arq91-171-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> sentiment</span><span data-offset-key="arq91-172-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">os</span><span data-offset-key="arq91-173-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">.</span><span data-offset-key="arq91-174-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> P</span><span data-offset-key="arq91-175-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">ode</span><span data-offset-key="arq91-176-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> ser</span><span data-offset-key="arq91-177-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> um</span><span data-offset-key="arq91-178-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> am</span><span data-offset-key="arq91-179-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">argo</span><span data-offset-key="arq91-180-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> le</span><span data-offset-key="arq91-181-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">mb</span><span data-offset-key="arq91-182-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">rete</span><span data-offset-key="arq91-183-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> de</span><span data-offset-key="arq91-184-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> mem</span><span data-offset-key="arq91-185-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">ó</span><span data-offset-key="arq91-186-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">ri</span><span data-offset-key="arq91-187-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">as</span><span data-offset-key="arq91-188-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> fel</span><span data-offset-key="arq91-189-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">izes</span><span data-offset-key="arq91-190-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">,</span><span data-offset-key="arq91-191-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> o</span><span data-offset-key="arq91-192-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">u até mesmo</span><span data-offset-key="arq91-193-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> um</span><span data-offset-key="arq91-194-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> an</span><span data-offset-key="arq91-195-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">se</span><span data-offset-key="arq91-196-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">io</span><span data-offset-key="arq91-197-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> por</span><span data-offset-key="arq91-198-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> um</span><span data-offset-key="arq91-199-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> tempo</span><span data-offset-key="arq91-200-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> que</span><span data-offset-key="arq91-201-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;"> pass</span><span data-offset-key="arq91-202-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">ou.</span></span></p><p class="MsoNormal" style="background: white;"><span style="font-family: times;"><span data-offset-key="arq91-202-0" style="background-color: transparent; box-sizing: border-box; color: #353740; font-size: 16px; white-space: break-spaces;">Em relação ao resultado, gostaria que a palavra se tivesse esborratado, criando alguma mancha à qual pudesse ter associado com a definição da própria palavra</span></span></p><span style="background-color: white; font-family: Calibri; font-size: 13.2px; text-align: justify;"></span><p></p>Cláudia Camposhttp://www.blogger.com/profile/18000457914683497632noreply@blogger.com